Image result for cracker men should weepCRACKER: MEN SHOULD WEEP (TV) (UK, 1994) ****
      Distributor: ITV – Independent Television; Production Company: A&E Television Networks / Granada Television; Release Date: 21, 28 November & 5 December 1994; Running Time: 149m; Colour: Colour; Sound Mix: Dolby Stereo; Film Format: 16mm; Aspect Ratio: 1.66:1; BBFC Cert: 18.
      Director: Jean Stewart; Writer: Jimmy McGovern; Executive Producer: Sally Head; Producer: Paul Abbott; Director of Photography: Ivan Strasburg; Music Composer: David Ferguson; Film Editor: Tony Cranstoun; Casting Director: Gail Stevens; Production Designer: Stephen Fineren; Art Director: Nick Wilkinson; Sound: Phil Smith.
      Cast: Robbie Coltrane (Fitz), Barbara Flynn (Judith Fitzgerald), Geraldine Somerville (D.S. Penhaligon), Lorcan Cranitch (D.S. Beck), Ricky Tomlinson (D.C.I. Wise), Graham Aggrey (Floyd Malcolm), Colin Tierney (Harriman), Alexander Newland (Marvin Malcolm), Julie Saunders (Bev Malcolm), Rachel Davies (Mrs Malcolm), Ludmilla Vuli (Trish), John McArdle (Tom Carter), Marian McLoughlin (Catherine Carter), Wil Johnson (Skelton), Isobel Middleton (Catriona Bilborough),Kieran O’Brien (Mark), Tess Thomson (Katie).
      Synopsis: Floyd Malcolm, a black taxi driver, lashes out at white men who disrespect him by raping their wives and destroying the evidence, and strikes at the heart of Fitz’s personal life when Penhaligon is raped.
      Comment: Jimmy McGovern returns to script the final story of the second series of Cracker and it is an absorbing drama. The central story of a serial rapist fuelled by racial insecurity is well-written. The drama also has a twist which brings matters closer to home as Penhaligon (Somerville) becomes a victim – only to realise her attacker is not the man the police are hunting down. Performances are top-notch as usual and the drama only loses its shape in its final act, when genre conventions threaten to de-rail it. Fortunately, the direction and acting are so strong it just about makes it through as we are left on a cliff-hanger ending.