Film Review – WHITEOUT (2009)

WHITEOUT (2009, Canada/USA/France/Turkey) **½
Action, Crime, Thriller
dist. Warner Bros. USA), Optimum Releasing  (UK); pr co. Warner Bros. / Dark Castle Entertainment / StudioCanal; d. Dominic Sena; w. Jon Hoeber, Erich Hoeber, Chad Hayes, Carey Hayes (based on the graphic novel by Greg Rucka and Steve Lieber); exec pr. Don Carmody, Steve Richards, Greg Rucka; pr. Susan Downey, David Gambino, Joel Silver; assoc pr. Aaron Auch, Ethan Erwin; ph. Christopher Soos (Technicolor. 35mm (anamorphic) (Kodak Vision 2383), D-Cinema. Digital Intermediate (2K) (master format), Super 35 (source format). 2.35:1); m. John Frizzell; ed. Martin Hunter; pd. Graham ‘Grace’ Walker; ad. Gilles Aird, Martin Gendron, Jean Kazemirchuk; set d. Réjean Labrie; cos. Wendy Partridge; m/up. Jocelyne Bellemare, Corald Giroux; sd. Mark Larry (Dolby Digital | DTS | SDDS); sfx. Louis Craig; vfx. Dennis Berardi, Ian Hunter, Richard Yuricich, Jeff Goldman, Richard Martin, Tom Turnbull, Thierry Delattre; st. Steve Lucescu; rel. 9 September 2009 (USA), 11 September 2009 (UK); cert: 15; r/t. 101m.

cast: Kate Beckinsale (Carrie Stetko), Gabriel Macht (Robert Pryce), Tom Skerritt (Dr. John Fury), Columbus Short (Delfy), Alex O’Loughlin (Russell Haden), Shawn Doyle (Sam Murphy), Joel Keller (Jack), Jesse Todd (Rubin), Arthur Holden (McGuire), Erin Hicock (Rhonda), Bashar Rahal (Russian Pilot), Julian Cain (Russian Co-pilot), Dennis Keiffer (Russian Guard), Andrei Runtso (Russian Guard), Roman Varshavsky (Russian Guard), Steve Lucescu (Mooney), Paula Jean Hixson (Lab Tech), Craig A. Pinckes (Aircraft Tech), Sean Tucker (Operations Tech), Marc James Beauchamp (Weiss).

The only U.S. Marshal assigned to Antarctica, Carrie Stetko (Beckinsale) will soon leave the harsh environment behind for good; in three days, the sun will set and the Amundsen-Scott Research Station will shut down for the long winter. When a body is discovered out on the open ice, Carrie’s investigation into the continent’s first homicide plunges her deep into a mystery that may cost her own life. The Antarctic setting adds to the atmosphere of this otherwise familiar genre thriller. Beckinsale is good in the lead, although she remains perfectly presented despite the hostile environment. The film manages to generate some tension and thrills but there is a distinct lack of originality in the plot, which has a muddled narrative with gaps in logic. The CGI work is moderate at best and the presentation of the setting always feels a little false.

TV Review – GUNSMOKE: THE JAILER (1966)

Amanda Blake was scared to work with Bette Davis on GunsmokeGUNSMOKE: THE JAILER (1966, USA) ****
Western
net. CBS Television Network; pr co. CBS Television Network; d. Vincent McEveety; w. Hal Sitowitz; exec pr. Philip Leacock; pr. John Mantley; ph. Harry Stradling Jr. (Colour. 35mm. Spherical. 1.33:1); m. Morton Stevens; ed. Albrecht Joseph; ad. John B. Goodman; set d. Herman N. Schoenbrun; cos. Alexander Velcoff; m/up. Glen Alden, Pat Whiffing; sd. Vernon W. Kramer (Mono); tr. 1 October 1966; r/t. 51m.

cast: James Arness (Matt Dillon), Milburn Stone (Doc), Amanda Blake (Kitty), Ken Curtis (Festus), Bette Davis (Etta Stone), Bruce Dern (Lou Stone), Robert Sorrells (Mike Stone), Zalman King (Jack Stone), Tom Skerritt (Ben Stone), Julie Sommars (Sara Stone), Roger Ewing (Thad), Glenn Strange (Sam Noonan), Stephen Burnette (Townsman (uncredited)), Fred McDougall (Prison Wagon Driver (uncredited)), Anthony Redondo (Guard (uncredited)).

(s. 12 ep. 3) Etta Stone (Davis) is a very bitter, older, woman who has Kitty and Matt captured and thrown into a homemade jail, and now she plans on hanging Matt for the execution of her husband 6 years before. This is an exceptional episode of the long-running TV series with a top-notch cast and excellent direction from McEveety. Davis is all brooding, dominant matriarch and vengeful psychotic as she seeks revenge on Matt (Arness) for the hanging sentence handed to her husband through her kidnapping of Kitty (Blake). She uses her sons – including Dern and Skerritt – as her instruments of retribution, as well as Dern’s wife Sommars, who unbeknownst to Dern has picked up with Skerritt whilst Dern had been serving time in prison. Arness and Blake begin to play on the sibling tension leading to the final confrontation. It is undoubtedly Blake’s best performance in the series (she acknowledges the episode as a personal favourite) and her scenes with Davis are electric. It is a great example of how superb acting and strong direction can lift a story.

Film Review – THE ROOKIE (1990)

Related imageTHE ROOKIE (USA, 1990) **
      Distributor: Warner Bros.; Production Company: Warner Bros. / Malpaso Productions / Kazanjian-Siebert Productions / Lighthouse Entertainment; Release Date: 6 December 1990 (USA), 18 January 1991 (UK); Filming Dates: 16 April 1990 – 13 July 1990; Running Time: 120m; Colour: Technicolor; Sound Mix: 70 mm 6-Track (70 mm prints) | Dolby Stereo (35 mm prints) (4 channels); Film Format: 35 mm (Eastman 5384), 70 mm (blow-up) (Eastman 5384); Film Process: Panavision (anamorphic); Aspect Ratio: 2.39:1; BBFC Cert: 18.
      Director: Clint Eastwood; Writer: Boaz Yakin, Scott Spiegel; Producer: Howard G. Kazanjian, Steven Siebert, David Valdes; Director of Photography: Jack N. Green; Music Composer: Lennie Niehaus; Film Editor: Joel Cox; Casting Director: Phyllis Huffman; Production Designer: Judy Cammer, Ken Kaufman; Art Director: Ed Verreaux; Set Decorator: Daniel Loren May; Costumes: Glenn Wright, Deborah Hopper; Make-up: Ralph Gulko, Michael Hancock; Sound: Robert G. Henderson, Alan Robert Murray; Special Effects: John Frazier; Visual Effects: Ken Kaufman.
      Cast: Clint Eastwood (Nick Pulovski), Charlie Sheen (David Ackerman), Raul Julia (Strom), Sônia Braga (Liesl), Tom Skerritt (Eugene Ackerman), Lara Flynn Boyle (Sarah), Pepe Serna (Lt. Raymond Garcia), Marco Rodríguez (Loco Martinez), Pete Randall (Cruz), Donna Mitchell (Laura Ackerman), Xander Berkeley (Ken Blackwell), Tony Plana (Morales), David Sherrill (Max), Hal Williams (Powell), Lloyd Nelson (Freeway Motorist), Pat DuVal (Interrogator #1), Mara Corday (Interrogator #2), Jerry Schumacher (Interrogator #3), Matt McKenzie (Wang), Joel Polis (Lance), Rodger LaRue (Maitre’D), Robert Dubac (Waiter), Anthony Charnota (Romano), Jordan Lund (Bartender), Paul Ben-Victor (Little Felix), Jeanne Mori (Connie Ling), Anthony Alexander (Alphonse), Paul Butler (Captain Hargate), Seth Allen (David as a Child), Coleby Lombardo (David’s Brother), Roberta Vasquez (Heather Torres), Joe Farago (Anchorman), Robert Harvey (Whalen), Nick Ballo (Vito), Jay Boryea (Sal), Marylou Kenworthy (Receptionist), George Orrison (Detective Orrison).
      Synopsis: A veteran detective gets stuck with a rookie cop when in pursuit of a German crook.
      Comment: Loud, violent, bubble-gum action thriller vehicle for Eastwood and Sheen. It spends all its money on its elaborate and destructive set-pieces, which by their very outlandish nature are wasted on a script that starts out okay then gets progressively dumber. Eastwood and Sheen occasionally spark off each other well, but as a whole, the cast is a collection of cardboard characters and the action is too nasty to be considered fun.
      Notes: The film featured over twice as many stuntmen as it did actors. Held the world record for the biggest ratio of stuntmen/actors. Reportedly, over eighty stuntmen worked on the movie.