Film Review – BREAKOUT (1975)

BREAKOUT (1975, USA) **
Action, Adventure, Drama
dist. Columbia Pictures (USA), Columbia-Warner Distributors (UK); pr co. Columbia Pictures / Persky-Bright-Vista; d. Tom Gries; w. Howard B. Kreitsek, Marc Norman, Elliott Baker (suggested by a book by Warren Hinckle & William Turner and Eliot Asinof); pr. Robert Chartoff, Irwin Winkler; ph. Lucien Ballard (Eastmancolor. 35mm. Panavision (anamorphic). 2.39:1); m. Jerry Goldsmith; ed. Bud S. Isaacs; ad. Alfred Sweeney; rel. 7 March 1975 (West Germany), 1 May 1975 (UK), 22 May 1975 (USA); BBFC cert: 15; r/t. 96m.
cast: Charles Bronson (Nick Colton), Robert Duvall (Jay Wagner), Jill Ireland (Ann Wagner), John Huston (Harris Wagner), Randy Quaid (Hawkins), Sheree North (Myrna), Jorge Moreno (Sosa), Emilio Fernández (J.V.), Paul Mantee (Cable), Alan Vint (Harve), Alejandro Rey (Sanchez), William B. White (2nd Officer), Roy Jenson (Spencer), Sidney Clute (Henderson), Chalo González (Border Guard), Antonio Tarruella (1st Prison Guard), Don Norgano Frill (2nd Prison Guard).
Vehicle for Bronson in which he plays a bush pilot hired by Ireland for fifty thousand dollars to go to Mexico to free her husband (Duvall), an innocent prisoner. Saddled with a weak script, Gries fails to find a consistent tone as the film veers uneasily between action drama and comedy. This is not helped by using Bronson in a character more suited to the likes of Burt Reynolds. The story is confusing, and the characters’ motives are never fully explored or explained leaving the audience with little to invest in them. The performances are mixed – Duvall has little to do, and his talent is wasted. There are better performances from Quaid and North, who manage to capture the tonal balance best. Huston has a couple of brief scenes as Duvall’s grandfather determined to keep him behind bars. Technical accomplishments are varied, the editing is often clunky, but there are some genuinely hairy stunts performed. Dan Frazer appears uncredited as a US Customs agent. Apparently the film was inspired by the real 1971 helicopter rescue and breakout of Joel David Kaplan from a Mexican prison.

Film Review – BREAKHEART PASS (1975)

BREAKHEART PASS (1975, USA) ***
Mystery, Western
dist. United Artists; pr co. Gershwin-Kastner Productions; d. Tom Gries; w. Alistair MacLean (based on the novel by Alistair MacLean); exec pr. Elliott Kastner; pr. Jerry Gershwin; ph. Lucien Ballard (DeLuxe. 35mm. Spherical. 1.85:1); m. Jerry Goldsmith; ed. Byron ‘Buzz’ Brandt; ad. Tambi Larsen; set d. Darrell Silvera; cos. Tom Dawson, Paula Lynn Kaatz; m/up. Phil Rhodes, Alma Johnson, Evelyn Preece, Vivienne Walker; sd. Gene S. Cantamessa, Frank E. Warner (Mono); sfx. Gerald Endler, A.D. Flowers, Logan Frazee; vfx. Bill Hansard, Don Hansard, William Suhr; st. Yakima Canutt; rel. 25 December 1975 (Finland), February 1976 (UK), 10 March 1976 (USA); cert: PG/PG; r/t. 95m.

cast: Charles Bronson (Deakin), Ben Johnson (Marshal Pearce), Richard Crenna (Gov. Richard Fairchild), Jill Ireland (Marica), Charles Durning (O’Brien), Ed Lauter (Maj. Claremont), Bill McKinney (Rev. Peabody), David Huddleston (Dr. Molyneux), Roy Jenson (Chris Banion), Rayford Barnes (Sgt. Bellew), Scott Newman (Rafferty), Robert Tessier (Levi Calhoun), Joe Kapp (Henry), Archie Moore (Carlos), Sally Kirkland (Jane-Marie), Sally Kemp (Prostitute), Eddie Little Sky (White Hand), Keith McConnell (Gabriel), John Mitchum (Red Beard), Read Morgan (Capt. Oakland).

When diphtheria breaks out at Fort Humboldt, a train is dispatched with medical supplies and relief troops. Also on board are Utah’s governor (Crenna), his mistress (Ireland), a marshal (Johnson) and his prisoner, outlaw John Deakin (Bronson). As the train passes through the mountains, soldiers go missing, telegraph lines are cut, and it is discovered that there is no epidemic. There is a conspiracy afoot, and it is up to Deakin, who is actually a federal agent, to expose it. A mix of traditional Western with Agatha Christie’s “Murder on the Orient Express” and Alistair MacLean’s “nothing is quite what it seems” school of fiction, this is an entertaining and well shot mystery. The confinement of the train setting adds challenges to the narrative as the narrow corridors make it difficult to buy into the skullduggery. However, a game cast is on hand to make the most of the material and the winter location photography adds a bleakness that is in sync with the material. The shootout finale does seem like a concession to Western fans, but the mystery elements work reasonably well. Although set in Nevada, the film was shot in Idaho.