TV Review: THE VIRGINIAN: LEGACY OF HATE (1966)

Legacy of Hate (1966)THE VIRGINIAN: LEGACY OF HATE (1966, USA) ***½
Western
net. National Broadcasting Company (NBC); pr co. Universal Television; d. Don McDougall; w. Frank Chase; exec pr. Frank Price; pr. Winston Miller; ph. Ray Rennahan (Technicolor. 35mm. Spherical. 1.33:1); m. Jack Hayes, Leo Shuken; m sup. Stanley Wilson; th. Percy Faith; ed. Robert F. Shugrue; ad. George Patrick; set d. John McCarthy Jr., James M. Walters Sr.; cos. Vincent Dee; m/up. Bud Westmore, Larry Germain; sd. Earl Crain Jr. (Mono); tr. 14 September 1966; r/t. 75m.

cast: James Drury (The Virginian), Charles Bickford (John Grainger), Doug McClure (Trampas), Don Quine (Stacey Grainger), Sara Lane (Elizabeth Grainger), Jo Van Fleet (Lee Calder), Jeremy Slate (Jim Dawson), L.Q. Jones (Belden), Ross Elliott (Sheriff Mark Abbott), Tyler McVey (Gillman), Dennis McCarthy (Cooper), Clyde Howdy (Nash), Ed Prentiss (Parker), Elizabeth Harrower (Mrs. Grant), Troy Melton (Ed), Bob Hoy (Pete), Robert Board (Townsman (uncredited)), Jimmie Booth (Lee’s Carriage Driver (uncredited)), George DeNormand (Townsman (uncredited)).

(s. 5 ep. 1) The new owner of Shiloh quickly finds his hot-headed grandson accused of cattle rustling. He learns his neighbour is the widow of a friend who died with him. The sullied family name reduces their finance options putting Shiloh in jeopardy. Season five opens with a strong episode built around Bickford and Van Fleet. Lane and Quine are also introduced as Bickford’s devoted granddaughter and volatile grandson and acquit themselves well. The drama is resolved a little too neatly in its final act, but still another example of how the series retained a high quality producing up to 30 episodes a year at 75m each.

TV Review – THE VIRGINIAN: THE MOUNTAIN OF THE SUN (1963)

THE VIRGINIAN: THE MOUNTAIN OF THE SUN  ***
1963   USA   75m   Colour
National Broadcasting Company (NBC) / Revue Studios
Western (PG)
The Virginian (Drury) acts as guide to three missionary women (Hart, Nolan and Strickland) who wish to take medicine and the word of God into the desert to a tribe of Yaqui Indians. The story has a strong script by Kleiner, which explores the wone’s motivations (they are trying to complete the work their husbands started before they were killed). Drury is commanding as ever and his gradual falling for Hart and her ultimate rejection of him is well-judged and handled by McEveety. The story only suffers in its rushed climax, which seems too pat in its exposition. Otherwise, this is another example of how strong the first season of The Virginian was. This was the last acting role for Hart, who devoted the rest of her life to religion as a nun.
exec pr. Roy Huggins; sup pr. Frank Price;  pr. Warren Duff; d. Bernard McEveety; w. Harry Kleiner (based on a story by Lou Morheim); ph. Lionel Lindon; m. Sidney Fine, Richard Shores, Morton Stevens; m sup. Stanley Wilson; theme m. Percy Faith; ed. Edward Haire; ad. George Patrick; set d. John McCarthy Jr., James M. Walters Sr.; cos. Vincent Dee; m/up. Leo Lotito Jr., Florence Bush.
James Drury (The Virginian), Dolores Hart (Cathy Maywood), Jeanette Nolan (Helen Dyer), Amzie Strickland (Ruth Arlen), Joe De Santis (Gen. Rodello), Rico Alaniz (Bandido Leader), George Wallace (Dixon), Carlos Romero (Pedro), Clancy Cooper (Murphy), King Calder (Myers), Dale Johnson (Hotel Clerk), K.L. Smith (Bartender), Alex Montoya (Rafael), Gil Barreto (Mexican Peasant), Ida Augustian (Mexican Child), Rodolfo Acosta (Yaqui Leader).