Film Review – AIRPORT 1975 (1974)

AIRPORT 1975 (1974, USA, 107m, PG) **½
Action, Drama, Thriller
dist. Universal Pictures; pr co. Universal Pictures; d. Jack Smight; w. Don Ingalls (based on the novel “Airport” by Arthur Hailey); pr. William Frye; ph. Philip H. Lathrop (Technicolor | 2.35:1); m. John Cacavas; ed. Terry Williams; ad. George C. Webb.
cast: Charlton Heston (Alan Murdock), Karen Black (Nancy Pryor), George Kennedy (Joe Patroni), Efrem Zimbalist Jr. (Captain Stacy), Susan Clark (Helen Patroni), Helen Reddy (Sister Ruth), Linda Blair (Janice Abbott), Dana Andrews (Scott Freeman), Roy Thinnes (Urias), Sid Caesar (Barney), Myrna Loy (Mrs. Devaney), Ed Nelson (Major John Alexander), Nancy Olson (Mrs. Abbott), Larry Storch (Glenn Purcell), Martha Scott (Sister Beatrice), Jerry Stiller (Sam), Norman Fell (Bill), Conrad Janis (Arnie), Beverly Garland (Mrs. Scott Freeman), Linda Harrison (Winnie (as Augusta Summerland)), Guy Stockwell (Colonel Moss), Erik Estrada (Julio), Kip Niven (Lt. Thatcher), Charles White (Fat Man), Brian Morrison (Joseph Patroni, Jr.), Amy Farrell (Amy), Irene Tsu (Carol), Ken Sansom (Gary), Alan Fudge (Danton), Christopher Norris (Bette), Austin Stoker (Air Force Sgt.), John Lupton (Oringer), Gene Dynarski (1st. Friend), Aldine King (Aldine), Sharon Gless (Sharon), Laurette Spang (Arlene), Gloria Swanson (Gloria Swanson).
This first sequel to 1970’s AIRPORT follows the same formula. This time an in-flight collision incapacitates the pilots of an airplane bound for Los Angeles. Stewardess Black is forced to take over the controls, whilst on the ground her boyfriend Heston, a retired test pilot, tries to talk her through piloting and landing the 747 aircraft. The all-star cast make up the passengers, but they are a mere diversion from the main action taking place in the plane’s cockpit. Ingalls’ script distributes lines evenly amongst them but to little dramatic effect. The sub-plot regarding Blair’s character, in transit for a kidney transplant, fails to build any drama. Black gives the film’s strongest performance, adeptly conveying the fear and responsibility that rests on her shoulders, whilst Heston delivers his usual square-jawed heroics. The finale, despite its familiarity and inconsistent execution, does create some tension and ultimately the film is a mixed bag lacking the gloss of the original but being more concise. The aerial shots over Heber City, Utah and the Wasatch Mountains are stunningly photographed. Swanson’s final film and she reportedly wrote all her own dialogue. Followed by AIRPORT ’77 (1977).

Film Review – NIGHT MOVES (1975)

Related imageNIGHT MOVES (USA, 1975) ****
PRODUCTION: Distributor: Warner Bros. (USA), Columbia-EMI-Warner (UK); Production Company: Warner Bros. / Hiller Productions / Layton Productions / Major Studio Partners; Release Date: 18 March 1975 (USA); Filming Dates: fall/winter 1973; Running Time: 100m; Colour: Technicolor; Sound Mix: Mono; Film Format: 35mm; Film Process: Spherical; Aspect Ratio: 1.85:1; BBFC Cert: 18 – child abuse theme.
CREW: Director: Arthur Penn; Writer: Alan Sharp; Producer: Robert M. Sherman; Associate Producer: Gene Lasko; Director of Photography: Bruce Surtees; Music Composer: Michael Small; Film Editor: Dede Allen; Casting Director: Nessa Hyams; Production Designer: George Jenkins; Set Decorator: Ned Parsons; Costumes: Rita Riggs; Make-up: Bob Stein; Sound: Richard P. Cirincione, Craig McKay, Robert M. Reitano; Special Effects: Joe Day, Marcel Vercoutere.
CAST: Gene Hackman (Harry Moseby), Jennifer Warren (Paula), Susan Clark (Ellen), Edward Binns (Ziegler), Harris Yulin (Marty Heller), Kenneth Mars (Nick), Janet Ward (Arlene Iverson), James Woods (Quentin), Anthony Costello (Marv Ellman), John Crawford (Tom Iverson), Melanie Griffith (Delly Grastner), Ben Archibek (Charles), Dennis Dugan (Boy), C.J. Hincks (Girl), Max Gail (Stud), Susan Barrister (Ticket Clerk), Larry Mitchell (Ticket Clerk).
SYNOPSIS: In LA, a private detective is hired by a retired obscure Hollywood actress to find her 16 year-old missing daughter.
COMMENT: Extremely well-acted detective mystery with Hackman delivering a performance of depth as the private eye with things to prove to himself. The complex script focuses as much on character as plot progression and gives the actors plenty to work with and Warren and Clark are notable standouts. The finale contains a neat final twist. The only misstep is Small’s weak score, which fails to build on the tension evident in Sharp’s script and drawn out through Penn’s expert direction and Surtees’ moody photography.

Film Review – COOGAN’S BLUFF (1968)

Image result for coogan's bluffCoogan’s Bluff (1968; USA; Technicolor; 93m) ***½  d. Don Siegel; w. Herman Miller, Dean Riesner, Howard Rodman; ph. Bud Thackery; m. Lalo Schifrin.  Cast: Clint Eastwood, Lee J. Cobb, Susan Clark, Don Stroud, Tisha Sterling, Betty Field, Tom Tully, David Doyle, James Edwards, Louis Zorich, Melodie Johnson, Rudy Diaz, Meg Myles, Seymour Cassel, Marjorie Bennett. An Arizona deputy goes to New York City to escort a fugitive back into custody. First collaboration between Eastwood and Siegel is a pointer to things to come with Eastwood’s economic and laconic approach perfectly complemented by Siegel’s efficient direction. Cobb is excellent as world-weary NYC lieutenant and the script is both punchy and witty. Schifrin’s jazzy score perfectly underpins the action. Inspiration for the TV series McCloud starring Dennis Weaver. [15]