Film Review – GODZILLA VS. KONG (2021)

GODZILLA VS. KONG (2021, USA/Australia/Canada/India, 113m, 12) **½
Action, Sci-Fi
dist. Warner Bros.; pr co. Legendary Entertainment / Warner Bros.; d. Adam Wingard; w. Eric Pearson, Max Borenstein (based on a story by Terry Rossio and Michael Dougherty & Zach Shields); pr. Jon Jashni, Eric McLeod, Brian Rogers, Thomas Tull, Alex Garcia, Mary Parent; ph. Ben Seresin (Colour | 2.39:1); m. Junkie XL; ed. Josh Schaeffer; pd. Tom Hammock, Owen Paterson; ad. Richard Hobbs, Dawn Swiderski.
cast: Alexander Skarsgård (Nathan Lind), Millie Bobby Brown (Madison Russell), Rebecca Hall (Ilene Andrews), Brian Tyree Henry (Bernie Hayes), Shun Oguri (Ren Serizawa), Eiza González (Maya Simmons), Julian Dennison (Josh Valentine), Lance Reddick (Guillermin), Kyle Chandler (Mark Russell), Demián Bichir (Walter Simmons), Kaylee Hottle (Jia), Hakeem Kae-Kazim (Admiral Wilcox), Ronny Chieng (Jay Wayne), John Pirruccello (Horace), Chris Chalk (Ben), Conlan Casal (Apex Cybernetics Security Guard), Brad McMurray (Apex Cybernetics Security Guard), Benjamin Rigby (Sonar Operator), Nick Turello (Apex Cybernetics Armed Guard), Daniel Nelson (Hayworth).
This giant monster movie mash-up pits two of the greatest icons in motion picture history against one another – the fearsome Godzilla and the mighty Kong as a group of scientists explore a Hollow Earth theory that may account for the monsters’ existence. The film is a visual and sonic assault on the senses – so much so we become anaesthetised and dulled by the constant action. The technical attributes are admittedly very impressive, and the CGI is top draw. But what little attempts at humanity exist does so in characters that are cardboard and must deliver comic-strip dialogue. Story logic has been left at the door and the viewer is merely left to marvel at the visuals with little else to grab hold of.