ANGEL FACE (1953, USA) ***½
Crime, Drama, Romance
dist. RKO Radio Pictures; pr co. RKO Radio Pictures; d. Otto Preminger; w. Frank S. Nugent, Oscar Millard (based on a story by Chester Erskine); exec pr. Howard Hughes (presenter); pr. Otto Preminger; ph. Harry Stradling Sr. (B&W. 35mm. Spherical. 1.37:1); m. Dimitri Tiomkin; ed. Frederic Knudtson; ad. Carroll Clark, Albert S. D’Agostino; set d. Jack Mills, Darrell Silvera; cos. Michael Woulfe; m/up. Mel Berns, Larry Germain; sd. Clem Portman, Earl A. Wolcott (Mono (RCA Sound System)); rel. 2 January 1953 (UK), 4 February 1953 (USA); cert: PG; r/t. 91m.
cast: Robert Mitchum (Frank Jessup), Jean Simmons (Diane Tremayne Jessup), Mona Freeman (Mary Wilton), Herbert Marshall (Mr. Charles Tremayne), Leon Ames (Fred Barrett), Barbara O’Neil (Mrs. Catherine Tremayne), Kenneth Tobey (Bill Crompton), Raymond Greenleaf (Arthur Vance), Griff Barnett (The Judge), Robert Gist (Miller), Morgan Farley (Juror), Jim Backus (District Attorney Judson).
Beautiful Diane Tremayne (Simmons) is a sophisticated, wealthy young woman capable of manipulating anyone who crosses her path. She also has a dark side she manages to conceal behind her appearance and her good manners. Soon after the untimely death of her stepmother (O’Neil), Diane pursues handsome Frank Jessup (Mitchum). Before long, she starts to win him over — but Frank quickly suspects that the manic Diane had more to do with her stepmother’s death than she lets on. This hastily filmed noir melodrama echoes the work of James M. Cain in its plot device of the beautiful and manipulative girl and the sap whose strings she pulls. The hasty production schedule (due to the impending expiration of Simmons’ contract with Howard Hughes) is occasionally evident in this otherwise top-draw drama. The plot unfolds quickly – a little too quickly at times – helping to gloss over some of the more implausible moments. Simmons and Mitchum are both excellent with Simmons playing her role with subtle ambiguity, thereby keeping us guessing as to her true motives. Mitchum is at his laconic best as the self-centred driver who cannot help himself. The staging is standard for the most part, but Preminger does extract all he can from both the cast and the story, whilst Tiomkin’s score perfectly captures the mood. The finale may ultimately be predictable, but the performances manage to keep you second-guessing yourself.
Out of the Past (1947; USA; B&W; 97m) ***** d. Jacques Tourneur; w. Daniel Mainwaring; ph. Nicholas Musuraca; m. Roy Webb. Cast: Robert Mitchum, Jane Greer, Kirk Douglas, Rhonda Fleming, Steve Brodie, Richard Webb, Virginia Huston, Dickie Moore, Frank Wilcox, Mary Field, Paul Valentine, Ken Niles, Oliver Blake, James Bush, John Kellogg. A private eye escapes his past to run a gas station in a small town, but his past catches up with him. Now he must return to the big city world of danger, corruption, double-crosses and duplicitous dames. Classic film noir is brilliantly structured and immaculately directed by Tourneur with crackling dialogue. Mitchum and Greer give standout performances as opportunistic lovers thrown together by fate. Douglas is the sleazy gambler making up the triangle. Cross follows double-cross and it hangs together until its ironic final twist. A masterclass in film-making. Mainwaring adapted his own novel “Build My Gallows High”, which was also the UK title of the film on its original release. Remade as AGAINST ALL ODDS (1984). [PG]
El Dorado (1966; USA; Technicolor; 126m) ****½ d. Howard Hawks; w. Leigh Brackett; ph. Harold Rosson; m. Nelson Riddle. Cast: John Wayne, Robert Mitchum, James Caan, Charlene Holt, Paul Fix, Arthur Hunnicutt, R.G. Armstrong, Edward Asner, Christopher George, Jim Davis, Michele Carey, Marina Ghane, Robert Donner, John Gabriel, Johnny Crawford. Cole Thornton, a gunfighter for hire, joins forces with an old friend, Sheriff J.P. Hara. Together with an old Indian fighter and a gambler, they help a rancher and his family fight a rival rancher that is trying to steal their water. Western re-teams Hawks and Wayne with the second half of the movie being a re-working of RIO BRAVO (1959). Many of the elements of that classic are repeated here and whilst it doesn’t quite reach the heights of its inspiration it is still fabulous entertainment. Mitchum is superb as drunken sheriff. Caan and Hunnicutt also shine as the young protegee and old Indian fighter. The poem recited by Mississippi is an actual poem called “El Dorado” by Edgar Allan Poe. Based on the novel “The Stars in Their Courses” by Harry Brown. [PG]
Longest Day, The (1962; USA; B&W; 178m) ****½ d. Ken Annakin, Andrew Marton, Bernhard Wicki; w. Cornelius Ryan, Romain Gary, James Jones, David Pursall, Jack Seddon; ph. Jean Bourgoin, Walter Wottitz; m. Maurice Jarre. Cast: John Wayne, Robert Mitchum, Robert Ryan, Curt Jurgens, Richard Burton, Henry Fonda, Rod Steiger, Sean Connery, Mel Ferrer, Eddie Albert, Richard Todd, Robert Wagner, Jeffrey Hunter, Roddy McDowall, Edmond O’Brien, Gert Frobe, Kenneth More, Red Buttons, Steve Forrest, Peter Lawford, Sal Mineo, Leslie Phillips, George Segal, Peter van Eyck, Stuart Whitman, Frank Finlay, Jack Hedley. The events of D-Day, told on a grand scale from both the Allied and German points of view. Like the event itself this is a triumph of logistics in its attempt to recreate the seminal invasion of 6 June 1944. Crisply photographed in black and white this may have its fair share of genre cliches, but its strive for authenticity is admirable. It proved to be the inspiration for a number of similar WWII recreations during the 1960s and 1970s., but none bettered this efficiently marshalled all-star movie. Won Oscars for Cinematography and Special Effects (Robert MacDonald, Jacques Maumont). Todd was himself in Normandy on D-Day Based on the book by Cornelius Ryan. There is also a digitally remastered colourised version of the film. [PG]
Big Steal, The (1949; USA; B&W; 71m) *** d. Don Siegel; w. Daniel Mainwaring (as Geoffrey Homes), Gerald Drayson Adams; ph. Harry J. Wild; m. Leigh Harline. Cast: Robert Mitchum, Jane Greer, William Bendix, Patric Knowles, Ramon Novarro, Don Alvarado, John Qualen, Pascual García Peña. An army lieutenant accused of robbery pursues the real thief on a frantic chase through Mexico aided by the thief’s fiancee. Simple plot is essentially an elongated chase punctuated by fight scenes and gun battles. It is tightly directed in his to be trademark efficient manner by Siegel. Mitchum and Greer are the main sell here and they display strong chemistry trading witty dialogue. There is a lightness of touch to proceedings that tells its audience not to take things too seriously. The movie was filmed in Los Angeles and on location in Tehuacán, Puebla, Mexico. Based on the story “The Road to Carmichael’s” by Richard Wormser. [PG]
Enemy Below, The (1957; USA; DeLuxe; 98m) **** d. Dick Powell; w. Wendell Mayes; ph. Harold Rosson; m. Leigh Harline. Cast: Robert Mitchum, Curt Jurgens, Russell Collins, Theodore Bikel, Doug McClure, David Hedison, Kurt Kreuger, Frank Albertson, Biff Elliot, Alan Dexter. During World War II, an American destroyer meets a German U-Boat. Both captains are good ones, and the engagement lasts for a considerable time. Suspenseful battle-of-wits war drama benefits from a tight script and strong direction from Powell. Mitchum and Jurgens excel as the duelling captains, who gain a mutual respect whilst trying to destroy each other in order to survive. Finds time to comment on the inhumanity and science of war. Won an Oscar for Special Effects (Walter Rossi). Based on the novel by D.A. Rayner. [PG]
Reports have been issued of the casting of Liam Neeson to play Raymond Chandler’s iconic private eye Philip Marlowe in an adaptation of Benjamin Black’s (pseudonym of John Banville) novel The Black-Eyed Blonde. Neeson will follow in the footsteps of Dick Powell (Murder, My Sweet in 1944), Humphrey Bogart (The Big Sleep in 1946), Rober Montgomery (Lady in the Lake in 1947), George Montgomery (The Brasher Doubloon also in 1947), James Garner (Marlowe in 1968), Elliott Gould (The Long Goodbye in 1973) and Robert Mitchum (Farewell, My Lovely in 1975 and The Big Sleep in 1978).
The script has been written by William Monahan (The Departed) who commented, “The book by Benjamin Black was a pleasure to adapt, and with Marlowe there’s no chance of even being asked to do it left-handed. You have to do Chandler justice, carry a very particular flame, or stay home.”
The adaptation, like the 1968 adaptation of The Little Sister is at this time simply titled Marlowe, will be brought to the screen by Nickel City Pictures and producer Gary Levinson.
Friends of Eddie Coyle, The (1973; USA; Colour; 102m) ∗∗∗½ d. Peter Yates; w. Paul Monash; ph. Victor J. Kemper; m. David Grusin. Cast: Robert Mitchum, Peter Boyle, Richard Jordan, Steven Keats, Alex Rocco, Mitchell Ryan, Joe Santos. After his last crime has him looking at a long prison sentence for repeat offenses, a low-level Boston gangster decides to snitch on his friends to avoid jail time. Mitchum is impressive in bleak tale, which features authentic staging of armed robberies and gun-running deals. Relentlessly downbeat and typical of its time. Based on George V. Higgins’s acclaimed novel. 
El Dorado (1966; USA; Technicolor; 126m) ∗∗∗∗½ d. Howard Hawks; w. Leigh Brackett; ph. Harold Rosson; m. Nelson Riddle. Cast: John Wayne, Robert Mitchum, James Caan, Charlene Holt, Paul Fix, Arthur Hunnicutt, R.G. Armstrong, Edward Asner, Christopher George, Jim Davis, Michele Carey, Marina Ghane, Robert Donner, John Gabriel, Johnny Crawford. Cole Thornton, a gunfighter for hire, joins forces with an old friend, Sheriff J.P. Hara. Together with an old Indian fighter and a gambler, they help a rancher and his family fight a rival rancher that is trying to steal their water. Western re-teams Hawks and Wayne with the second half of the movie being a re-working of RIO BRAVO (1959). Many of the elements of that classic are repeated here and whilst it doesn’t quite reach the heights of its inspiration it is still fabulous entertainment. Mitchum is superb as drunken sheriff. Caan and Hunnicutt also shine as the young protegee and old Indian fighter. The poem recited by Mississippi is an actual poem called “El Dorado” by Edgar Allan Poe. Based on the novel “The Stars in Their Courses” by Harry Brown. [PG]
Yakuza, The (1974; USA/Japan; Technicolor; 123m) ∗∗∗½ d. Sydney Pollack; w. Paul Schrader, Robert Towne, Leonard Schrader; ph. Kôzô Okazaki; m. Dave Grusin. Cast: Robert Mitchum, Ken Takakura, Brian Keith, Herb Edelman, Richard Jordan, James Shigeta, Keiko Kishi, Eiji Okada, William Ross, Denis Akiyama, Kyosuke Mashida, Christina Kokubo, Eiji Go, Lee Chirillo, Akiyama. Mitchum returns to Japan after several years in order to rescue his friend’s kidnapped daughter – and ends up on the wrong side of the Yakuza, the notorious Japanese Mafia. Mitchum and Takakura are excellent as men from different cultures who find a mutual sense of honour in taking on the powerful gang. Explosive gunplay mixes with bloody swordplay in a tense finale. Edited version runs 112m.