Film Review – STAR TREK INTO DARKNESS (2013)

STAR TREK INTO DARKNESS (2013, USA, 132m, 12) ***½
Action, Adventure, Sci-Fi
dist. Paramount Pictures; pr co. Paramount Pictures / Skydance Productions / Bad Robot; d. J.J. Abrams; w. Roberto Orci, Alex Kurtzman, Damon Lindelof (based on the television series Star Trek created by Gene Roddenberry); pr. J.J. Abrams, Bryan Burk, Alex Kurtzman, Damon Lindelof, Roberto Orci; ph. Daniel Mindel (DeLuxe | 2.39:1); m. Michael Giacchino; ed. Maryann Brandon, Mary Jo Markey; pd. Scott Chambliss, Amelia Brooke; ad. Ramsey Avery.
cast: Chris Pine (Kirk), Zachary Quinto (Spock), Zoe Saldana (Uhura), Karl Urban (Bones), Simon Pegg (Scotty), John Cho (Sulu), Benedict Cumberbatch (Khan), Anton Yelchin (Chekov), Bruce Greenwood (Pike), Peter Weller (Marcus), Alice Eve (Carol Marcus), Noel Clarke (Thomas Harewood), Leonard Nimoy (Spock Prime), Nazneen Contractor (Rima Harewood), Amanda Foreman (Ensign Brackett), Jay Scully (Lieutenant Chapin), Jonathan Dixon (Ensign Froman), Aisha Hinds (Navigation Officer Darwin), Joseph Gatt (Science Officer 0718), Jeremy Raymond (Lead Nibiran).
Action-packed and effects-driven follow-up to 2009’s STAR TREK reboot coasts on the familiar character interaction of the lead cast to overcome its story shortcomings. This time the crew of the Starship Enterprise returns home after an act of terrorism within its own organization destroys most of Starfleet and what it represents, leaving Earth in a state of crisis. With a personal score to settle, Captain James T. Kirk (Pine) leads his people crew on a mission to capture a one-man weapon of mass destruction, thereby propelling all of them into an epic game of life and death. Rehashing elements of 1982’s STAR TREK II: THE WRATH OF KHAN, this film cannot recreate the tension generated in that earlier model. Abrams tends to go for broke on the visual effects and mass destruction, stifling the story and blunting the characters’ motivations. The cast gives game performances and the visuals are sensational, but the action is too often overblown and lacking in credibility – notably during the protracted climax. There is still much fun to be had though, and this largely comes via the familiar character interactions. Pine, Quinto and Urban have captured the camaraderie seen in the original series characters and their interpretations are spot on. Followed by STAR TREK BEYOND (2016).
AAN: Best Achievement in Visual Effects (Roger Guyett, Patrick Tubach, Ben Grossmann, Burt Dalton).