Comedy, Musical
dist. Twentieth Century Fox (USA), Fox-Rank (UK); pr co. Twentieth Century Fox / Michael White Productions; d. Jim Sharman; w. Jim Sharman, Richard O’Brien (based on the musical play by Richard O’Brien); pr. Michael White; ph. Peter Suschitzky (DeLuxe. 35mm. Spherical. 1.66:1); m/l. Richard O’Brien; ed. Graeme Clifford; pd. Brian Thomson; ad. Terry Ackland-Snow; rel. 14 August 1975 (UK), 26 September 1975 (USA); BBFC cert: 15; r/t. 100m.
cast: Tim Curry (Dr. Frank-N-Furter – A Scientist), Susan Sarandon (Janet Weiss – A Heroine), Barry Bostwick (Brad Majors – A Hero), Richard O’Brien (Riff Raff – A Handyman), Patricia Quinn (Magenta – A Domestic), Nell Campbell (Columbia – A Groupie (as Little Nell)), Jonathan Adams (Dr. Everett V. Scott – A Rival Scientist), Peter Hinwood (Rocky Horror – A Creation), Meat Loaf (Eddie – Ex Delivery Boy), Charles Gray (The Criminologist – An Expert), Jeremy Newson (Ralph Hapschatt), Hilary Farr (Betty Munroe), Pierre Bedenes (A Transylvanian), Christopher Biggins (A Transylvanian), Gaye Brown (A Transylvanian), Ishaq Bux (A Transylvanian), Stephen Calcutt (A Transylvanian), Hugh Cecil (A Transylvanian), Imogen Claire (A Transylvanian), Tony Cowan (A Transylvanian).
A colourful adaptation of Richard O’Brien’s cult musical play sees Sarandon and Bostwick as a newly engaged couple who have a breakdown in an isolated area and must seek shelter at the bizarre residence of Dr. Frank-n-Furter (Curry). The production puts a capital C into Camp with Curry giving a powerhouse performance as the transgender doctor. The foot-tapping and witty musical numbers have translated well, and whilst the choreography is a little loose, it adds to the charm. Sarandon and Bostwick make a likeable hero/heroine pair and O’Brien is suitably spooky as Curry’s handyman. Whilst it could never replace the live experience, the film serves as a good document of a truly original work. US release was edited to 98m. Followed by SHOCK TREATMENT (1981).


Quaker Girl (1966)GUNSMOKE: QUAKER GIRL (1966, USA) ***
net. CBS Television Network; pr co. CBS Television Network; d. Bernard L. Kowalski; w. Preston Wood; exec pr. Philip Leacock; pr. John Mantley; ph. Harry Stradling Jr. (Colour. 35mm. Spherical. 1.33:1); m. Leigh Harline; th. Rex Koury (uncredited); ed. Otto Meyer; ad. John B. Goodman; set d. Herman N. Schoenbrun; cos. Alexander Velcoff; m/up. Glen Alden, Pat Whiffing; sd. Vernon W. Kramer (Mono); tr. 10 December 1966; r/t. 50m.

cast: James Arness (Matt Dillon), Milburn Stone (Doc), Amanda Blake (Kitty), Ken Curtis (Festus), Roger Ewing (Thad), William Shatner (Fred Bateman), William Bryant (Kester), Glenn Strange (Sam Noonan), Joseph Breen (George), Anna Karen (1st Woman), Nancy Marshall (2nd Woman), Patricia Quinn (Cora Ellis (as Ariane Quinn)), Liam Sullivan (Benjamin Ellis), Warren Vanders (John Thenly), Ben Johnson (Vern Morland), Timothy Carey (Charles ‘Buster’ Rilla), Tom Reese (Dave Westerfeldt), Danny Borzage (Quaker (uncredited)), Pete Kellett (Quaker (uncredited)), Fred McDougall (Quaker (uncredited)), Jimmy Noel (Barfly (uncredited)), Rudy Sooter (Musician (uncredited)), Wally West (Quaker (uncredited)).

(s. 12 ep. 12) When a dying deputy swears in Thad to capture killer Fred Bateman (Shatner), Thad (Ewing) ends up in a Quaker town, in which the people cannot tell which one is the wanted man. Ewings gets his chance to hold the centre stage with Shatner in this story of culture clashes. The script does not make the most of the situation, but Shatner’s charisma and possibly Ewing’s best performance of the series carry it through. Watch out for Johnson as lead heavy of a gang on Shatner’s tail.