Film Review – NOMADLAND (2020)

NOMADLAND (2020, USA/Germany) ****
Drama
dist. Searchlight Pictures / Walt Disney Studios Motion Pictures (USA), Walt Disney Studios Home Entertainment (UK); pr co. Cor Cordium Productions / Hear-Say Productions / Highwayman Films; d. Chloé Zhao; w. Chloé Zhao (based on the book by Jessica Bruder); pr. Mollye Asher, Dan Janvey, Frances McDormand, Peter Spears, Chloé Zhao; ph. Joshua James Richards (Colour. D-Cinema. Digital Intermediate (2K) (master format), ProRes 4444 (3.2K) (source format). 2.39:1, 1.90:1 (IMAX version)); m. Ludovico Einaudi; ed. Chloé Zhao; pd. Joshua James Richards; ad. Elizabeth Godar, Tom Obed; rel. 11 September 2020 (USA), 16 October 2020 (UK); BBFC cert: 12; r/t. 107m.
cast: Frances McDormand (Fern), Gay DeForest (Gay), Patricia Grier (Patty), Linda May (Linda), Angela Reyes (Angela), Carl R. Hughes (Carl), Douglas G. Soul (Doug), Ryan Aquino (Ryan), Teresa Buchanan (Teresa), Karie Lynn McDermott Wilder (Karie), Brandy Wilber (Brandy), Makenzie Etcheverry (Makenzie), Bob Wells (Bob), Annette Webb (Annette), Rachel Bannon (Rachel), Derrick Janis (Victor), Greg Barber (Greg), Carol Anne Hodge (Carol), Sherita Deni Coker (Deni), Merle Redwing (Merle), Forrest Bault (Forrest), Suanne Carlson (Suanne), Donnie Miller (Donnie), Roxanne Bay (Roxy), Matt Sfaelos (Noodle), Ronald O. Zimmerman (Ron), Derek Endres (Derek), Paige Dean (Paige), Paul Winer (Paul), Derrick Janis (Victor), Greg Barber (Greg), Carol Anne Hodge (Carol), Matthew Stinson (Nurse Matt), Terry Phillip (Terry), Bradford Lee Riza (Brad), Tay Strathairn (James), Cat Clifford (Cat), James R. Taylor Jr. (James), Jeremy Greenman (Jeremy), Ken Greenman (Ken), Melissa Smith (Dolly), Warren Keith (George), Jeff Andrews (Jeff), Paul Cunningham (Paul), Emily Jade Foley (Emily), Mike Sells (Mike), Peter Spears (Peter), Cheryl Davis (Cheri).
In this well-judged drama McDormand plays a woman in her sixties, who after losing everything in the Great Recession, embarks on a journey through the American West, living as a van-dwelling modern-day nomad. The story is a slow-moving mosaic that manages to embody the frustrations of middle-America as recession hits and the victims are left without support or hope. Zhao’s film captures the beauty of the landscape and contrasts it against the harshness of economic decline and corporate mechanics as ghost towns spring up from the rugged landscape. McDormand gives a wonderfully naturalistic performance as the embodiment of the unsustainable ideals of modern America. The result is an ironic reversion to the pioneer mentality that formed the USA in the first place. The slow-pace and introspection will not be for everyone – and certainly may alienate the modern generation – but for those with longer memories and experiences it proves to be a rewarding and chastening experience.
AA: Best Motion Picture of the Year; Best Performance by an Actress in a Leading Role (Frances McDormand); Best Achievement in Directing (Chloé Zhao)
AAN: Best Adapted Screenplay (Chloé Zhao); Best Achievement in Film Editing (Chloé Zhao); Best Achievement in Cinematography (Joshua James Richards)