Film Review – THE ROCKY HORROR PICTURE SHOW (1975)

THE ROCKY HORROR PICTURE SHOW (1975, UK/USA) ***½
Comedy, Musical
dist. Twentieth Century Fox (USA), Fox-Rank (UK); pr co. Twentieth Century Fox / Michael White Productions; d. Jim Sharman; w. Jim Sharman, Richard O’Brien (based on the musical play by Richard O’Brien); pr. Michael White; ph. Peter Suschitzky (DeLuxe. 35mm. Spherical. 1.66:1); m/l. Richard O’Brien; ed. Graeme Clifford; pd. Brian Thomson; ad. Terry Ackland-Snow; rel. 14 August 1975 (UK), 26 September 1975 (USA); BBFC cert: 15; r/t. 100m.
cast: Tim Curry (Dr. Frank-N-Furter – A Scientist), Susan Sarandon (Janet Weiss – A Heroine), Barry Bostwick (Brad Majors – A Hero), Richard O’Brien (Riff Raff – A Handyman), Patricia Quinn (Magenta – A Domestic), Nell Campbell (Columbia – A Groupie (as Little Nell)), Jonathan Adams (Dr. Everett V. Scott – A Rival Scientist), Peter Hinwood (Rocky Horror – A Creation), Meat Loaf (Eddie – Ex Delivery Boy), Charles Gray (The Criminologist – An Expert), Jeremy Newson (Ralph Hapschatt), Hilary Farr (Betty Munroe), Pierre Bedenes (A Transylvanian), Christopher Biggins (A Transylvanian), Gaye Brown (A Transylvanian), Ishaq Bux (A Transylvanian), Stephen Calcutt (A Transylvanian), Hugh Cecil (A Transylvanian), Imogen Claire (A Transylvanian), Tony Cowan (A Transylvanian).
A colourful adaptation of Richard O’Brien’s cult musical play sees Sarandon and Bostwick as a newly engaged couple who have a breakdown in an isolated area and must seek shelter at the bizarre residence of Dr. Frank-n-Furter (Curry). The production puts a capital C into Camp with Curry giving a powerhouse performance as the transgender doctor. The foot-tapping and witty musical numbers have translated well, and whilst the choreography is a little loose, it adds to the charm. Sarandon and Bostwick make a likeable hero/heroine pair and O’Brien is suitably spooky as Curry’s handyman. Whilst it could never replace the live experience, the film serves as a good document of a truly original work. US release was edited to 98m. Followed by SHOCK TREATMENT (1981).

Film Review – DUCK SOUP (1933)

DUCK SOUP (1933, USA) *****
Comedy, Musical
dist. Paramount Pictures; pr co. Paramount Pictures; d. Leo McCarey; w. Bert Kalmar, Harry Ruby, Arthur Sheekman, Nat Perrin; pr. Herman J. Mankiewicz; ph. Henry Sharp (B&W. 35mm. Spherical. 1.37:1); m. John Leipold; ed. LeRoy Stone; ad. Hans Dreier, Wiard Ihnen (both uncredited); rel. 15 November 1933 (USA), 29 November 1933 (UK); BBFC cert: U; r/t. 69m.
cast: Groucho Marx (Rufus T. Firefly), Harpo Marx (Pinky), Chico Marx (Chicolini), Zeppo Marx (Bob Roland), Margaret Dumont (Gloria Teasdale), Raquel Torres (Vera Marcal), Louis Calhern (Ambassador Trentino), Edmund Breese (Zander), Leonid Kinskey (Sylvanian Agitator), Charles Middleton (Prosecutor), Edgar Kennedy (Lemonade Vendor).
The most anarchic of all the Marx Brothers films also has strong hints of anti-war satire. Rufus T. Firefly (Groucho) is named president/dictator of bankrupt Freedonia and declares war on neighbouring Sylvania over the love of wealthy Mrs. Teasdale (Dumont). What follows is a breathless 69-minute comedy masterclass mixing inventive sight-gags (notably the famous mirror sequence) with Groucho’s biting one-liners. Dumont is a game foil for Groucho’s insults. Harpo and Chico are also at the top of their game in their respective familiar characterisations and their battle with Lemonade vendor Kennedy is superb visual comedy. This was the last appearance of Zeppo Marx in The Marx Brothers films and the team’s last film for Paramount before moving on to MGM. In 2007, the American Film Institute ranked this as the #60 Greatest Movie of All Time.

Film Review – THE GREATEST SHOWMAN (2017)

GREATEST SHOWMAN, THE (2017, USA) **½
Biography, Drama, Musical
dist. Twentieth Century Fox; pr co. Bona Film Group / Chernin Entertainment / TSG Entertainment / Twentieth Century Fox; d. Michael Gracey; w. Jenny Bicks, Bill Condon (based on a story by Jenny Bicks); exec pr. Tonia Davis, Donald J. Lee Jr., James Mangold; pr. Peter Chernin, Laurence Mark, Jenno Topping; ph. Seamus McGarvey (Colour. D-Cinema. ARRIRAW (3.4K) (6.5K) (source format), Digital Intermediate (4K) (master format). 2.39:1); m. Benj Pasek, Justin Paul; s. “The Greatest Show” (performed by Hugh Jackman, Keala Settle, Zac Efron, Zendaya & The Greatest Showman Ensemble) m/l. Benj Pasek, Justin Paul, Ryan Lewis, “A Million Dreams” (performed by Ziv Zaifman, Hugh Jackman, Michelle Williams, Skylar Dunn, Austyn Johnson, Cameron Seely), “Come Alive” (performed by Hugh Jackman, Keala Settle, Daniel Everidge, Zendaya & The Greatest Showman Ensemble), “The Other Side” (performed by Hugh Jackman & Zac Efron), “Never Enough” (performed by Loren Allred), “This Is Me” (performed by Keala Settle & The Greatest Showman Ensemble), “Rewrite the Stars” (performed by Zac Efron & Zendaya), “Tightrope” (performed by Michelle Williams), “From Now On” (Hugh Jackman, Michelle Williams & The Greatest Showman Ensemble) m/l. Benj Pasek, Justin Paul; m sup. Mark Wike; chor. Shannon Holtzapffel, Ashley Wallen; ed. Tom Cross, Robert Duffy, Joe Hutshing, Michael McCusker, Jon Poll, Spencer Susser; pd. Nathan Crowley; ad. Laura Ballinger; set d. Debra Schutt; cos. Ellen Mirojnick; m/up. Nicki Ledermann, Whitney James, Jerry Popolis, Mary L. Mastro; sd. Dror Mohar, Lewis Goldstein (Dolby Digital | Dolby Atmos); sfx. Garry Elmendorf; vfx. Mathieu Raynault, Anish Ratna Tuladhar, Mark O. Forker, David Isyomin, Eran Dinur, Chris LeDoux, Gaia Bussolati, Radley Teruel, Prabhakar Maharjan, John Helms, Cliff Welsh, Dann Tarmy, Vincent Poitras, Martin Lipmann, Keith Sellers; st. Victor Paguia, Mathieu Leopold; rel. 20 December 2017 (USA), 26 December 2017 (UK); cert: PG; r/t. 105m.

cast: Hugh Jackman (P.T. Barnum), Michelle Williams (Charity Barnum), Zac Efron (Phillip Carlyle), Zendaya (Anne Wheeler), Rebecca Ferguson (Jenny Lind), Austyn Johnson (Caroline Barnum), Cameron Seely (Helen Barnum), Keala Settle (Lettie Lutz), Sam Humphrey (Tom Thumb), Yahya Abdul-Mateen II (W.D. Wheeler), Eric Anderson (Mr. O’Malley), Ellis Rubin (Young Barnum), Skylar Dunn (Young Charity), Daniel Everidge (Lord of Leeds), Radu Spinghel (O’Clancy), Yusaku Komori (Chang), Danial Son (Eng), Paul Sparks (James Gordon Bennett), Will Swenson (Philo Barnum), Linda Marie Larson (Mrs. Stratton).

Growing up in the early 1800s, P.T. Barnum (Jackman) displays a natural talent for publicity and promotion, selling lottery tickets by age 12. After trying his hands at various jobs, P.T. turns to show business to indulge his limitless imagination, rising from nothing to create the Barnum & Bailey circus. Featuring catchy musical numbers, exotic performers and daring acrobatic feats, Barnum’s mesmerizing spectacle soon takes the world by storm to become the greatest show on Earth. This is a triumph of style over content. The musical numbers are expansive, well-choreographed and wonderfully performed. The story , however, is given little room to breathe with short dialogue interludes serving to advance the plot between the songs. This would work well on stage, but in a movie it feels like the characters are short-changed and as a result the whole production is given an air of artificiality. This is not helped by the songs, which whilst memorable feel anachronistic. The result is a detached experience in which you can admire the spectacle without really caring about what is going on.

AAN: Best Achievement in Music Written for Motion Pictures (Original Song) (Benj Pasek, Justin Paul for the song “This is Me”)