Film Review – THE STONE KILLER (1973)

THE STONE KILLER (1973, USA, 95m, 15) ***
Action, Crime, Drama, Thriller
dist. Columbia Pictures (USA), Columbia-Warner Distributors (UK); pr co. Dino de Laurentiis Cinematografica / Produzioni Cinematografiche Inter. Ma. Co. / Rizzoli Film; d. Michael Winner; w. Gerald Wilson (based on the novel “A Complete State of Death” by John Gardner); pr. Michael Winner; ph. Richard Moore (Technicolor | 1.85:1); m. Roy Budd; ed. Frederick Wilson; ad. Ward Preston.
cast: Charles Bronson (Lou Torrey), Martin Balsam (Al Vescari), Jack Colvin (Jumper), Paul Koslo (Langley), Norman Fell (Les Daniels), David Sheiner (Guido Lorenz), Stuart Margolin (Lawrence), Ralph Waite (Mathews), Alfred Ryder (Tony Champion), Walter Burke (J D), Kelley Miles (Geraldine Wexton), Eddie Firestone (Armitage), Charles Tyner (Police Psychiatrist), Byron Morrow (Station Commander), Lisabeth Hush (Dr. Helen Torrey), Frank Campanella (Calabriese), Gene Woodbury (Paul Long), Robert Emhardt (Fussy Man), David Moody (Gus Lipper), John Ritter (Hart).
A decent gritty action thriller vehicle for Bronson as a police detective who learns a 1930s mobster (Martin Balsam) has formed a killer elite to settle an old gangland score. Winner handles the tough and violent action scenes well, but he is less adept with the actors, who give variable performances. The location shifts from New York to Los Angeles are jarringly edited at times and the screenplay lacks clarity of focus. Roy Budd’s energetic score helps to keep things moving and the climactic shootout is well-staged. John Gardner’s 1969 source novel was set in the UK.

Film Review – DEATH WISH (1974)

Image result for death wish 1974Death Wish (1974; USA; Technicolor; 93m) ∗∗½  d. Michael Winner; w. Wendell Mayes; ph. Arthur J. Ornitz; m. Herbert Hancock.  Cast: Charles Bronson, Vincent Gardenia, William Redfield, Hope Lange, Stuart Margolin, Stephen Keats, William Redfield, Jack Wallace, Jeff Goldblum. A New York City architect becomes a one-man vigilante squad after his wife is murdered by street punks in which he randomly goes out and kills would-be muggers on the mean streets after dark. Sensationalist crime thriller became influential because of its subject matter and its connection with the public due to the time at which it was filmed, rather than for the quality of the product. Gardenia’s performance adds a level of class to this crowd-pleaser, but Winner’s direction is inconsistent and lacks subtlety. Film debut of Goldblum. Based on the novel by Brian Garfield. Four sequels followed. Remade in 2017. [18]