Film Review – THE CHINA SYNDROME (1979)

THE CHINA SYNDROME (1979, USA) ****
Drama, Thriller
dist. Columbia Pictures (USA), Columbia-EMI-Warner (UK); pr co. Columbia Pictures / IPC Films; d. James Bridges; w. Mike Gray, T.S. Cook, James Bridges; pr. Michael Douglas; ph. James Crabe (Metrocolor. 35mm. Spherical. 1.85:1); ed. David Rawlins; pd. George Jenkins; rel. 6 March 1979 (USA), 20 July 1979 (UK); BBFC cert: PG; r/t. 122m.
cast: Jane Fonda (Kimberly Wells), Jack Lemmon (Jack Godell), Michael Douglas (Richard Adams), Scott Brady (Herman De Young), James Hampton (Bill Gibson), Peter Donat (Don Jacovich), Wilford Brimley (Ted Spindler), Richard Herd (Evan McCormack), Daniel Valdez (Hector Salas), Stan Bohrman (Pete Martin), James Karen (Mac Churchill), Michael Alaimo (Greg Minor), Donald Hotton (Dr. Lowell), Khalilah ‘Belinda’ Ali (Marge (as Khalilah Ali)), Paul Larson (D.B. Royce), Ron Lombard (Barney), Tom Eure (Tommy), Nick Pellegrino (Borden), Daniel Lewk (Donny), Allan Chinn (Holt).
Fonda plays a TV reporter who, with her cameraman (Douglas), finds what appears to be a cover-up of safety hazards at a nuclear power plant. Lemmon is the plant’s senior technician who looks to spill the beans, whilst the corporates try to silence him. This absorbing cautionary tale of the dangers of nuclear power plants benefits from an excellent script that balances its message with character motivation. It is aided by three excellent central performances – notably Lemmon who wrestles with his conscience as he uncovers shortcuts taken in safety checks – and a superb support cast. Whilst the drama may veer toward melodramatic thrills in its final act, the film’s message has an impact that is undeniable.
AAN: Best Actor in a Leading Role (Jack Lemmon); Best Actress in a Leading Role (Jane Fonda); Best Writing, Screenplay Written Directly for the Screen (Mike Gray, T.S. Cook, James Bridges); Best Art Direction-Set Decoration (George Jenkins, Arthur Jeph Parker)

Film Review – THE STREETS OF SAN FRANCISCO (TV) (1972)

The Streets of San Francisco: The Pilot | Not The Baseball PitcherTHE STREETS OF SAN FRANCISCO (TV) (1972, USA) ***
Action, Crime, Drama, Mystery
dist. American Broadcasting Company (ABC); pr co. Quinn Martin Productions (QM) / Warner Bros. Television; d. Walter Grauman; w. Edward Hume (based on the novel “Poor, Poor Ophelia” by Carolyn Weston); exec pr. Quinn Martin; pr. Arthur Fellows, Adrian Samish; ass pr. Howard P. Alston; ph. William W. Spencer (Colour. 35mm. Spherical. 1.33:1); m. Patrick Williams; m sup. John Elizalde; ed. Richard K. Brockway; ad. Richard Y. Haman; set d. Hoyle Barrett; cos. Edward McDermott, Paula Giokaris; m/up. Don Schoenfeld, Annabell Levy; sd. Ray Barons, Bill Phillips (Mono); rel. 16 September 1972 (USA), 19 November 1973 (UK); cert: PG; r/t. 98m.

cast: Karl Malden (Detective Lt. Mike Stone), Robert Wagner (David J. Farr), Michael Douglas (Inspector Steve Keller), Andrew Duggan (Capt. A.R. Malone), Tom Bosley (Saretti), John Rubinstein (Lindy), Carmen Mathews (Sally Caswell), Edward Andrews (Joe Caswell), Lawrence Dobkin (Gregory Praxas), Kim Darby (Holly Jean Berry), Brad David (Del Berry), Mako (Kenji), Naomi Stevens (Mrs. Saretti), Lou Frizzell (Lou), Bill Quinn (Medical Examiner), Richard Brian Harris (Auto Mechanic), William Swan (Larry Pyle), Victor Millan (Tony – Detective), June Vincent (Diana), Robert Mandan (Dockmaster).

SFPD Detective Lieutenant Michael Stone (Malden) is partnered with a young college-educated Inspector, Steven Keller (Douglas), as they investigate a girl found dead in the water with a lawyer (Wagner) she knew as the primary suspect. Introductory film for the TV series that ran for five seasons from 1972-7. The film benefits from extensive location work and the instant chemistry between leads Malden and Douglas. The mystery is adapted from a novel by Carolyn Weston, which featured different lead characters. Wagner is the chief suspect as the slimy lawyer who became involved with the dead girl (played in flashback by Darby). Dobkin also gives a notable performance as an eccentric former movie star. The material is handled a little flatly by Graumann but is tightly edited and contains a memorable theme from composer Williams. Followed twenty years later by BACK TO THE STREETS OF SAN FRANCISCO (1992).