Film Review – JAWS: THE REVENGE (1987)

JAWS: THE REVENGE (1987, USA, 89m, 12) **
Adventure, Thriller
dist. Universal Pictures; pr co. Universal Pictures; d. Joseph Sargent; w. Michael De Guzman (based on characters created by Peter Benchley); pr. Joseph Sargent; ph. John McPherson (DeLuxe | 2.35:1); m. Michael Small; ed. Michael Brown; pd. John J. Lloyd; ad. Donald B. Woodruff.
cast: Lorraine Gary (Ellen Brody), Lance Guest (Michael Brody), Mario Van Peebles (Jake), Karen Young (Carla Brody), Michael Caine (Hoagie), Judith Barsi (Thea), Mitchell Anderson (Sean Brody), Lynn Whitfield (Louisa), Jay Mello (Young Sean Brody), Cedric Scott (Clarence), Charles Bowleg (William), Melvin Van Peebles (Mr. Witherspoon), Mary Smith (Tiffany), Edna Billotto (Polly), Fritzi Jane Courtney (Mrs. Taft), Cyprian R. Dube (Mayor), Lee Fierro (Mrs. Kintner), Moby Griffin (Man in the Boat), Diane Hetfield (Mrs. Ferguson), Daniel J. Manning (Jesus).
Whilst not as bad as its reputation, this third sequel to 1975’s JAWS becomes increasingly preposterous and unravels totally in its final act. The family of widow Ellen Brody (Gary) has long been plagued by shark attacks, and this unfortunate association continues when her youngest son Sean (Anderson) is the victim of a massive great white. In mourning, Ellen goes to visit her other son, Michael (Guest), in the Bahamas, where she meets the charming pilot Hoagie Newcombe (Caine). As Ellen and Hoagie begin a relationship, a huge shark appears off the coast of the island, and Ellen’s trouble with the great whites begins again. The premise presented here through Gary’s paranoia is that the shark is targeting the Brody family. Whilst this is never overtly stated as the reason for the latest attacks, the lack of any logical alternative explanation leaves the film dependant on our willingness to suspend our disbelief. The film is well presented in its early scenes in Amity. When the action moves to the Bahamas, the exotic location makes for some nice photography both above and below the surface. Caine offers up a likeable performance, whilst Gary does her best to persuade us her fears are grounded. Sargent then loses total control of the film in its finale, which is hampered by poor effects work and haphazard editing, which stifle any potential build of tension. Reminders of the masterly original only serve to confirm how low the series had sunk since that classic tale of character and suspense.

Film Review – JAWS (1975)

Image result for jaws 1975JAWS (USA, 1975) *****
PRODUCTION: Distributor: Universal Pictures (USA), Cinema International Corporation (CIC) (UK); Production Company: Zanuck-Brown Productions / Universal Pictures; Release Date: 20 June 1975 (USA), 25 December 1975 (UK); Filming Dates: 2 May 1974 – 18 September 1974 and October 1974 – December 1974; Running Time: 124m; Colour: Technicolor; Sound Mix: Mono (Westrex Recording System) | Dolby (Dolby Digital Surround 5.1) | Dolby Surround 7.1 (Blu-ray release); Film Format: 35mm; Film Process: Panavision (anamorphic); Aspect Ratio: 2.35:1; BBFC Cert: 12.
CREW: Director: Steven Spielberg; Writer: Peter Benchley, Carl Gottlieb (based on the novel by Peter Benchley); Producer: David Brown, Richard D. Zanuck; Director of Photography: Bill Butler; Music Composer: John Williams; Film Editor: Verna Fields; Casting Director: Shari Rhodes; Production Designer: Joe Alves; Set Decorator: John M. Dwyer; Costumes: Louise Clark, Robert Ellsworth, Irwin Rose; Make-up: Del Armstrong, John Chambers, Jim Gillespie; Sound: John R. Carter, Robert L. Hoyt; Special Effects: Robert A. Mattey.
CAST: Roy Scheider (Brody), Robert Shaw (Quint), Richard Dreyfuss (Hooper), Lorraine Gary (Ellen Brody), Murray Hamilton (Vaughn), Carl Gottlieb (Meadows), Jeffrey Kramer (Hendricks), Susan Backlinie (Chrissie), Jonathan Filley (Cassidy), Ted Grossman (Estuary Victim), Chris Rebello (Michael Brody), Jay Mello (Sean Brody), Lee Fierro (Mrs. Kintner), Jeffrey Voorhees (Alex Kintner), Craig Kingsbury (Ben Gardner), Robert Nevin (Medical Examiner), Peter Benchley (Interviewer).
SYNOPSIS: When a gigantic great white shark begins to menace the small island community of Amity, a police chief, a marine scientist and grizzled fisherman set out to stop it.
COMMENT: Brilliantly filmed and edited with not a minute of screen time wasted. It was credited as the movie that created the summer blockbuster, but this remains an everyman movie full of thrills. Spielberg’s inventive framing and decision to leave the shark largely unseen until the final act demonstrate his astute approach to genre direction. Great performance from Shaw, Scheider and Dreyfuss and memorable music score from Williams helps to heighten the tension. The movie remains today a textbook example on how to shoot a thriller and maximise character empathy through great direction to actors.
NOTES: Won three Oscars – for Editing, Music and Sound. Extended version runs to 130m. Followed by three sequels beginning with JAWS 2 (1978).