Film Review – ABBOTT AND COSTELLO MEET FRANKENSTEIN (1948)

ABBOTT AND COSTELLO MEET FRANKENSTEIN (1948, USA) ***
Comedy, Horror, Sci-Fi
dist. Universal Pictures (USA), General Film Distributors (GFD) (UK); pr co. Universal International Pictures (UI); d. Charles Barton; w. Robert Lees, Frederic I. Rinaldo, John Grant; pr. Robert Arthur; ph. Charles Van Enger (B&W. 35mm. Spherical. 1.37:1); m. Frank Skinner; ed. Frank Gross; ad. Hilyard M. Brown, Bernard Herzbrun; rel. 15 June 1948 (USA), August 1949 (UK); BBFC cert: PG; r/t. 83m.
cast: Bud Abbott (Chick), Lou Costello (Wilbur), Lon Chaney Jr. (Lawrence Talbot / The Wolfman), Bela Lugosi (Dracula), Glenn Strange (Monster), Lenore Aubert (Sandra Mornay), Jane Randolph (Joan Raymond), Frank Ferguson (Mr. McDougal), Charles Bradstreet (Dr. Stevens).
Abbott and Costello play two hapless freight handlers who find themselves encountering Dracula, the Frankenstein Monster and the Wolf Man. Enjoyment of this horror comedy will depend on your tolerance of the antics of the comedy duo who lack the sophistication, inventiveness and dignity of Laurel & Hardy, but became immensely popular nonetheless. One or two amusing moments do surface, and it is great to see Lugosi, Chaney and co. in action again. Lugosi is particularly effective returning to his signature role of Count Dracula. Watch out for the final gag, which is the best of the production. In 2001, the Library of Congress selected this film for preservation in the National Film Registry. On screen title: BUD ABBOTT AND LOU COSTELLO MEET FRANKENSTEIN. UK Title: ABBOTT AND COSTELLO MEET THE GHOSTS.

Film Review – THE WOLF MAN (1941)

The Wolfman (1941) movie poster – Dangerous UniverseTHE WOLF MAN (USA, 1941) ***½
      Distributor: Universal Pictures; Production Company: Universal Pictures; Release Date: 9 December 1941 (USA), 13 March 1942 (UK); Filming Dates: 8 September 1941 – 25 November 1941; Running Time: 70m; Colour: B&W; Sound Mix: Mono (Western Electric Mirrophonic Recording); Film Format: 35mm; Film Process: Spherical; Aspect Ratio: 1.37:1; BBFC Cert: PG.
      Director: George Waggner; Writer: Curt Siodmak; Executive Producer: Jack J. Gross; Producer: George Waggner; Director of Photography: Joseph A. Valentine; Music Composer: Charles Previn, Hans J. Salter, Frank Skinner (all uncredited); Music Director: Charles Previn; Film Editor: Ted J. Kent; Art Director: Jack Otterson; Set Decorator: Russell A. Gausman; Costumes: Vera West; Make-up: Jack P. Pierce; Sound: Bernard B. Brown; Special Effects: John P. Fulton (uncredited).
      Cast: Lon Chaney Jr. (Larry Talbot – The Wolf Man), Claude Rains (Sir John Talbot), Warren William (Dr. Lloyd), Ralph Bellamy (Colonel Paul Montford), Patric Knowles (Frank Andrews), Bela Lugosi (Bela), Maria Ouspenskaya (Maleva), Evelyn Ankers (Gwen Conliffe), J.M. Kerrigan (Charles Conliffe), Fay Helm (Jenny Williams), Forrester Harvey (Twiddle), Jessie Arnold (Gypsy Woman (uncredited)), Leyland Hodgson (Kendall – Butler (uncredited)), Connie Leon (Mrs. Wykes (uncredited)), Doris Lloyd (Mrs. Williams (uncredited)), Ottola Nesmith (Mrs. Bally (uncredited)).
Synopsis: A practical man returns to his homeland, is attacked by a creature of folklore, and infected with a horrific disease his disciplined mind tells him cannot possibly exist.
      Comment: Universal’s second Werewolf film after WEREWOLF OF LONDON (1935). It is a fun outing with a strong sense of atmosphere, created by Valentine’s moody photography and Pierce’s impressive make-up. Chaney is Lawrence Talbot, who returns to father Rains’ estate and falls for antique shop-girl Ankers. After visiting a gypsy camp, where he meets the mysterious Lugosi he is bitten by a werewolf and his nightmares begin. Chaney is too stiff to carry off the leading man role but is better when in full make-up and snarling at his intended victims. Rains delivers the best performance, capturing subtly his character’s dilemma of not wanting to believe his son is the murderous monster, but deep down knowing he must do what is right. Waggner directs with pace and the movie proved to be a success. Chaney would appear as the Wolf Man four more times, but only as part of multi-monster offerings. Followed by FRANKENSTEIN MEETS THE WOLF MAN (1943) and remade as THE WOLFMAN (2010).

Film Review – HOUSE OF FRANKENSTEIN (1944)

Related imageHouse of Frankenstein (1944; USA; B&W; 71m) **½  d. Erle C. Kenton; w. Edward T. Lowe Jr.; ph. George Robinson; m. Hans J. Salter.  Cast: Boris Karloff, Lon Chaney Jr., J. Carrol Naish, John Carradine, Anne Gwynne, Peter Coe, Lionel Atwill, George Zucco, Elena Verdugo, Sig Ruman. An evil scientist and a hunchback escape from prison and encounter Dracula, the Wolf Man and Frankenstein’s Monster. Suffers from having to cater for too many monsters and therefore each story feels rushed and is ultimately disappointing. Karloff and Naish, as the mad scientist and his hunchback assistant, do their best with the material, but this is only mediocre entertainment. Based on a story by Curt Siodmak. Followed by HOUSE OF DRACULA (1945). [PG]