Film Review – MR. MAJESTYK (1974)

MR. MAJESTYK (1974, USA, 103m, 18) ***½
Action, Crime, Thriller
dist. United Artists; pr co. Mirisch Company; d. Richard Fleischer; w. Elmore Leonard; pr. Walter Mirisch; ph. Richard H. Kline (DeLuxe | 1.85:1); m. Charles Bernstein; ed. Ralph E. Winters.
cast: Charles Bronson (Vince Majestyk), Al Lettieri (Frank Renda), Linda Cristal (Nancy Chavez), Lee Purcell (Wiley), Paul Koslo (Bobby Kopas), Taylor Lacher (Gene Lundy), Frank Maxwell (Det. Lt. McAllen), Alejandro Rey (Larry Mendoza), Jordan Rhodes (Deputy Harold Richie), Bert Santos (Julio Tomas).
Enjoyable action-thriller wittily scripted by Leonard and directed with efficiency by Fleischer. Bronson is a Vietnam War veteran trying to keep his watermelon farm afloat when he is approached by Koslo who tries to force him into employing an inept band of farmhands. This incident lands Bronson in jail for assault where he crosses mobster hitman Lettieri when he tries to obstruct his escape plans. Bronson must now stand up for his farm and his workers, led by Cristal, against Lettieri and his men. Bronson is in good form, but Lettieri demonstrably overplays his role resulting in his highly emotive hitman character not ringing true. The action scenes, though, are well-staged and the slight story moves swiftly and entertainingly along to its inevitable shootout finale.

Film Review – THE ALAMO (1960)

Image result for THE ALAMO 1960Alamo, The (1960; USA; Technicolor; 193m) ****  d. John Wayne; w. James Edward Grant; ph. William H. Clothier; m. Dimitri Tiomkin.  Cast: John Wayne, Richard Widmark, Laurence Harvey, Richard Boone, Frankie Avalon, Patrick Wayne, Linda Cristal, Joan O’Brien, Chill Wills, Joseph Calleia, Ken Curtis, Carlos Arruza, Jester Hairston, Veda Ann Borg, Guinn ‘Big Boy’ Williams, Cliff Lyons. In 1836, as General Santa Anna and the Mexican army sweep across Texas, Colonel William Travis is tasked with defending a small mission on the Mexicans’ route at all costs. Grand spectacle, notably the closing final battle scenes, are the main draw for this exercise in logistics. Wayne handles the whole thing with considerable aplomb. Whilst the inevitability of the story’s conclusion has been laid down by history, there is a sense of admiration for the spirit of the volunteers that only occasionally veers into the overly-patriotic and preachy. Wayne, Widmark and Harvey all bring star quality to the proceedings. Great score by Tiomkin. Wayne assumed huge personal debt to get film finished after United Artists refused funding once budget was exceeded. Oscar winner for Best Sound. Original video release cut to 161m. Remade in 2004. [PG]