Rio Lobo (1970; USA; Technicolor; 114m) *** d. Howard Hawks; w. Burton Wohl, Leigh Brackett; ph. William H. Clothier; m. Jerry Goldsmith. Cast: John Wayne, Jack Elam, Jennifer O’Neill, Jorge Rivero, Christopher Mitchum, Victor French, Sherry Lansing, Susana Dosamantes, Mike Henry, David Huddleston, Bill Williams, Edward Faulkner. After the Civil War, Wayne searches for the traitor whose perfidy caused the defeat of his unit and the loss of a close friend. Hawks and Wayne team up for a final time in this entertaining, if derivative and slightly tired Western. Wayne and Elam, as a trigger-happy old rancher, stand out against a young and inexperienced cast delivering inconsistent performances. The finale replays that of RIO BRAVO (1959), which the team had previously riffed in EL DORADO (1966). Partly shot in Old Tuscon. Hawks’ final film. [PG]
El Dorado (1966; USA; Technicolor; 126m) ****½ d. Howard Hawks; w. Leigh Brackett; ph. Harold Rosson; m. Nelson Riddle. Cast: John Wayne, Robert Mitchum, James Caan, Charlene Holt, Paul Fix, Arthur Hunnicutt, R.G. Armstrong, Edward Asner, Christopher George, Jim Davis, Michele Carey, Marina Ghane, Robert Donner, John Gabriel, Johnny Crawford. Cole Thornton, a gunfighter for hire, joins forces with an old friend, Sheriff J.P. Hara. Together with an old Indian fighter and a gambler, they help a rancher and his family fight a rival rancher that is trying to steal their water. Western re-teams Hawks and Wayne with the second half of the movie being a re-working of RIO BRAVO (1959). Many of the elements of that classic are repeated here and whilst it doesn’t quite reach the heights of its inspiration it is still fabulous entertainment. Mitchum is superb as drunken sheriff. Caan and Hunnicutt also shine as the young protegee and old Indian fighter. The poem recited by Mississippi is an actual poem called “El Dorado” by Edgar Allan Poe. Based on the novel “The Stars in Their Courses” by Harry Brown. [PG]
Hatari! (1962; USA; Technicolor; 157m) **** d. Howard Hawks; w. Leigh Brackett; ph. Russell Harlan; m. Henry Mancini. Cast: John Wayne, Hardy Kruger, Elsa Martinelli, Gerard Blain, Red Buttons, Bruce Cabot, Eduard Franz, Michele Girardon, Queenie Leonard, Major Sam Harris. A group of men trap wild animals in Africa and sell them to zoos. Will the arrival of a female wildlife photographer change their ways? Vastly entertaining adventure has no plot and instead asks you to spend two-and-a-half hours in the company of likeable characters doing dangerous work in an exciting location. Hawks taps into his trademark themes of group camaraderie. Whilst the performances are mixed – some of the younger cast are a little wooden – there is much to enjoy in the central performances of Wayne, Martinelli and Buttons. Mancini contributes a catchy score – notably during the “Elephant Walk”. Based on a story by Harry Kurnitz. [U]
Rio Bravo (1959; USA; Technicolor; 141m) ***** d. Howard Hawks; w. Jules Furthman, Leigh Brackett; ph. Russell Harlan; m. Dimitri Tiomkin. Cast: John Wayne, Walter Brennan, Ward Bond, Dean Martin, Angie Dickinson, John Russell, Ricky Nelson, Claude Akins, Bob Steele, Myron Healey, Estelita Rodriguez, Malcolm Atterbury, Yakima Canutt, Pedro Gonzalez Gonzalez, Bing Russell. A small-town sheriff in the American West enlists the help of a cripple, a drunk, and a young gunfighter in his efforts to hold in jail the brother of the local bad guy. Superb entertainment with characters you can route for and a near perfect cast. The interplay and contrast between the characters is what makes this so enjoyable. Wayne is at his stoic best as the sheriff; Martin delivers his finest performance as the recovering drunk; Brennan cackles and grumbles his way through his most memorable role as Stumpy and Dickinson oozes appeal as the girl with a past who falls for Wayne. Even Nelson gets through a slightly stiff portrayal of a young gunslinger and has time to share a tune with Martin. Escapist cinema at its very finest. Based on a short story by B.H. McCampbell (Hawks’ daughter). In 2014, the film was deemed “culturally, historically, or aesthetically significant” by the Library of Congress and selected for preservation in the National Film Registry. More or less remade as EL DORADO (1966) and elements were also adopted in RIO LOBO (1970). Inspiration for John Carpenter’s ASSAULT ON PRECINCT 13 (1976). [PG]
Long Goodbye, The (1973; USA; Technicolor; 112m) *** d. Robert Altman; w. Leigh Brackett; ph. Vilmos Zsigmond; m. John Williams. Cast: Elliott Gould, Nina Van Pallandt, Sterling Hayden, Mark Rydell, Henry Gibson, David Arkin, Jim Bouton, Warren Berlinger, Arnold Schwarzenegger, Rutanya Alda, Jo Ann Brody, Vincent Palmieri, Pancho Cordova, Enrique Lucero, George Wyner. Detective Philip Marlowe tries to help a friend who is accused of murdering his wife. Altman re-imagines Raymond Chandler’s classic novel in a contemporary setting with Gould portraying Marlowe as a detective out-of-his time. The gimmick allows Altman to pass comment on the degradation of society and the values of life, but in doing so he sucks the power from Chandler’s original story. There are some nice directorial touches and improvised set-pieces, but this will ultimately only fully please those fully attuned to the director’s surreal vision. Schwarzenegger, who plays a bodyguard, has no lines in the film.