Film Review – BUTCH CASSIDY AND THE SUNDANCE KID (1969)

VINTAGE MOVIE / FILM POSTER SUPERB QUALITY BUTCH CASSIDY AND THE ...BUTCH CASSIDY AND THE SUNDANCE KID (USA, 1969) *****
      Distributor: Twentieth Century Fox; Production Company: Campanile Productions / Newman-Foreman Company; Release Date: 23 September 1969 (USA), 5 February 1970 (UK); Filming Dates: 16 September 1968 – 13 March 1969; Running Time: 110m; Colour: DeLuxe; Sound Mix: Mono (Westrex Recording System); Film Format: 35mm; Film Process: Panavision (anamorphic); Aspect Ratio: 2.39:1; BBFC Cert: PG.
      Director: George Roy Hill; Writer: William Goldman; Executive Producer: Paul Monash; Producer: John Foreman; Director of Photography: Conrad L. Hall; Music Composer: Burt Bacharach; Film Editor: John C. Howard, Richard C. Meyer; Art Director: Philip M. Jefferies, Jack Martin Smith; Set Decorator: Chester Bayhi, Walter M. Scott; Costumes: Edith Head; Make-up: Daniel C. Striepeke, Edith Lindon; Sound: David Dockendorf, Bill Edmondson; Visual Effects: L.B. Abbott, Art Cruickshank.
      Cast: Paul Newman (Butch Cassidy), Robert Redford (The Sundance Kid), Katharine Ross (Etta Place), Strother Martin (Percy Garris), Henry Jones (Bike Salesman), Jeff Corey (Sheriff Bledsoe), George Furth (Woodcock), Cloris Leachman (Agnes), Ted Cassidy (Harvey Logan), Kenneth Mars (Marshal), Donnelly Rhodes (Macon), Jody Gilbert (Large Woman), Timothy Scott (News Carver), Don Keefer (Fireman), Charles Dierkop (Flat Nose Curry), Pancho Córdova (Bank Manager), Nelson Olmsted (Photographer), Paul Bryar (Card Player #1), Sam Elliott (Card Player #2), Charles Akins (Bank Teller), Eric Sinclair (Tiffany’s Salesman).
      Synopsis: Two Western bank/train robbers flee to Bolivia when the law gets too close.
      Comment: Classic Western came after the end of the golden period for the genre but was massively popular due to the charismatic chemistry between Newman and Redford as Butch and Sundance. The stars make the most of Goldman’s witty screenplay dealing with the outlaws’ final days as they flee a dogged posse to Bolivia. The themes of the passing of the old west and its values into a more modern society is given poignancy through Hill’s direction and his use of visual dynamics emphasised by Hall’s evocative cinematography. One of the great Westerns that bears repeated viewings. Sam Elliott’s feature film debut. Won Oscars for Screenplay, Cinematography, Music and Song for “Raindrops Keep Falling on My Head”. Followed by a prequel BUTCH AND SUNDANCE: THE EARLY DAYS (1979). The movie also inspired the TV series Alias Smith and Jones (1970-3).

Film Review – NIGHT MOVES (1975)

Related imageNIGHT MOVES (USA, 1975) ****
PRODUCTION: Distributor: Warner Bros. (USA), Columbia-EMI-Warner (UK); Production Company: Warner Bros. / Hiller Productions / Layton Productions / Major Studio Partners; Release Date: 18 March 1975 (USA); Filming Dates: fall/winter 1973; Running Time: 100m; Colour: Technicolor; Sound Mix: Mono; Film Format: 35mm; Film Process: Spherical; Aspect Ratio: 1.85:1; BBFC Cert: 18 – child abuse theme.
CREW: Director: Arthur Penn; Writer: Alan Sharp; Producer: Robert M. Sherman; Associate Producer: Gene Lasko; Director of Photography: Bruce Surtees; Music Composer: Michael Small; Film Editor: Dede Allen; Casting Director: Nessa Hyams; Production Designer: George Jenkins; Set Decorator: Ned Parsons; Costumes: Rita Riggs; Make-up: Bob Stein; Sound: Richard P. Cirincione, Craig McKay, Robert M. Reitano; Special Effects: Joe Day, Marcel Vercoutere.
CAST: Gene Hackman (Harry Moseby), Jennifer Warren (Paula), Susan Clark (Ellen), Edward Binns (Ziegler), Harris Yulin (Marty Heller), Kenneth Mars (Nick), Janet Ward (Arlene Iverson), James Woods (Quentin), Anthony Costello (Marv Ellman), John Crawford (Tom Iverson), Melanie Griffith (Delly Grastner), Ben Archibek (Charles), Dennis Dugan (Boy), C.J. Hincks (Girl), Max Gail (Stud), Susan Barrister (Ticket Clerk), Larry Mitchell (Ticket Clerk).
SYNOPSIS: In LA, a private detective is hired by a retired obscure Hollywood actress to find her 16 year-old missing daughter.
COMMENT: Extremely well-acted detective mystery with Hackman delivering a performance of depth as the private eye with things to prove to himself. The complex script focuses as much on character as plot progression and gives the actors plenty to work with and Warren and Clark are notable standouts. The finale contains a neat final twist. The only misstep is Small’s weak score, which fails to build on the tension evident in Sharp’s script and drawn out through Penn’s expert direction and Surtees’ moody photography.