Film Review – ABSOLUTE POWER (1997)

Image result for absolute power 1997ABSOLUTE POWER (USA, 1997) **½
      Distributor: Columbia Pictures; Production Company: Castle Rock Entertainment / Malpaso Productions; Release Date: 4 February 1997 (USA), 30 May 1997 (UK); Filming Dates: 3 June 1996 – 14 August 1996; Running Time: 122m; Colour: Technicolor; Sound Mix: Dolby Digital | SDDS; Film Format: 35mm; Film Process: Panavision (anamorphic); Aspect Ratio: 2.39:1; BBFC Cert: 15.
      Director: Clint Eastwood; Writer: William Goldman (based on the novel by David Baldacci); Executive Producer: Tom Rooker; Producer: Clint Eastwood, Karen S. Spiegel; Associate Producer: Michael Maurer; Director of Photography: Jack N. Green; Music Composer: Lennie Niehaus; Film Editor: Joel Cox; Casting Director: Phyllis Huffman; Production Designer: Henry Bumstead; Art Director: Jack G. Taylor Jr.; Set Decorator: Richard C. Goddard, Anne D. McCulley; Costumes: Deborah Hopper; Make-up: Tania McComas, Francisco X. Pérez; Sound: Bub Asman, Alan Robert Murray; Special Effects: Steve Riley.
      Cast: Clint Eastwood (Luther Whitney), Gene Hackman (President Richmond), Ed Harris (Seth Frank), Laura Linney (Kate Whitney), Scott Glenn (Bill Burton), Dennis Haysbert (Tim Collin), Judy Davis (Gloria Russell), E.G. Marshall (Walter Sullivan), Melora Hardin (Christy Sullivan), Kenneth Welsh (Sandy Lord), Penny Johnson Jerald (Laura Simon), Richard Jenkins (Michael McCarty), Mark Margolis (Red Brandsford), Elaine Kagan (Valerie), Alison Eastwood (Art Student), Yau-Gene Chan (Waiter), George Orrison (Airport Bartender), Charles McDaniel (Medical Examiner), John Lyle Campbell (Repairman), Kimber Eastwood (White House Tour Guide), Eric Dahlquist Jr. (Oval Office Agent), Jack Stewart Taylor (Watergate Doorman), Joy Ehrlich (Reporter), Robert Harvey (Cop).
      Synopsis: A career thief witnesses a horrific crime involving the U.S. President.
      Comment: Highly implausible and lacking in pace, this is made watchable by the presence of Eastwood as the burglar who witnesses the crime and Harris as the cop who tries to hunt him down. Hackman is solid as ever as the President but is given little to work with by the script after the tense opening scenes. Davis’ performance is completely misjudged as if she is acting in another, more comedic, movie. The plot plays out in routine fashion and lacks heightened drama in its climax. A disappointing effort from Eastwood after a golden run.
      Notes: Marshall’s final appearance in a theatrical film.

Film Review – TO ROME WITH LOVE (2012)

Image result for to rome with loveTO ROME WITH LOVE (USA/Italy/Spain, 2012) ***
      Distributor: Sony Pictures Classics; Production Company: Medusa Film / Gravier Productions / Perdido Productions / Mediapro; Release Date: 22 June 2012 (USA), 14 September 2012 (UK); Filming Dates: 11 July 2011 – 31 August 2011; Running Time: 112m; Colour: DeLuxe; Sound Mix: Dolby Digital; Film Format: 35 mm (spherical) (Kodak Vision 2383), D-Cinema; Film Process: Digital Intermediate (2K) (master format), Super 35 (source format); Aspect Ratio: 1.85:1; BBFC Cert: 12.
      Director: Woody Allen; Writer: Woody Allen; Executive Producer: Jack Rollins; Producer: Faruk Alatan, Letty Aronson, Giampaolo Letta, Stephen Tenenbaum, David Nichols, Helen Robin; Director of Photography: Darius Khondji; Music Supervisor: Michelle Dickson Fine; Film Editor: Alisa Lepselter; Casting Director: Patricia DiCerto, Beatrice Kruger, Juliet Taylor; Production Designer: Anne Seibel; Art Director: Luca Tranchino; Set Decorator: Raffaella Giovannetti; Costumes: Sonia Grande; Make-up: Alessandro Bertolazzi; Sound: Maurizio Argentieri; Special Effects: Daniel Acon, Stefano Corridori; Visual Effects: Fabio Bianchi.
      Cast:Hayley’s Story“: Alison Pill (Hayley, Michelangelo’s fiancée), Flavio Parenti (Michelangelo Santoli, Hayley’s fiancé), Woody Allen (Jerry, Hayley’s father and Phyllis’ husband), Judy Davis (Phyllis, Hayley’s mother and Jerry’s wife), Fabio Armiliato (Giancarlo Santoli, Michelangelo’s father). “Leopoldo’s Story“: Roberto Benigni (Leopoldo Pisanello, a clerk and temporary celebrity), Monica Nappo (Sofia Pisanello, Leopoldo’s wife), Cecilia Capriotti (Serafina, a secretary), Marta Zoffoli (Marisa Raguso, an interviewer for Leopoldo). “Antonio’s Story“: Alessandro Tiberi (Antonio, Milly’s husband), Alessandra Mastronardi (Milly, Antonio’s wife), Penélope Cruz (Anna, a prostitute), Simona Caparrini (Joan, Antonio’s aunt), Ornella Muti (Pia Fusari, a famous actress), Antonio Albanese (Luchina “”Luca”” Salta, a famous actor), Riccardo Scamarcio (hotel thief), Roberto Della Casa (Uncle Paolo), Giuliano Gemma (hotel manager). “John’s Story“: Alec Baldwin (John Foy, successful architect and Jack’s acquaintance and adviser), Jesse Eisenberg (Jack, Sally’s boyfriend), Greta Gerwig (Sally, Jack’s girlfriend and Monica’s best friend), Ellen Page (Monica, Sally’s best friend), Lino Guanciale (Leonardo).
      Synopsis: The lives of some visitors and residents of Rome and the romances, adventures and predicaments they get into.
      Comment: Uneven but fun collection of four distinct, but interwoven stories. Allen’s gift for comic absurdity is exemplified by the opera singer who can only perform in the shower (“Hayley’s Story”) and the Italian clerk who wakes up one morning to find he is famous and hounded by the press and public (“Leopoldo’s Story”). “Antonio’s Story” is more of a bedroom farce, whilst “John’s Story” is a typical Allen tale of lust and regret. Taken in isolation each has its merits, but as a whole, they fail to hang together in a cohesive way, although themes of the effects of fame, manipulation and surrender to one’s baser instincts are a clear thread. Allen and Davis spar wonderfully as parents meeting their daughter’s fiancée for the first time. The Eisenberg/Page segment, however, comes across as forced and contrived. A mixed bag then, but enough to satisfy Allen’s fanbase.