DOCTOR WHO: REVOLUTION OF THE DALEKS (TV) (2021) **½
Adventure, Fantasy, Sci-Fi
dist. British Broadcasting Corporation (BBC); pr co. BBC Studios; d. Lee Haven Jones; w. Chris Chibnall; exec pr. Chris Chibnall; pr. Alex Mercer; ph. Luke Bryant (Colour. 2.00:1); m. Segun Akinola; ed. Joel Skinner; pd. Dafydd Shurmer; ad. Rebecca Brown; set d. Vicki Male; cos. Ray Holman; m/up. Claire Pritchard-Jones; sd. Harry Barnes (Dolby Digital); sfx. Real SFX; vfx. DNEG, Chris Thomas; b/cast. 1 January 2021 (UK/USA); cert: 12; r/t. 71m.
cast: Jodie Whittaker (The Doctor), Bradley Walsh (Graham O’Brien), Mandip Gill (Yasmin Khan), Tosin Cole (Ryan Sinclair), John Barrowman (Captain Jack Harkness), Chris Noth (Jack Robertson), Nathan Stewart-Jarrett (Leo Rugazzi), Harriet Walter (Jo Patterson), Nathan Stewart-Jarrett (Leo Rugazzi), Nathan Armakwei-Laryea (Armen), Helene Anderson (Rachel), Nicholas Briggs (Daleks (voice)), Sharon D. Clarke (Grace).
The Doctor is imprisoned halfway across the universe. On Earth, the sighting of a Dalek alerts Ryan, Graham and Yaz. Can the return of Captain Jack Harkness help them stop a deadly Dalek takeover? A disappointing special which is failed by a script that is full of plot holes and is decidedly lazy, skirting over key narrative progressions. It also fails to make the most of its dramatic potential – for example Jack and Yaz’s discovery of the Tokyo Dalek factory should have been the surprise reveal, but we had already been introduced to it a few scenes earlier. The whole threat lacks the global and epic scope its plot suggests, and the wrap-up is far too convenient. Barrowman’s return is welcome, but he disappears at the story’s conclusion. Noth’s performance is way over the top and just as unconvincing as it was in his previous appearance in ARACHNIDS IN THE UK (2018). Moments of character introspection are welcome and help to add some explanation of motivation. Whittaker is okay as the Doctor, but still lacks the presence of previous incarnations. The Daleks are great in both traditional and new designs and the clash of different factions recalls earlier episodes – notably REMEMBRANCE OF THE DALEKS (1988). Technical values are high and the episode is nicely shot, but the direction of Jones fails to overcome the limitations of Chibnall’s script.
DOCTOR WHO: FUGITIVE OF THE JUDOON (UK, 2020) ****
Distributor: British Broadcasting Corporation (BBC); Production Company: BBC Studios; Release Date: 26 January 2020; Running Time: 50m; Colour: Colour; Sound Mix: Dolby Digital; Film Format: HD; Aspect Ratio: 2.00:1; BBFC Cert: PG.
Director: Nida Manzoor; Writer: Vinay Patel, Chris Chibnall; Producer: Nikki Wilson, Alex Mercer; Executive Producer: Chris Chibnall, Matt Strevens; Director of Photography: Sam Heasman; Music Composer: Segun Akinola; Film Editor: Rebecca Trotman; Production Designer: Dafydd Shurmer; Supervising Art Director: Rebecca Brown; Casting: Andy Pryor; Costumes: Ray Holman; Make-up: Claire Pritchard-Jones; Sound: Deian Llyr Humphreys; Special Effects: REAL SFX; Visual Effects Producer: Pete Levy (DNEG).
Cast: Jodie Whittaker (The Doctor), Bradley Walsh (Graham O’Brian), Tosin Cole (Ryan Sinclair), Mandip Gill (Yasmin Khan), Jo Martin (Ruth Clayton), John Barrowman (Captain Jack Harkness), Neil Stuke (Lee Clayton), Ritu Arya (Gat), Paul Kasey (Judoon Captain Pol-Kon-Don), Michael Begley (All Ears Allan), Judith Street (Marcia), Katie Luckins (Tourist), Nick Briggs (Voice of Judoon ), Simon Carew (Judoon), Richard Highgate (Judoon), Richard Price (Judoon), Matthew Rohman (Judoon)
Synopsis: Ko Sho Blo! Trigger-happy space police the Judoon are targeting 21st-century Gloucester. The Doctor, Yaz, Ryan and Graham race back to Earth in order to prevent them doing too much damage to the cathedral city. But who are they looking for, and what did they do to incur the wrath of the Judoon?
Comment: Well, last week I said I felt a strong story may be just around the corner. It’s difficult to fully assess The Fugitive of the Judoon in isolation because it is really a set-up episode which should hopefully pay off over the remainder of the series. As such it achieves its objective splendidly by creating some genuinely surprising plot twists. The episode, co-written by Vinay Patel and Chris Chibnall, started shakily with the Judoon arrival in modern-day Gloucester initially failing to grab interest. However, once the true reason for their arrival is revealed the episode shifts up a couple of gears and moves into one revelation after another to set up a hugely promising conundrum for the Doctor to solve. The return of Captain Jack Harkness was intriguing and his involvement in the story is still to be fully explained. Barrowman clicks back into character and Jack delivers a message of warning to the Doctor’s companions before vanishing again. The character of Ruth is the most intriguing and raises even bigger questions around the direction Chibnall is taking us with this series. The tension builds through the episode as the Doctor discovers the true nature of the fugitive. Whittaker delivers her strongest performance to date and finally gets some moments of dramatic conflict to work with. There are now many unanswered questions and it will be a real test of Chibnall’s skills as a writer to resolve them all satisfactorily. For now, we can be glad we finally have an episode worthy of the brand name and whilst I am hedging my bets on the outcome, I have much more optimism, albeit cautious, than at any time under Chibnall’s stewardship.