Film Review – HELL OR HIGH WATER (2016)

HELL OR HIGH WATER (2016, USA, 102m, 15) ****
Crime, Drama
dist. Lionsgate (USA), Studio Canal (UK); pr co. CBS Films / Sidney Kimmel Entertainment / MWM Studios / Film 44 / LBI Productions / Oddlot Entertainment; d. David Mackenzie; w. Taylor Sheridan; pr. Peter Berg, Carla Hacken, Sidney Kimmel, Julie Yorn; ph. Giles Nuttgens (Colour | 2.35:1); m. Nick Cave, Warren Ellis; ed. Jake Roberts; pd. Tom Duffield; ad. Steve Cooper.
cast: Jeff Bridges (Marcus Hamilton), Chris Pine (Toby Howard), Ben Foster (Tanner Howard), Gil Birmingham (Alberto Parker), Marin Ireland (Debbie Howard), John-Paul Howard (Justin Howard), Katy Mixon (Jenny Ann), Kevin Rankin (Billy Rayburn), Ivan Brutsche (Buster), Heidi Sulzman (Ranger Margaret), Christopher W. Garcia (Randy Howard (as Christopher Garcia)), William Sterchi (Mr. Clauson), Dale Dickey (Elsie), Buck Taylor (Old Man), Kristin K. Berg (Olney Teller (as Kristin Berg)), Keith Meriweather (Rancher), Jackamoe Buzzell (Archer City Deputy), Amber Midthunder (Vernon Teller), Joe Berryman (Bank Manager), Taylor Sheridan (Cowboy).
Pine is a divorced father trying to make a better life for his son. His brother (Foster) is a hot-headed ex-convict with a loose trigger finger. Together, they plan a series of heists against the bank that’s about to foreclose on their family ranch. Standing in their way is Bridges, a Texas Ranger who’s only weeks away from retirement. As the siblings plot their final robbery, they must also prepare for a showdown with the crafty lawman who’s not ready to ride off into the sunset. The script adds layers of social commentary and character motivation to this otherwise familiar heist movie. Mackenzie’s sympathetic direction and willingness to develop the characters bring out the best in a strong cast. Bridges has fun essaying his long-in-the-tooth Texas Ranger who spars verbal insults at his half-breed sidekick Birmingham. Peppered with witty dialogue, this is a thoughtful and resonant tale.
AAN: Best Motion Picture of the Year (Carla Hacken, Julie Yorn); Best Performance by an Actor in a Supporting Role (Jeff Bridges); Best Original Screenplay (Taylor Sheridan); Best Achievement in Film Editing (Jake Roberts)

Film Review – THUNDERBOLT AND LIGHTFOOT (1974)

Image result for thunderbolt and lightfoot 1974THUNDERBOLT AND LIGHTFOOT (USA, 1974) ***½
      Distributor: United Artists; Production Company: The Malpaso Company; Release Date: 22 May 1974 (USA), 19 September 1974 (UK); Filming Dates: July – September 1973; Running Time: 115m; Colour: DeLuxe; Sound Mix: Mono; Film Format: 35mm; Film Process: Panavision (anamorphic); Aspect Ratio: 2.39:1; BBFC Cert: 18.
      Director: Michael Cimino; Writer: Michael Cimino; Producer: Robert Daley; Director of Photography: Frank Stanley; Music Composer: Dee Barton; Film Editor: Ferris Webster; Casting Director: Patricia Mock; Art Director: Tambi Larsen; Set Decorator: James L. Berkey; Costumes: Jules Melillo; Make-up: Joe McKinney; Sound: Bert Hallberg, Norman Webster; Special Effects: Sass Bedig.
      Cast: Clint Eastwood (Thunderbolt), Jeff Bridges (Lightfoot), George Kennedy (Red Leary), Geoffrey Lewis (Eddie Goody), Catherine Bach (Melody), Gary Busey (Curly), Jack Dodson (Vault Manager), Eugene Elman (Tourist), Burton Gilliam (Welder), Roy Jenson (Dunlop), Claudia Lennear (Secretary), Bill McKinney (Crazy Driver), Vic Tayback (Mario Pinski), Dub Taylor (Station Attendant), Gregory Walcott (Used Car Salesman), Erica Hagen (Waitress), Alvin Childress (Janitor), Virginia Baker (Couple at Station), Stuart Nisbet (Couple at Station), Irene K. Cooper (Cashier), Cliff Emmich (The Fat Man), June Fairchild (Gloria), Ted Foulkes (Young Boy), Leslie Oliver (Teenager), Mark Montgomery (Teenager), Karen Lamm (Girl on Motorcycle), Luanne Roberts (Suburban Housewife), Lila Teigh (Tourist).
      Synopsis: With the help of an irreverent young sidekick, a bank robber gets his old gang back together to organise a daring new heist.
      Comment: Road movie turns into heist movie in this entertaining vehicle for Eastwood and Bridges. The plot is initially slight and the pace slow as we are introduced to the two misfit loners. Once Kennedy and Bridges enter the story the character interplay becomes the main focus and the pace quickens as the quartet take to work to raise money to fund their heist. The tone swings from comedy to melodrama to violent action but is generally well-handled by Cimino on his directorial debut. Bridges delivers a superb and believably natural performance and Eastwood generously gives him centre stage. Kennedy too stands out as Eastwood’s stubbornly proud ex-partner.
      Notes: Cimino modelled this movie after one of his favourite films, CAPTAIN LIGHTFOOT (1955). Bridges was nominated for a Best Supporting Actor Academy Award.

Film Review – THE LAST PICTURE SHOW (1971)

Image result for the last picture show 1971Last Picture Show, The (1971; USA; B&W; 118m) ****½  d. Peter Bogdanovich; w. Peter Bogdanovich, Larry McMurtry; ph. Robert Surtees; m. Phil Harris, Johnny Standley, Hank Thompson.  Cast: Timothy Bottoms, Jeff Bridges, Cybill Shepherd, Ben Johnson, Cloris Leachman, Ellen Burstyn, Eileen Brennan, Clu Gulager, Sam Bottoms, Randy Quaid, Joe Heathcock, Bill Thurman, Jessie Lee Fulton, John Hillerman, Noble Willingham, Grover Lewis, Kimberly Hyde, Gary Brockette, Sharon Taggart. In 1951, a group of high schoolers come of age in a bleak, isolated, atrophied West Texas town that is slowly dying, both culturally and economically. Superbly acted drama populated by imperfect characters trying to make a sense of their lives in a dying Texas town. Bogdanovich gives the characters room to breathe and adds a directorial flourish to create an overarching sense of sadness. The 1950s setting is realistically realised through Polly Platt’s production design and Surtees’ black-and-white cinematography. Won Oscars for Best Supporting Actor (Johnson) and Supporting Actress (Leachman) as well as receiving six other nominations. Based on the novel by Larry McMurtry. Director’s cut runs 126m. Followed by TEXASVILLE (1990). [15]