Film Review – FIRST MAN (2018)

First Man (2018) — The Movie Database (TMDb)FIRST MAN (2018, USA) ****
Drama, Biography
dist. Universal Pictures (USA), Universal Pictures International (UPI) (UK); pr co. Universal Pictures / DreamWorks SKG / Temple Hill Entertainment / Perfect World Pictures; d. Damien Chazelle; w. Nicole Perlman, Josh Singer (based on the book by James R. Hansen); exec pr. Adam Merims, Josh Singer, Steven Spielberg; pr. Marty Bowen, Damien Chazelle, Wyck Godfrey, Isaac Klausner; ass pr. Kevin Elam; ph. Linus Sandgren (Colour. D-Cinema. Digital Intermediate (2K). 2.39:1); m. Justin Hurwitz; ed. Tom Cross; pd. Nathan Crowley; ad. Erik Osusky; set d. Kathy Lucas; cos. Mary Zophres; m/up. Katelyn Barton, Marie Larkin; sd. Mildred Iatrou, Lee Gilmore, Nia Hansen, Phil Barrie (Dolby Atmos | DTS (DTS: X) | Auro 11.1); sfx. J.D. Schwalm; vfx. Radley Teruel, Paul Lambert, Josh Dagg; st. Nick Brandon, James M. Churchman; rel. 29 August 2018 (Italy), 31 August 2018 (USA), 12 October 2018 (UK); cert: 12; r/t. 141m.

cast: Ryan Gosling (Neil Armstrong), Claire Foy (Janet Armstrong), Jason Clarke (Ed White), Kyle Chandler (Deke Slayton), Corey Stoll (Buzz Aldrin), Patrick Fugit (Elliot See), Christopher Abbott (Dave Scott), Ciarán Hinds (Bob Gilruth), Olivia Hamilton (Pat White), Pablo Schreiber (James Lovell), Shea Whigham (Gus Grissom), Lukas Haas (Mike Collins), Ethan Embry (Pete Conrad), Brian d’Arcy James (Joe Walker), Cory Michael Smith (Roger Chaffee), Kris Rey (Marilyn See (as Kris Swanberg)), Gavin Warren (Young Rick Armstrong), Luke Winters (Older Rick Armstrong), Connor Blodgett (Mark Armstrong), Lucy Stafford (Karen Armstrong (as Lucy Brooke Stafford)).

This account of Neil Armstrong’s journey from personal tragedy, following the tragic death of his young daughter from a brain tumour in 1961, to becoming the first man to walk on the moon as the commander of Apollo 11 eight years later. The character portrait is one of an insular man who struggles to share his emotions or connect with his family. Gosling’s passive acting style is perfect for the role. The best performance comes from Foy as his increasingly alienated wife and her struggle to reach into her husband’s inner thoughts. The movie is shot in a documentary style with frequent use of hand-held camera giving a personal perspective and a high level of authenticity but creating a distanced perspective toward its characters along the way. The drama is often absorbing, despite the somewhat snapshot approach to the material. The production design is accurate, perfectly capturing the period as well as a real sense of the danger the brave astronauts put themselves in on achieving their country’s goal. Ultimately, the film shows how flawed characters can become national heroes, whilst maintaining a sense of perspective between the human and technical dramas.

AA: Best Achievement in Visual Effects (Paul Lambert, Ian Hunter, Tristan Myles, J.D. Schwalm)
AAN: Best Achievement in Sound Editing (Ai-Ling Lee, Mildred Iatrou); Best Achievement in Production Design (Nathan Crowley, Kathy Lucas); Best Achievement in Sound Mixing (Jon Taylor, Frank A. Montaño, Ai-Ling Lee, Mary H. Ellis)

Film Review – EVEREST (2015)

Image result for everest 2015EVEREST (USA/UK/Iceland, 2015) ***½
      Distributor: Universal Pictures (USA), Universal Pictures International (UPI) (UK); Production Company: Working Title Films / RVK Studios / Walden Media / Universal Pictures / Cross Creek Pictures; Release Date: 18 September 2015 (USA and UK); Filming Dates: Began 13 January 2014; Running Time: 121m; Colour: Colour; Sound Mix: Dolby Digital | 12-Track Digital Sound (IMAX 12 track) | Dolby Atmos | Auro 11.1 | IMAX 6-Track | Dolby Surround 7.1 | Sonics-DDP; Film Format: D-Cinema (also 3-D version); Film Process: Digital Intermediate (2K) (master format); Aspect Ratio: 2.39:1; BBFC Cert: 12.
      Director: Baltasar Kormákur; Writer: Lem Dobbs, Justin Isbell, William Nicholson; Executive Producer: Brandt Andersen, Liza Chasin, Randall Emmett, Evan Hayes, Mark Mallouk, Peter Mallouk, Angela Morrison, Lauren Selig; Producer: Nicky Kentish Barnes, Tim Bevan, Liza Chasin, Eric Fellner, Evan Hayes, Brian Oliver, Tyler Thompson; Director of Photography: Salvatore Totino; Music Composer: Dario Marianelli; Music Supervisor: Maggie Rodford; Film Editor: Mick Audsley; Casting Director: Fiona Weir; Production Designer: Gary Freeman; Art Director: Tom Still; Set Decorator: Raffaella Giovannetti; Costumes: Guy Speranza; Make-up: Carmel Jackson; Sound: Glenn Freemantle; Special Effects: Richard Van Den Bergh; Visual Effects: Måns Björklund, Tim Caplan, Chaya Feiner, Hjortur Gretarsson, Roma O’Connor, Dominic Parker, Melody Woodford.
      Cast: Jason Clarke (Rob Hall), Jake Gyllenhaal (Scott Fischer), Josh Brolin (Beck Weathers), Robin Wright (Peach Weathers), John Hawkes (Doug Hansen), Sam Worthington (Guy Cotter), Michael Kelly (Jon Krakauer), Keira Knightley (Jan Arnold), Emily Watson (Helen Wilton), Thomas Wright (Michael Groom), Martin Henderson (Andy “Harold” Harris), Elizabeth Debicki (Dr. Caroline Mackenzie), Naoko Mori (Yasuko Namba), Clive Standen (Ed Viesturs), Vanessa Kirby (Sandy Hill), Tom Goodman-Hill (Neal Beidleman), Ingvar Eggert Sigurðsson (Anatoli Boukreev), Charlotte Bøving (Lene Gammelgaard), Micah Hauptman (David Breashears), Chris Reilly (Klev Schoening), Chike Chan (Makalu Gau), Vijaya Lama (Lt. Col. Madan Khatri Chhetri), Mark Derwin (Lou Kasischke), Mia Goth (Meg Weathers).
      Synopsis: The story of New Zealand’s Robert “Rob” Edwin Hall, who on May 10, 1996, together with Scott Fischer, teamed up on a joint expedition to ascend Mount Everest.
      Comment: Based on a true story this is a Hollywood-ised treatment that nevertheless is an engaging experience due to some breathtaking location photography and strong performances by the ensemble cast. The set-pieces are immaculately staged and often thrilling, but the main theme is one of endurance and will. Clarke and Brolin are particularly excellent, whilst Gyllenhaal is also memorable in a hippy-style turn. Whilst the movie lacks the emotional impact it tries to create, by not letting us get close enough to the characters, it more than makes up for with its technically spectacular sequences
      Notes: Also shot in 3-D.