THE GODFATHER: PART II (USA, 1974) *****
Distributor: Paramount Pictures (USA), Cinema International Corporation (CIC) (UK); Production Company: Paramount Pictures; Release Date: 13 December 1974 (USA), 15 May 1975 (UK); Filming Dates: 2 October 1973 – 19 June 1974; Running Time: 202m; Colour: Technicolor; Sound Mix: Mono; Film Format: 35mm; Film Process: Spherical; Aspect Ratio: 1.85:1; BBFC Cert: 15.
Director: Francis Ford Coppola; Writer: Francis Ford Coppola, Mario Puzo (based on the novel by Mario Puzo); Executive Producer: Robert Evans (uncredited); Producer: Francis Ford Coppola; Associate Producer: Mona Skager; Director of Photography: Gordon Willis; Music Composer: Nino Rota, Carmine Coppola; Film Editor: Barry Malkin, Richard Marks, Peter Zinner; Casting Director: Jane Feinberg, Mike Fenton, Vic Ramos; Production Designer: Dean Tavoularis; Art Director: Angelo P. Graham; Set Decorator: George R. Nelson; Costumes: Theadora Van Runkle; Make-up: Charles H. Schram, Dick Smith; Sound: Nathan Boxer, Charles M. Wilborn; Special Effects: A.D. Flowers, Joe Lombardi.
Cast: Al Pacino (Michael), Robert Duvall (Tom Hagen), Diane Keaton (Kay), Robert De Niro (Vito Corleone), John Cazale (Fredo Corleone), Talia Shire (Connie Corleone), Lee Strasberg (Hyman Roth), Michael V. Gazzo (Frankie Pentangeli), G.D. Spradlin (Sen. Pat Geary), Richard Bright (Al Neri), Gastone Moschin (Fanucci), Tom Rosqui (Rocco Lampone), Bruno Kirby (Young Clemenza), Frank Sivero (Genco), Francesca De Sapio (Young Mama Corleone), Morgana King (Mama Corleone), Marianna Hill (Deanna Corleone), Leopoldo Trieste (Signor Roberto), Dominic Chianese (Johnny Ola), Amerigo Tot (Michael’s Bodyguard), Troy Donahue (Merle Johnson), John Aprea (Young Tessio), Joe Spinell (Willi Cicci), Abe Vigoda (Tessio), Tere Livrano (Theresa Hagen), Gianni Russo (Carlo), Maria Carta (Vito’s Mother), Oreste Baldini (Vito Andolini – as a Boy), Giuseppe Sillato (Don Francesco), Mario Cotone (Don Tommasino), James Gounaris (Anthony Corleone), Fay Spain (Mrs. Marcia Roth), Harry Dean Stanton (F.B.I. Man #1), James Murdock (F.B.I. Man #2), Carmine Caridi (Carmine Rosato), Danny Aiello (Tony Rosato), Carmine Foresta (Policeman), Nick Discenza (Bartender), Joseph Medaglia (Father Carmelo), William Bowers (Senate Committee Chairman), Joseph Della Sorte (Michael’s Buttonman #1), Carmen Argenziano (Michael’s Buttonman #2), Joe Lo Grippo (Michael’s Buttonman #3), Ezio Flagello (Impressario), Livio Giorgi (Tenor in ‘Senza Mamma’), Kathleen Beller (Girl in ‘Senza Mamma’), Saveria Mazzola (Signora Colombo), Tito Alba (Cuban President), Johnny Naranjo (Cuban Translator), Elda Maida (Pentangeli’s Wife), Salvatore Po (Pentangeli’s Brother), Ignazio Pappalardo (Mosca), Andrea Maugeri (Strollo), Peter LaCorte (Signor Abbandando), Vincent Coppola (Street Vendor), Peter Donat (Questadt), Tom Dahlgren (Fred Corngold), Paul B. Brown (Sen. Ream), Phil Feldman (Senator #1), Roger Corman (Senator #2), Ivonne Coll (Yolanda), Joe De Nicola (Attendant at Brothel), Edward Van Sickle (Ellis Island Doctor), Gabriella Belloni (Ellis Island Nurse), Richard Watson (Customs Official), Venancia Grangerard (Cuban Nurse), Erica Yohn (Governess), Teresa Tirelli (Midwife).
Synopsis: Continuing saga of the Corleone family as they move to Nevada and make the casino business their major income source under the leadership of the increasingly paranoid and malevolent Michael, whose reign as the “Don” is juxtaposed against the parallel tale of his father’s escape from Sicily as a young boy and his subsequent rise to power in New York’s Lower East Side during the turn-of-the-century.
Comment: Coppola does the seemingly impossible by topping THE GODFATHER with a follow-up that has even more depth of character and plot. The parallel plot threads weave nicely together giving Pacino and De Niro the opportunity to showcase their considerable acting skills. The supporting cast is perfect with universally strong performances. Coppola’s direction is note-perfect as he seamlessly moves his story between locale and time period. The production design is sumptuous and, aided by Willis’ evocative cinematography, wonderfully captures the contrasts between the poverty experienced by the young Don Vito with the enormous wealth of his legacy. Pacino’s transformation into a single-minded and ultimately lonely and unforgiving figure is beautifully captured by the actor’s skilful performance.
Notes: Winner of six Academy Awards, including Picture, Director, Supporting Actor (De Niro), Adapted Screenplay, Art Direction and Music. James Caan appears uncredited in a brief cameo. Extended version runs 220m. Followed by THE GODFATHER PART III (1990).
THE GODFATHER: PART II (USA, 1974) *****