Film Review – TAKEN 3 (2014)

TAKEN 3 (2014, France/USA/Spain) **
Action, Thriller
dist. Twentieth Century Fox; pr co. EuropaCorp / M6 Films / Taken 3 / Twentieth Century Fox; d. Olivier Megaton; w. Luc Besson, Robert Mark Kamen (based on characters created by Luc Besson & Robert Mark Kamen); pr. Luc Besson; ph. Eric Kress (Colour. 35 mm (Kodak Vision 2383), D-Cinema. Digital Intermediate (2K) (master format), Hawk Scope (anamorphic) (source format), Super 35 (source format) (some scenes). 2.35:1); m. Nathaniel Méchaly; ed. Audrey Simonaud, Nicolas Trembasiewicz; pd. Sébastien Inizan; ad. Christophe Couzon, Natacha Hatch, Dominique Moisan, Nanci Roberts; rel. 16 December 2014 (Germany), 7 January 2015 (USA), 8 January 2015 (UK); BBFC cert: 12; r/t. 109m.
cast: Liam Neeson (Bryan Mills), Forest Whitaker (Franck Dotzler), Famke Janssen (Lenore St. John), Maggie Grace (Kim Mills), Dougray Scott (Stuart St. John), Sam Spruell (Oleg Malankov), Don Harvey (Garcia), Dylan Bruno (Smith), Leland Orser (Sam (Gilroy)), David Warshofsky (Bernie (Harris)), Jon Gries ((Mark) Casey), Jonny Weston (Jimy), Andrew Borba (Clarence), Judi Beecher (Claire), Andrew Howard (Maxim).
Liam Neeson returns for his third outing as ex-government operative Bryan Mills, who is accused of a ruthless murder he never committed or witnessed. As he is tracked and pursued, Mills brings out his particular set of skills to find the true killer and clear his name. Like its immediate predecessor, this action vehicle is directed by Megaton, who again employs his staccato editing techniques to the action sequences robbing them of any sense of tension or rhythm. The plot formula is a poor man’s riff on THE FUGITIVE. Whilst Neeson is again watchable in the lead and Whitaker adds an element of intelligence as the pursuing detective, the plot implausibility and its increasingly cartoonish and nonsensical violence suck any heart or emotion from the narrative. The movie goes rapidly downhill toward its inevitably formulaic and over-the-top shootout finale. Extended version runs 115m.

Film Review – TAKEN 2 (2012)

TAKEN 2 (2012, France/USA/Turkey/UK) **½
Action, Crime, Thriller
dist. Twentieth Century Fox; pr co. EuropaCorp / M6 Films / Grive Productions; d. Olivier Megaton; w. Luc Besson, Robert Mark Kamen (based on characters created by Luc Besson & Robert Mark Kamen); pr. Luc Besson; ph. Romain Lacourbas (Colour. 35 mm (Fuji Eterna-CP 3514DI), D-Cinema. Digital Intermediate (2K) (master format), Panavision (anamorphic) (source format) (some scenes), Super 35 (3-perf) (source format), . 2.35:1); m. Nathaniel Méchaly; ed. Camille Delamarre, Vincent Tabaillon; pd. Sébastien Inizan; ad. Christophe Couzon, Dominique Moisan, Nanci Roberts, Atilla Yilmaz; rel. 7 September 2012 (France), 4 October 2012 (UK), 5 October 2012 (USA); BBFC cert: 12; r/t. 92m.
cast: Liam Neeson (Bryan Mills), Maggie Grace (Kim), Famke Janssen (Lenore), Leland Orser (Sam), Jon Gries (Casey), D.B. Sweeney (Bernie), Luke Grimes (Jamie), Rade Serbedzija (Murad Krasniqi), Kevork Malikyan (Inspector Durmaz), Alain Figlarz (Suko), Frank Alvarez (Car Wash Attendant), Murat Tuncelli (Custom Officer Albania), Ali Yildirim (Imam), Ergun Kuyucu (Mirko), Cengiz Bozkurt (Border Guard #1), Hakan Karahan (Reception Clerk), Saruhan Sari (Waiter), Naci Adigüzel (Cheikh), Aclan Bates (Cheikh’s Aide), Mehmet Polat (Hotel Driver).
In Istanbul, retired CIA operative Bryan Mills (Neeson) and his wife (Janssen) are taken hostage by the father of a kidnapper Mills killed while rescuing his daughter (Grace). This follow-up to the popular 2008 hit is basically more of the same – only this time the whole family is involved. Neeson picks up where he left off in the first movie, but the script sadly offers little that is new or challenging, leaving us with a greatest hits re-run that remains entertaining despite its implausibility and by-the-numbers approach. Megaton’s kinetic editing, however, more often induces confusion and dizziness rather than create suspense and thrills. Extended version runs 98m. Followed by TAKEN 3 (2015).

Film Review – TAKEN (2008)

TAKEN (2008, France/USA/UK) ***
Action, Crime, Thriller
dist. 20th Century Fox; pr co. EuropaCorp / M6 Films / Grive Productions; d. Pierre Morel; w. Luc Besson, Robert Mark Kamen; pr. Luc Besson; ph. Michel Abramowicz (Colour. 35 mm (anamorphic) (Kodak Vision Premier 2393), D-Cinema. Digital Intermediate (2K) (master format), HDCAM SR (1080p/24) (source format), Super 35 (3-perf) (source format). 2.35:1); m. Nathaniel Méchaly; ed. Frédéric Thoraval; pd. Hugues Tissandier; ad. Gilles Boillot; rel. 16 February 2008 (France), 26 September 2008 (UK), 30 January 2009 (USA), ; BBFC cert: 18; r/t. 93m.
cast: Liam Neeson (Bryan Mills), Maggie Grace (Kim), Famke Janssen (Lenore), Katie Cassidy (Amanda), Leland Orser (Sam), Jon Gries (Casey), David Warshofsky (Bernie), Holly Valance (Sheerah), Xander Berkeley (Stuart), Olivier Rabourdin (Jean-Claude), Gérard Watkins (St-Clair), Marc Amyot (Pharmacist), Arben Bajraktaraj (Marko), Radivoje Bukvic (Anton), Mathieu Busson (Undercover Agent), Michel Flash (Gio), Nicolas Giraud (Peter), Rubens Hyka (Leka), Camille Japy (Isabelle), Valentin Kalaj (Vinz).
Neeson stars as Bryan Mills, a former government operative trying to reconnect with his daughter, Kim (Grace), in this fast-paced action thriller. His worst fears become real when sex slavers abduct Kim and her friend shortly after they arrive in Paris for vacation. With just four days until Kim will be auctioned off, Bryan must call on every skill he learned in black ops to rescue her. The movie coasts on Neeson’s charisma and macho performance as well as the tightly edited action sequences. The pace is such that director Morel manages to gloss over the story’s plot holes and its many conveniences. The villains remain two-dimensional targets for Neeson’s killing machine and there is only lip-service paid to the strained relationship between Neeson and ex-wife Janssen. That said, what we have left is an undeniably enjoyable and bone-crunching entertainment. Followed by TAKEN 2 (2012).

Film Review – TAKEN (2008)

Image result for taken 2008Taken (2008; France/USA/UK; Colour; 93m) ∗∗∗  d. Pierre Morel; w. Luc Besson, Robert Mark Kamen; ph. Michel Abramowicz; m. Nathaniel Méchaly.  Cast: Liam Neeson, Famke Janssen, Maggie Grace, Goran Kostic, Katie Cassidy, Leland Orser, Jon Gries, David Warshofsky, Holly Valance, Xander Berkeley, Olivier Rabourdin, Gerard Watkins, Arben Bajraktaraj, Nathan Rippy, Camille Japy. A retired CIA agent travels across Europe and relies on his old skills to save his estranged daughter, who has been kidnapped while on a trip to Paris. Slick and efficient action movie is tightly edited so it moves at a sufficient enough pace to disguise its incredulities. Neeson is excellent and gives the movie its edge. Followed by two sequels. [18]

Film Review Round-up – Three more Bonds – FOR YOUR EYES ONLY (1981); FROM RUSSIA WITH LOVE (1963) and GOLDENEYE (1995)

81947_largeFor Your Eyes Only (1981; UK; Technicolor; 127m) ∗∗∗½  d. John Glen; w. Richard Maibaum, Michael G. Wilson; ph. Alan Hume; m. Bill Conti; ed. John Grover.  Cast: Roger Moore, Carole Bouquet, Topol, Lois Maxwell, Lynn-Holly Johnson, Julian Glover, Jill Bennett, Desmond Llewelyn, Geoffrey Keen, Walter Gotell, Cassandra Harris, Michael Gothard, John Wyman, Jack Hedley, James Villiers. Agent 007 is assigned to hunt for a lost British encryption device and prevent it from falling into enemy hands. Take out the silly prologue and epilogue and this is the straightest Bond for quite some time – and all the better for it. There are occasional lapses in pace and Moore is beginning to look a little old for the part, but the action sequences deliver excellent thrills. Bill Conti’s score, though, is the weakest of the series. Based on the short stories “For Your Eyes Only” and “Risico” by Ian Fleming. [PG]

imagesFrom Russia with Love (1963; UK; Technicolor; 115m) ∗∗∗∗  d. Terence Young; w. Richard Maibaum, Johanna Harwood; ph. Ted Moore; m. John Barry; ed. Peter R. Hunt.  Cast: Sean Connery, Daniela Bianchi, Pedro Armendáriz, Lotte Lenya, Robert Shaw, Bernard Lee, Eunice Gayson, Walter Gotell, Francis De Wolff, George Pastell, Nadja Regin, Lois Maxwell, Aliza Gur, Martine Beswick, Vladek Sheybal. James Bond willingly falls into an assassination ploy involving a naive Russian beauty in order to retrieve a Soviet encryption device that was stolen by SPECTRE. Second 007 film is a tense and well-made espionage thriller. The gadgets are still in the background here and Bond is left to his intelligence and his wits. Shaw makes an excellent heavy and Lenya is suitably creepy as Rosa Klebb. The production values are a notch up on DR. NO and the result is an exciting and action-packed adventure. Based on the novel by Ian Fleming. [PG]

download (4)GoldenEye (1995; UK/USA; Rankcolor; 130m) ∗∗∗½  d. Martin Campbell; w. Jeffrey Caine, Bruce Feirstein; ph. Phil Meheux; m. Eric Serra; ed. Terry Rawlings.  Cast: Pierce Brosnan, Sean Bean, Izabella Scorupco, Famke Janssen, Joe Don Baker, Judi Dench, Robbie Coltrane, Gottfried John, Alan Cumming, Tchéky Karyo, Desmond Llewelyn, Samantha Bond, Michael Kitchen, Serena Gordon, Simon Kunz. James Bond teams up with the lone survivor of a destroyed Russian research centre to stop the hijacking of a nuclear space weapon by a fellow agent believed to be dead. The plot may misfire occasionally but Brosnan’s debut outing is the best Bond for years. Well directed and with some exceptional action set-pieces. Janssen is sexy and psychoytic, but Bean lacks charisma as the villain. Based on a story by Michael France. [12]