Taken (2008; France/USA/UK; Colour; 93m) ∗∗∗ d. Pierre Morel; w. Luc Besson, Robert Mark Kamen; ph. Michel Abramowicz; m. Nathaniel Méchaly. Cast: Liam Neeson, Famke Janssen, Maggie Grace, Goran Kostic, Katie Cassidy, Leland Orser, Jon Gries, David Warshofsky, Holly Valance, Xander Berkeley, Olivier Rabourdin, Gerard Watkins, Arben Bajraktaraj, Nathan Rippy, Camille Japy. A retired CIA agent travels across Europe and relies on his old skills to save his estranged daughter, who has been kidnapped while on a trip to Paris. Slick and efficient action movie is tightly edited so it moves at a sufficient enough pace to disguise its incredulities. Neeson is excellent and gives the movie its edge. Followed by two sequels. 
For Your Eyes Only (1981; UK; Technicolor; 127m) ∗∗∗½ d. John Glen; w. Richard Maibaum, Michael G. Wilson; ph. Alan Hume; m. Bill Conti; ed. John Grover. Cast: Roger Moore, Carole Bouquet, Topol, Lois Maxwell, Lynn-Holly Johnson, Julian Glover, Jill Bennett, Desmond Llewelyn, Geoffrey Keen, Walter Gotell, Cassandra Harris, Michael Gothard, John Wyman, Jack Hedley, James Villiers. Agent 007 is assigned to hunt for a lost British encryption device and prevent it from falling into enemy hands. Take out the silly prologue and epilogue and this is the straightest Bond for quite some time – and all the better for it. There are occasional lapses in pace and Moore is beginning to look a little old for the part, but the action sequences deliver excellent thrills. Bill Conti’s score, though, is the weakest of the series. Based on the short stories “For Your Eyes Only” and “Risico” by Ian Fleming. [PG]
From Russia with Love (1963; UK; Technicolor; 115m) ∗∗∗∗ d. Terence Young; w. Richard Maibaum, Johanna Harwood; ph. Ted Moore; m. John Barry; ed. Peter R. Hunt. Cast: Sean Connery, Daniela Bianchi, Pedro Armendáriz, Lotte Lenya, Robert Shaw, Bernard Lee, Eunice Gayson, Walter Gotell, Francis De Wolff, George Pastell, Nadja Regin, Lois Maxwell, Aliza Gur, Martine Beswick, Vladek Sheybal. James Bond willingly falls into an assassination ploy involving a naive Russian beauty in order to retrieve a Soviet encryption device that was stolen by SPECTRE. Second 007 film is a tense and well-made espionage thriller. The gadgets are still in the background here and Bond is left to his intelligence and his wits. Shaw makes an excellent heavy and Lenya is suitably creepy as Rosa Klebb. The production values are a notch up on DR. NO and the result is an exciting and action-packed adventure. Based on the novel by Ian Fleming. [PG]
GoldenEye (1995; UK/USA; Rankcolor; 130m) ∗∗∗½ d. Martin Campbell; w. Jeffrey Caine, Bruce Feirstein; ph. Phil Meheux; m. Eric Serra; ed. Terry Rawlings. Cast: Pierce Brosnan, Sean Bean, Izabella Scorupco, Famke Janssen, Joe Don Baker, Judi Dench, Robbie Coltrane, Gottfried John, Alan Cumming, Tchéky Karyo, Desmond Llewelyn, Samantha Bond, Michael Kitchen, Serena Gordon, Simon Kunz. James Bond teams up with the lone survivor of a destroyed Russian research centre to stop the hijacking of a nuclear space weapon by a fellow agent believed to be dead. The plot may misfire occasionally but Brosnan’s debut outing is the best Bond for years. Well directed and with some exceptional action set-pieces. Janssen is sexy and psychoytic, but Bean lacks charisma as the villain. Based on a story by Michael France.