Film Review – STAR TREK (2009)

STAR TREK (2009, USA, 127m, 12) ****
Action, Adventure, Sci-Fi
dist. Paramount Pictures; pr co. Paramount Pictures / Spyglass Entertainment / Bad Robot / Mavrocine ; d. J.J. Abrams; w. Roberto Orci, Alex Kurtzman; pr. J.J. Abrams, David Witz; ph. Daniel Mindel (DeLuxe | 2.35:1); m. Michael Giacchino; ed. Maryann Brandon, Mary Jo Markey; pd. Scott Chambliss; ad. Keith P. Cunningham.
cast: Chris Pine (Kirk), Zachary Quinto (Spock), Leonard Nimoy (Spock Prime), Eric Bana (Nero), Bruce Greenwood (Pike), Karl Urban (Bones), Zoe Saldana (Uhura), Simon Pegg (Scotty), John Cho (Sulu), Anton Yelchin (Chekov), Ben Cross (Sarek), Winona Ryder (Amanda Grayson), Chris Hemsworth (George Kirk), Jennifer Morrison (Winona Kirk), Rachel Nichols (Gaila), Faran Tahir (Captain Robau), Clifton Collins Jr. (Ayel), Tony Elias (Officer Pitts), Sean Gerace (Tactical Officer), Randy Pausch (Kelvin Crew Member).
A hugely entertaining reworking of the classic 1960s TV series sees the crew of the Enterprise set on a new timeline. The brash and arrogant James T. Kirk is looking to live up to his father’s legacy with Quinto’s Mr Spock keeping him in check. All the favourite characters are back as the crew tackles a vengeful, time-travelling Romulan looking to create black holes to destroy the Federation one planet at a time. Whilst the plot may not stand up to scrutiny, the action set-pieces are thrillingly staged, and the visual effects work is first-class. Abrahams directs with gusto and a strong feel for the characters with the richly humorous interaction between the leads that made the TV series so popular evident again here and only occasionally feeling forced. Followed by STAR TREK INTO DARKNESS (2013).
AA: Best Achievement in Makeup (Barney Burman, Mindy Hall, Joel Harlow)
AAN: Best Achievement in Sound Mixing (Anna Behlmer, Andy Nelson, Peter J. Devlin); Best Achievement in Sound Editing (Mark P. Stoeckinger, Alan Rankin); Best Achievement in Visual Effects (Roger Guyett, Russell Earl, Paul Kavanagh, Burt Dalton)

Film Review – THE DRY (2020)

THE DRY (2020, Australia/USA, 117m, 15) ***
Crime, Drama
dist. IFC Films (USA), Sky Cinema (UK); pr co. Made Up Stories / Arenamedia / Cornerstone Films / Film Victoria / Media Super / Pick Up Truck Pictures / Screen Australia; d. Robert Connolly; w. Harry Cripps, Robert Connolly, Samantha Strauss (based on the novel by Jane Harper); pr. Eric Bana, Robert Connolly, Steve Hutensky, Jodi Matterson, Bruna Papandrea; ph. Stefan Duscio (Colour | 2.35:1); m. Peter Raeburn; ed. Alexandre de Franceschi, Nick Meyers; pd. Ruby Mathers; ad. Mandi Bialek-Wester.
cast: Eric Bana (Aaron Falk), Genevieve O’Reilly (Gretchen), Keir O’Donnell (Greg Raco), John Polson (Scott Whitlam), Julia Blake (Barb), Bruce Spence (Gerry Hadler), William Zappa (Mal Deacon), Matt Nable (Grant Dow), James Frecheville (Jamie Sullivan), Jeremy Lindsay Taylor (Erik Falk), Joe Klocek (Young Aaron Falk), BeBe Bettencourt (Ellie Deacon), Claude Scott-Mitchell (Young Gretchen), Sam Corlett (Young Luke), Miranda Tapsell (Rita Raco), Daniel Frederiksen (Dr. Leigh), Eddie Baroo (McMurdo), Renee Lim (Sandra Whitlam), Martin Dingle Wall (Luke Hadler), Francine McAsey (Amanda).
Slow, moody mystery based on Jane Harper’s harrowing novel in which Bana plays a police detective who returns to his drought-stricken hometown to attend a tragic funeral. His return opens a decades-old wound – the unsolved death of a teenage girl. Bana gives a sympathetic performance as the conflicted detective and he is decently supported. Connolly commendably conjures up the local atmosphere and focuses on the characters but does so at the expense of building dramatic tension until the denouement.