Film Review – THE LIMEHOUSE GOLEM (2016)

LIMEHOUSE GOLEM, THE (2016, UK) **
Horror, Thriller
dist. Lionsgate (UK); pr co. New Sparta Films / Number 9 Films; d. Juan Carlos Medina; w. Jane Goldman (based on the novel “Dan Leno and the Limehouse Golem” by Peter Ackroyd); pr. Elizabeth Karlsen, Joanna Laurie, Stephen Woolley; ph. Simon Dennis (Colour. D-Cinema. Digital Intermediate (2K) (master format), Todd-AO 35 (anamorphic) (source format). 2.35:1); m. Johan Söderqvist; ed. Justin Krish; pd. Grant Montgomery; ad. Nick Wilkinson; rel. 10 September 2016 (Canada), 1 September 2017 (UK), 8 September 2017 (USA – internet); BBFC cert: 15; r/t. 109m.
cast: Bill Nighy (John Kildare), Olivia Cooke (Lizzie Cree), Douglas Booth (Dan Leno), Daniel Mays (George Flood), Sam Reid (John Cree), Eddie Marsan (Uncle), María Valverde (Aveline Ortega), Adam Brown (Mr. Gerrard), Morgan Watkins (George Gissing), Damien Thomas (Solomon Weil), Peter Sullivan (Inspector Roberts), Amelia Crouch (Young Lizzie), Mark Tandy (Judge), Siobhán Cullen (Sister Mary), Clive Brunt (Charlie), Louisa-May Parker (Mrs. Gerrard), Nicholas Woodeson (Toby Dosett), Paul Ritter (Augustus Rowley), David Bamber (Mr. Greatorex), Levi Heaton (Sarah Martin).
In Victorian London, a Scotland Yard inspector (Nighy) hunts down the sadistic killer behind a series of gory, Jack the Ripper-Like murders. The story tries to be clever in its use of a non-linear structure, which doesn’t work, and comes across as simultaneously convoluted and obvious. As a result, there is little tension built from Goldman’s smug adaptation of Peter Ackroyd’s novel. Medina adds some interesting directorial flourishes in an attempt to enliven the material and there is plenty of period atmosphere created by Montgomery’s production design and Dennis’ gloomy photography. However, the production fails to fully explore the themes it highlights – notably Nighy’s character’s sexuality, which is often referenced but never delved into further. The performances are okay, but the production’s fluctuating tone is also an issue and there are no standouts amongst the cast. The result will likely disappoint genre fans of both horror and mystery with the production’s desire to impress, through its non-traditional approach to the material, taking precedence over telling a coherent and well-structured story.