Film Review – THE VENGEANCE OF FU MANCHU (1967)

VENGEANCE OF FU MANCHU, THE (1967, UK/Ireland/West Germany/Hong Kong) **½
Action, Crime, Horror

dist. Anglo-Amalgamated Film Distributors (UK), Warner Bros./Seven Arts (USA); pr co. Constantin Film / Shaw Brothers / Terra-Filmkunst; d. Jeremy Summers; w. Harry Alan Towers (as Peter Welbeck) (based on the characters created by Sax Rohmer); pr. Harry Alan Towers; ph. John von Kotze (Eastmancolor. 35mm. Spherical. 1.66:1); m. Malcolm Lockyer; s. “The Real Me,” “Where Are the Men,” m/l. Malcolm Lockyer and Don Black (voice performed by Samantha Jones); ed. Allan Morrison; ad. Peggy Gick, Scott MacGregor; sd. Brian Marshall (Mono); rel. May 1967 (UK), Jamuary 1968 (USA); cert: PG; r/t. 91m.

cast: Christopher Lee (Fu Manchu), Tony Ferrer (Inspector Ramos), Tsai Chin (Lin Tang), Douglas Wilmer (Nayland Smith), Wolfgang Kieling (Dr. Lieberson), Suzanne Roquette (Maria), Howard Marion-Crawford (Petrie), Noel Trevarthen (Mark Weston), Horst Frank (Rudy), Peter Carsten (Kurt), Maria Rohm (Ingrid), Mona Chong (Jasmin).

Lee’s third outing as the evil Fu Manchu sees him plot the death of his nemesis Nayland Smith (Wilmer) through the highly implausible use of a surgically created double, whilst looking to hook up with crime syndicates around the world via their go-between (Frank). This entry is not as tightly directed as the first two instalments with often static and unimaginative camerawork robbing the action scenes of much of the energy Don Sharp brought to those first two films. Lee has little to do other than give orders from his throne. However, Chin is again effective as Fu’s sadistic daughter and Wilmer and Crawford continue their “Holmes/Watson” styled relationship. The supporting cast, much of which is dubbed, is less strong and some of the acting is woeful. Despite the period setting, the female characters seem to be dressed and coiffured in 1960s salons adding an anachronistic tone and losing the period colour given to Sharp’s films. That said, there are still moments to enjoy on a basic comic strip level and it remains a notch above what the series would descend into in its the final two instalments. Filmed in Hong Kong and Ireland. Followed by THE BLOOD OF FU MANCHU (1968).

Film Review – THE BRIDES OF FU MANCHU (1966)

BRIDES OF FU MANCHU, THE (1966, UK) ***
Action, Crime, Sci-Fi

dist. Anglo-Amalgamated Film Distributors (UK), Seven Arts Pictures (USA); pr co. Constantin Film Produktion / Fu Manchu Films / Hallam Productions; d. Don Sharp; w. Harry Alan Towers (as Peter Welbeck) (based on characters created by Sax Rohmer); pr. Harry Alan Towers, David Henley; ph. Ernest Steward (Eastmancolor. 35mm. Spherical. 1.85:1); m. Bruce Montgomery; ed. Allan Morrison; ad. Frank White; cos. Harry Haynes, Tina Haynes; m/up. George Partleton, Anne Box; sd. Len Abbott, John Brommage, Roy Piper (Mono (RCA Sound Recording)); rel. 2 September 1966 (West Germany), 16 December 1966 (UK/USA); cert: U; r/t. 94m.

cast: Christopher Lee (Fu Manchu), Douglas Wilmer (Nayland Smith), Heinz Drache (Franz Baumer), Marie Versini (Marie Lentz), Howard Marion-Crawford (Doctor Petrie), Tsai Chin (Lin Tang), Rupert Davies (Jules Merlin), Kenneth Fortescue (Sergeant Spicer), Joseph Fürst (Otto Lentz (as Joseph Furst)), Roger Hanin (Inspector Pierre Grimaldi), Harald Leipnitz (Nikki Sheldon), Carole Gray (Michel Merlin), Burt Kwouk (Feng), Salmaan Peerzada (Abdul (as Salmaan Peer)), Ric Young (Control Assistant (as Eric Young)), Wendy Gifford (Louise), Francesca Tu (Lotus (as Poulet Tu)), Sally Sheridan (Shiva (as Danni Sheridan)), Denis Holmes (Constable), Maureen Beck (Nurse Brown).

In 1924, Dr. Fu Manchu (Lee), his army of dacoits and his vicious daughter Lin Tang (Chin) are kidnapping the daughters of prominent scientists and taking them to his remote island, where he demands that the fathers help him to build a device that transmits blast waves through a radio transmitter, which he intends to use to take over the world. He plans to keep (even wed) the girls in question. But Dr. Fu Manchu’s archenemy, Nayland Smith (Wilmer) of Scotland Yard, is determined not to let that happen. Lee returns as the evil Fu in the decent follow-up to THE FACE OF FU MANCHU (1965). The film repeats the same formula and adds little that is new, but the direction is lively and the pace quick. The dialogue and script are strictly comic book, of course, and the performances vary in quality. Wilmer replaced Nigel Green in the role of Scotland Yard’s Nayland Smith, whilst Crawford returns as his sidekick Petrie – the pair striking up something akin to a Holmes/Watson dynamic. Chin exudes a sadistic menace as Fu’s daughter. Good location work and period detail for the limited budget. US release includes a 1m prologue reprise of the end of THE FACE OF FU MANCHU (1965). Followed by THE VENGEANCE OF FU MANCHU (1967).