TV Review – BLACK NARCISSUS (2020)

Black Narcissus' Gets FX Premiere Date, Trailer And Key Art Released –  DeadlineBLACK NARCISSUS (TV) (2020, UK) ***
Drama
dist. BBC One (UK), FX Network (USA); pr co. DNA Films; d. Charlotte Bruus Christensen; w. Amanda Coe (based on the novel by Rumer Godden); exec pr. Ayela Butt, Amanda Coe, Andrew Macdonald, Allon Reich, Lucy Richer; pr. Cahal Bannon; assoc pr. Vivien Kenny; ph. Charlotte Bruus Christensen (Colour. 2.00:1); m. Anne Dudley; ed. Jinx Godfrey; pd. Kave Quinn; ad. Andrea Matheson; cos. Kave Quinn; m/up. Nicole Stafford, Emmy Beech; sd. Ben Barker, Glenn Freemantle (Dolby Digital); sfx. Mark Meddings; vfx. Samantha Townend st. Jamie Edgell; rel. 23 November 2020 (USA), 27 December 2020 (UK); cert: NR; r/t. 165m.

cast: Gemma Arterton (Sister Clodagh), Aisling Franciosi (Sister Ruth), Nila Aalia (Angu Ayah), Patsy Ferran (Sister Blanche), Rosie Cavaliero (Sister Briony), Gianni Gonsalves (Srimati Rai), Soumil Malla (Joseph Anthony), Alessandro Nivola (Mr Dean), Wayne Llewellyn (Sannyasi), Dipika Kunwar (Kanchi), Chaneil Kular (Dilip Rai), Jim Broadbent (Father Roberts), Diana Rigg (Mother Dorothea), Aashish Shrestha (Phuba), Gina McKee (Sister Adela), Prabal Sonam Ghising (Pin), Komal Ghambole (Samya), Kulvinder Ghir (General Toda Rai), Karen Bryson (Sister Philippa).

A group of nuns face challenges in the hostile environment of a remote old Himalayan palace that they wish to make a convent. This adaptation of the 1939 novel by Rumer Godden suffers from being drawn out over three one-hour episodes as there really is no three act structure to contain it. The story relies on a gradual building of tension as the nuns battle with their sexual repression and their environment. The pluses are the excellent production values and photography and Dudley’s baroque score. There are fine performances too from Arterton and Franciosi as well as Cavaliero. The tension builds nicely in the final half hour, but the drama could have been edited down into a two-hour version and delivered a stronger dynamic. Powell and Pressburger’s 1947 movie version therefore remains definitive, despite the valiant attempts to more accurately reflect the source material here.

Film Review – ON HER MAJESTY’S SECRET SERVICE (1969)

On Her Majesty’s Secret Service (1969; UK; Technicolor; 142m) ∗∗∗∗½  d. Peter R. Hunt; w. Richard Maibaum; ph. Michael Reed; m. John Barry.  Cast: George Lazenby, Diana Rigg, Telly Savalas, Gabriele Ferzetti, Ilse Steppat, Angela Scoular, Lois Maxwell, Catherine Schell, George Baker, Bernard Lee, Bernard Horsfall, Desmond Llewelyn. James Bond woos a mob boss’s daughter and goes undercover to uncover the true reason for Blofeld’s allergy research in the Swiss Alps that involves beautiful women from around the world. Savaged on release, this is actually one of the very best Bond films and a great movie in its own right. The story sticks closely to Ian Fleming’s source novel and has more heart than any other in the series. Lazenby may lack Connery’s charisma as Bond but he manages to conjure both a toughness and vulnerability that makes the character more human. Savalas makes an excellent Blofeld, whilst Rigg delivers one of the strongest female lead performances. Gorgeous photography, a classic John Barry score and superbly choreographed action sequences make this close to perfection. [PG]