DOCTOR WHO: EVE OF THE DALEKS (2022, UK) ***
Adventure, Drama, Fantasy
dist. BBC One; pr co. BBC; d. Annetta Laufer; w. Chris Chibnall; pr. Sheena Bucktowonsing; ph. Robin Whenary (Colour. 2.00:1); m. Segun Akinola; pd. Dafydd Shurmer; b/cast. 1 January 2022 (UK); r/t. 58m.
cast: Jodie Whittaker (The Doctor), Mandip Gill (Yasmin Khan), John Bishop (Dan Lewis), Aisling Bea (Sarah), Adjani Salmon (Nick), Pauline McLynn (Mary), Nicholas Briggs (Daleks (voice)).
The third successive New Year Special in Chris Chibnall’s reign to feature the Daleks and it is fair to say this is the most low-key of them. Sarah (Bea) owns and runs ELF storage, and Nick (Salmon) is a customer who visits his unit every year on New Year’s Eve. This year, however, their night turns out to be a little different than planned with the appearance of an executioner Dalek. Like all stories using time loops as their basis, this one has several lapses in story logic and continuity. There is fun to be had, however, with Bea and Salmon delivering likeable characters and performances. As for the rest, there is little new or original on offer and the Daleks’ dialogue often feels out of character. Once again, the producers try to shoe-horn a companion’s infatuation and physical attraction to the Doctor, and it just feels like it is placed there to tick the diversity box as it adds nothing to the story itself. It will likely play out over Whittaker’s final two stories later this year. The result is a passable hour’s entertainment, but little from this or the FLUX series convinces me Chibnall will pull anything extraordinary out of the fire for his final two stories.
DOCTOR WHO: REVOLUTION OF THE DALEKS (TV) (2021) **½
Adventure, Fantasy, Sci-Fi
dist. British Broadcasting Corporation (BBC); pr co. BBC Studios; d. Lee Haven Jones; w. Chris Chibnall; exec pr. Chris Chibnall; pr. Alex Mercer; ph. Luke Bryant (Colour. 2.00:1); m. Segun Akinola; ed. Joel Skinner; pd. Dafydd Shurmer; ad. Rebecca Brown; set d. Vicki Male; cos. Ray Holman; m/up. Claire Pritchard-Jones; sd. Harry Barnes (Dolby Digital); sfx. Real SFX; vfx. DNEG, Chris Thomas; b/cast. 1 January 2021 (UK/USA); cert: 12; r/t. 71m.
cast: Jodie Whittaker (The Doctor), Bradley Walsh (Graham O’Brien), Mandip Gill (Yasmin Khan), Tosin Cole (Ryan Sinclair), John Barrowman (Captain Jack Harkness), Chris Noth (Jack Robertson), Nathan Stewart-Jarrett (Leo Rugazzi), Harriet Walter (Jo Patterson), Nathan Stewart-Jarrett (Leo Rugazzi), Nathan Armakwei-Laryea (Armen), Helene Anderson (Rachel), Nicholas Briggs (Daleks (voice)), Sharon D. Clarke (Grace).
The Doctor is imprisoned halfway across the universe. On Earth, the sighting of a Dalek alerts Ryan, Graham and Yaz. Can the return of Captain Jack Harkness help them stop a deadly Dalek takeover? A disappointing special which is failed by a script that is full of plot holes and is decidedly lazy, skirting over key narrative progressions. It also fails to make the most of its dramatic potential – for example Jack and Yaz’s discovery of the Tokyo Dalek factory should have been the surprise reveal, but we had already been introduced to it a few scenes earlier. The whole threat lacks the global and epic scope its plot suggests, and the wrap-up is far too convenient. Barrowman’s return is welcome, but he disappears at the story’s conclusion. Noth’s performance is way over the top and just as unconvincing as it was in his previous appearance in ARACHNIDS IN THE UK (2018). Moments of character introspection are welcome and help to add some explanation of motivation. Whittaker is okay as the Doctor, but still lacks the presence of previous incarnations. The Daleks are great in both traditional and new designs and the clash of different factions recalls earlier episodes – notably REMEMBRANCE OF THE DALEKS (1988). Technical values are high and the episode is nicely shot, but the direction of Jones fails to overcome the limitations of Chibnall’s script.
Doctor Who: Resolution (TV) (2019; UK; Colour; 60m) **** pr. Nikki Wilson; d. Wayne Che Yip; w. Chris Chibnall; ph. Sam Heasman; m.Segun Akinola. Cast: Jodie Whittaker, Bradley Walsh, Tosin Cole, Mandip Gill, Charlotte Ritchie, Nikesh Patel, Daniel Adegboyega, Darryl Clark, Nicholas Briggs (voice). As the New Year begins, a terrifying evil is stirring, from across the centuries of Earth’s history. As the Doctor, Ryan, Graham and Yaz return home, will they be able to overcome the threat to planet Earth? Finally, a story that offers a real alien threat and feels like proper “Doctor Who”. That’s not to say the episode was perfect. There are still too many companions and the sub-plot with Ryan’s father felt like it had been bolted on. The Dalek threat though offered a new twist and was well realised. Imagery has been borrowed from earlier adventures but used in a creative and frightening way here. There were moments when the dialogue felt forced and the moments of humour over-worked, but overall this is far more impressive than anything seen during the season’s full run. This was also Whittaker’s best performance to date. Whether the production team will build from this we’ll have to wait a year or more to find out.
1 episode / 46m / 30 April 2005
Writer: Robert Shearman
Director: Joe Ahearne
Cast: Christopher Eccleston (The Doctor), Billie Piper (Rose Tyler), Steven Beckingham (Polkowski), Corey Johnson (Henry van Statten), Anna-Louise Plowman (Diana), Bruno Langley (Adam), Nigel Whitmey (Simmons), John Schwab (Bywater), Jana Carpenter (Di Maggio), Joe Montana (Commander), Barnaby Edwards (Dalek Operator), Nicolas Briggs (Dalek Voice).
Plot: Beneath the Salt Plains of Utah, the billionaire collector Henry Van Statten holds the last relic of an alien race. When the Doctor and Rose investigate, they discover that the Doctor’s oldest and most deadly enemy is about to break free. It’s a fight to the death, with Rose caught in the middle.
Comment: The series finally finds the right tone with this excellent episode. Eccleston gets his characterisation spot on as his hatred for the Daleks drives his anger at Van Statten’s keeping the creature alive in his underground museum. This gives Eccleston the opportunity to demonstrate his acting credentials and he delivers in spades. There is also some fun with corporate satire and the exhibits of Van Statten’s collection with various creatures from the Doctor’s past. Piper continues to impress as Rose who shows empathy for the tortured Dalek. Langley’s Adam, however, is not up to the task both as a character and in Langley’s insipid performance. This is the one down-side to what is otherwise the best episode in the revived series to date propelled by Shearman’s sharp script and Ahearne’s breathless direction.