While We’re Young (2014; USA; Colour; 97m) ∗∗∗∗ d. Noah Baumbach; w. Noah Baumbach; ph. Sam Levy; m. James Murphy. Cast: Ben Stiller, Naomi Watts, Amanda Seyfried, Adam Driver, Charles Grodin, Brady Corbet, Maria Dizzia, Dree Hemingway, Adam Horovitz, Adam Senn, James Saito, Ryan Serhant, Greta Lee, Ashley James, Matthew Maher. An uptight documentary filmmaker and his wife find their lives loosened up a bit after befriending a free-spirited younger couple. Baumbach explores themes of generational values, integrity and the fear of getting old in this poignant and funny commentary on modern life. Fine performances from a strong cast who make the most of a bitingly witty script. 
RED (2010; USA; DeLuxe; 111m) ∗∗ d. Robert Schwentke; w. Jon Hoeber, Erich Hoeber; ph. Florian Ballhaus; m. Christophe Beck. Cast: Bruce Willis, John Malkovich, Morgan Freeman, Helen Mirren, Karl Urban, Mary-Louise Parker, Brian Cox, Richard Dreyfuss, Rebecca Pidgeon, Ernest Borgnine, James Remar, Julian McMahon. When his peaceful life is threatened by a high-tech assassin, a former black-ops agent reassembles his old team in a last ditch effort to survive and uncover his assailants. Flashy visuals and overly choreographed action sequences along with an interesting cast are the main draws to this otherwise superficial story. The stars all have fun with their eccentric roles, but a lazy script and a bland jazz-rock score do not help. Based on the comic book by Warren Ellis and Cully Hamner. Followed by RED 2 (2013). 
Carry on Cowboy (1966; UK; Eastmancolor; 93m) ∗∗∗ d. Gerald Thomas; w. Talbot Rothwell; ph. Alan Hume; m. Eric Rogers. Cast: Sid James, Kenneth Williams, Jim Dale, Charles Hawtrey, Joan Sims, Angela Douglas, Bernard Bresslaw, Peter Butterworth, Percy Herbert, Jon Pertwee, Sydney Bromley, Edina Ronay. Stodge City is in the grip of the Rumpo Kid and his gang. Mistaken identity again takes a hand as a “sanitary engineer” (plumber) by the name of Marshal P. Knutt is mistaken for a law marshal. Pretty good spoof from the team with most of the team thriving on change. Slapstick and wordplay are to the fore with Pertwee and Hawtrey particularly funny. [PG]
Patriot Games (1992; USA; Technicolor; 117m) ∗∗∗½ d. Phillip Noyce; w. W. Peter Iliff, Donald Stewart; ph. Donald McAlpine; m. James Horner. Cast: Harrison Ford, Anne Archer, Patrick Bergin, Sean Bean, Thora Birch, James Fox, Samuel L. Jackson, Polly Walker, James Earl Jones, Richard Harris, J.E. Freeman, Alex Norton, David Threlfall, Alun Armstrong, Hugh Fraser. When CIA Analyst Jack Ryan interferes with an IRA assassination, a renegade faction targets him and his family for revenge. Slick and efficient action thriller with Ford in excellent form. Lacks the sophistication of the first Jack Ryan adventure, THE HUNT FOR RED OCTOBER, but is undeniably entertaining. Followed by CLEAR AND PRESENT DANGER (1994). 
Magdalene Sisters, The (2002; Ireland/UK; Colour; 119m) ∗∗∗∗ d. Peter Mullan; w. Peter Mullan; ph. Nigel Willoughby; m. Craig Armstrong. Cast: Geraldine McEwan, Anne-Marie Duff, Nora-Jane Noone, Dorothy Duffy, Eileen Walsh, Mary Murray, Britta Smith, Frances Healey, Eithne McGuinness, Phyllis McMahon, Rebecca Walsh, Eamonn Owens, Chris Simpson, Sean Colgan, Alison Goldie. Three young Irish women struggle to maintain their spirits while they endure dehumanizing abuse as inmates of a Magdalene Sisters Asylum. This is a powerful and harrowing drama, brilliantly directed and acted. Its downbeat tone is often lifted by moments of humour making this both a touching and disturbing film. 
Cowboys & Aliens (2011; USA; DeLuxe; 119m) ∗∗∗ d. Jon Favreau; w. Roberto Orci, Alex Kurtzman, Damon Lindelof, Mark Fergus, Hawk Ostby; ph. Matthew Libatique; m. Harry Gregson-Williams. Cast: Daniel Craig, Harrison Ford, Olivia Wilde, Abigail Spencer, Buck Taylor, Matthew Taylor, Cooper Taylor, Clancy Brown, Paul Dano, Chris Browning, Adam Beach, Sam Rockwell, Ana de la Reguera, Noah Ringer, Brian Duffy, Keith Carradine, Walton Goggins. A spaceship arrives in Arizona, 1873, to take over the Earth, starting with the Wild West region. A posse of cowboys and natives are all that stand in their way. Starts out well but quickly descends into formula. Technical aspects are strong and Ford and Craig add much needed weight to an otherwise uninspired story. Based on the comic book by Scott Mitchell Rosenberg. Extended version runs to 135m. 
Purple Rose of Cairo, The (1985; USA; DuArt; 82m) ∗∗∗½ d. Woody Allen; w. Woody Allen; ph. Gordon Willis; m. Dick Hyman. Cast: Mia Farrow, Jeff Daniels, Danny Aiello, Van Johnson, Alexander H. Cohen, Dianne Wiest, Zoe Caldwell, John Wood, Milo O’Shea, Deborah Rush, Edward Herrmann, Karen Akers, Michael Tucker, Glenn Headly. In 1930s New Jersey, a movie character walks off the screen and into the real world. Clever fantasy comedy with sharp observations about the importance of escapism in the cinema during the depression era and wry observations about the Hollywood machine. [PG]
Rebecca (1940; USA; B&W; 130m) ∗∗∗∗∗ d. Alfred Hitchcock; w. Robert E. Sherwood, Joan Harrison, Philip MacDonald, Michael Hogan; ph. George Barnes; m. Franz Waxman. Cast: Laurence Olivier, Joan Fontaine, George Sanders, Judith Anderson, Nigel Bruce, Reginald Denny, C. Aubrey Smith, Gladys Cooper. A self-conscious bride is tormented by the memory of her husband’s dead first wife. Absorbing and atmospheric mystery drama brilliantly acted and directed with evocative cinematography. Winner of Oscars for Best Picture and Best Cinematography, and received nominations for nine additional Oscars. Based on the novel by Daphne du Maurier. [PG]
Hobbit: The Battle of the Five Armies, The (2014; New Zealand/USA; Colour; 144m) ∗∗∗½ d. Peter Jackson; w. Philippa Boyens, Peter Jackson, Fran Walsh, Guillermo del Toro; ph. Andrew Lesnie; m. Howard Shore. Cast: Martin Freeman, Ian McKellen, Richard Armitage, Luke Evans, Orlando Bloom, Aidan Turner, Evangeline Lilly, Lee Pace, Ryan Gage, Ken Stott, Graham McTavish, James Nesbitt, Jed Brophy, Stephen Hunter, John Callen, Adam Brown, Dean O’Gorman, William Kircher, Peter Hambleton, Mark Hadlow, Cate Blanchett, Hugo Weaving, Billy Connolly, Christopher Lee, Stephen Fry, Ian Holm, Sylvester McCoy, Manu Bennett. As the dwarves dwell in the mountains, forces of Orcs and Elves descend on them, bringing possibility of a war that threatens all of Middle-earth. Bilbo must take it upon himself to end the conflict, but his actions may come at a terrible cost. Spectacular, action-packed finale, which is light on plot and characterisation and includes some implausible set-pieces. This is essentially one long battle. The visuals are stunning, however. Based on the novel “The Hobbit” by J.R.R. Tolkien. Also shot in 3-D. 
Horse Feathers (1932; USA; B&W; 68m) ∗∗∗∗½ d. Norman Z. McLeod; w. Bert Kalmar, Harry Ruby, S.J. Perelman, Will B. Johnstone; ph. Ray June; m. John Leipold. Cast: Groucho Marx, Harpo Marx, Chico Marx, Zeppo Marx, Thelma Todd, David Landau, Florine McKinney, Nat Pendleton, James Pierce, Robert Greig. Quincy Adams Wagstaff, the new president of Huxley U, hires bumblers Baravelli and Pinky to help his school win the big football game against rival Darwin U. Fast and furious Marxian lunacy with the gags flowing thick and fast. This one of their most sustained funny films. Although the present running time (68m) is very close to that of the original (70m), there are still a few bits and pieces and lines of dialogue missing due to re-editing in 1935 in order to bring the film up to Production Code standards. [U]
Fistful of Dollars (1964; Italy/Spain/West Germany; Technicolor; 99m) ∗∗∗½ d. Sergio Leone; w. Víctor Andrés Catena, Jaime Comas Gil, Sergio Leone; ph. Massimo Dallamano, Federico G. Larraya; m. Ennio Morricone; ed. Roberto Cinquini, Alfonso Santacana. Cast: Clint Eastwood, Mario Brega, Gian Maria Volonte, Marianne Koch, Jose Calvo, Wolfgang Lukschy, Joseph Egger, Sieghardt Rupp, Antonio Prieto, Margarita Lozano, Daniel Martin, Benito Stefanelli, Bruno Carotenuto, Aldo Sambrell. A wandering gunfighter plays two rival families against each other in a town torn apart by greed, pride, and revenge. First of Leone’s “Dollars” trilogy is relatively low key compared to its successors, but highly influential on the genre. Eastwood’s presence is immediately apparent and the story is told with economy and style. A remake of YOJIMBO (1961), which itself was based on the as yet unadapted 1929 novel “Red Harvest” by Dashiell Hammett. Not released in the US until 1967. Original title: PER UN PUGNO DI DOLLARI. Followed by FOR A FEW DOLLARS MORE (1965). 
Black Patch (1957; USA; B&W; 82m) ∗∗∗ d. Allen H. Miner; w. Leo Gordon; ph. Edward Colman; m. Jerry Goldsmith. Cast: George Montgomery, Diane Brewster, Tom Pittman, Leo Gordon, House Peters Jr., Jorge Treviño, Lynn Cartwright, Peter Brocco, Ted Jacques, Strother Martin, Gilman Rankin, Ned Glass, John O’Malley, Stanley Adams, Sebastian Cabot. A one-eyed marshal finds himself accused of a killing due to his past relationship with the dead man’s wife, prompting a young gunslinger to set out to avenge his death. Unusual western is a heavy-handed and only partially successful attempt to capitalise on psychological elements popular at the time in the genre. The first film scored by Jerry Goldsmith. [PG]
Interstellar (2014; USA/UK; Colour; 169m) ∗∗∗½ d. Christopher Nolan; w. Jonathan Nolan, Christopher Nolan; ph. Hoyte van Hoytema; m. Hans Zimmer. Cast: Matthew McConaughey, Anne Hathaway, Jessica Chastain, Bill Irwin, John Lithgow, Casey Affleck, David Gyasi, Michael Caine, Matt Damon, Wes Bentley, Mackenzie Foy, Timothée Chalamet, Topher Grace, David Oyelowo, Ellen Burstyn. A team of explorers travel through a wormhole in an attempt to find a potentially habitable planet that will sustain humanity. Big concept sci-fi knows how to play a crowd, gets by on strong lead performances and holds attention despite its script failing to fully realise the potential of the ideas explored. Won Oscar for Best Visual Effects (Paul J. Franklin, Andrew Lockley, Ian Hunter, Scott R. Fisher). Based on a story by Kip Thorne. 
Go West (1940; USA; B&W; 80m) ∗∗∗½ d. Edward Buzzell; w. Irving Brecher; ph. Leonard Smith; m. George Bassman, George Stoll; ed. Blanche Sewell. Cast: Groucho Marx, Chico Marx, Harpo Marx, John Carroll, Diana Lewis, Walter Woolf King, Robert Barrat, Tully Marshall, June MacCloy, George Lessey. The Marx Brothers come to the rescue in the Wild West when a young man, trying to settle an old family feud so he can marry the girl he loves, runs afoul of crooks. One of the later Marx comedies, has a bland story but some splendid gags – notably the train chase climax. [U]
12 Years a Slave (2013; USA/UK; DeLuxe; 134m) ∗∗∗∗ d. Steve McQueen; w. John Ridley; ph. Sean Bobbitt; m. Hans Zimmer; ed. Joe Walker. Cast: Chiwetel Ejiofor, Michael Fassbender, Benedict Cumberbatch, Paul Dano, Paul Giamatti, Lupita Nyong’o, Sarah Paulson, Brad Pitt, Alfre Woodard, Michael K. Williams, Garret Dillahunt, Quvenzhané Wallis, Scoot McNairy, Taran Killam, Bryan Batt, Dwight Henry. Based on a true story, this is a riveting account of a free black man kidnapped from New York and sold into brutal slavery in mid-1850s Louisiana, and the inspiring story of his desperate struggle to return home to his family. A tough watch that holds the viewer through the brilliant performances of the cast – notably Ejiofor. The screenplay serves to tell the story without recourse to Hollywood conventions. Won Oscars for Best Picture; Supporting Actress (Nyong’o) and Adapted Screenplay. Based on the biography by Solomon Northup. 
Man from Colorado, The (1948; USA; Technicolor; 100m) ∗∗∗ d. Henry Levin; w. Robert Hardy Andrews, Ben Maddow; ph. William E. Snyder; m. George Duning; ed. Charles Nelson. Cast: Glenn Ford, William Holden, Ellen Drew, Ray Collins, Edgar Buchanan, Jerome Courtland, James Millican, Jim Bannon, William Phillips. Two friends return home after their discharge from the army after the Civil War. However, one of them has had deep-rooted psychological damage due to his experiences during the war, and as his behaviour becomes more erratic–and violent–his friend desperately tries to find a way to help him. Attempts to comment on the effects of war, but Ford descends into the melodramatic in his interpretation of the tortured judge. Good production values and serviceable script are pluses. Based on a story by Borden Chase. [PG]
Duck Soup (1933; USA; B&W; 68m) ∗∗∗∗∗ d. Leo McCarey; w. Bert Kalmar, Harry Ruby, Arthur Sheekman, Nat Perrin; ph. Henry Sharp; m. John Leipold; ed. LeRoy Stone. Cast: Groucho Marx, Chico Marx, Harpo Marx, Zeppo Marx, Edmund Breese, Louis Calhern, Margaret Dumont, Edgar Kennedy, Charles Middleton, Edwin Maxwell, Raquel Torres, Verna Hillie, Leonid Kinskey, William Worthington, Eric Mayne. Rufus T. Firefly is named president/dictator of bankrupt Freedonia and declares war on neighboring Sylvania over the love of wealthy Mrs. Teasdale. This is top-drawer Marxian humour. A satirical and zany masterpiece with numerous memorable set-pieces. Unlike many of their other films this one not only sustains the laughter level to the end but actually ramps it up a level in the last fifteen minutes. Last appearance of Zeppo Marx in The Marx Brothers films. In 2007, the American Film Institute ranked this as the #60 Greatest Movie of All Time. [U]
Johnny Guitar (1954; USA; Trucolor; 110m) ∗∗∗∗½ d. Nicholas Ray; w. Philip Yordan; ph. Harry Stradling Sr.; m. Victor Young; ed. Richard L. Van Enger. Cast: Joan Crawford, Sterling Hayden, Scott Brady, Mercedes McCambridge, Ward Bond, Ernest Borgnine, John Carradine, Royal Dano, Ben Cooper. A strong willed female saloon owner is wrongly suspected of murder and bank robbery by a lynch mob, when she helps a wounded gang member. Stylish and original western is superbly directed by Ray and performed by a strong cast with Crawford and McCambridge standouts as feuding strong-willed women. Hayden is also excellent as the gunfighter who has a thing for Crawford. Filmed on location at Sedona, Arizona and at Red Rock Crossing. Entered 2008 into the National Film Registry. Based on the novel by Roy Chanslor. [PG]
Marcus-Nelson Murders, The (TV) (1973; USA; Technicolor; 137m) ∗∗∗∗ d. Joseph Sargent; w. Abby Mann; ph. Mario Tosi; m. Billy Goldenberg; ed. Carl Pingitore, Richard M. Sprague. Cast: Telly Savalas, Marjoe Gortner, José Ferrer, Ned Beatty, Allen Garfield, Lorraine Gary, Roger Robinson, Harriet Karr, Gene Woodbury, William Watson, Val Bisoglio, Antonia Rey, Chita Rivera, Bruce Kirby, Robert Walden. A homicide detective begins to suspect that the black teenager accused of murdering two white girls is being framed by his fellow detectives. Gritty police and courtroom drama is well acted and directed and makes excellent use of the seedier streets of New York. Savalas is compelling amongst a strong cast. Based on the book by Selwyn Raab and an actual case known as the “Career Girl” murders that happened on 28 August 1963. Served as a pilot film for the TV series Kojak (1973-8) only here Savalas’ character’s name is spelled “Kojack”. 
Best Exotic Marigold Hotel, The (2011; UK; Colour; 124m) ∗∗∗½ d. John Madden; w. Ol Parker; ph. Ben Davis; m. Thomas Newman; ed. Chris Gill. Cast: Tom Wilkinson, Maggie Smith, Judi Dench, Bill Nighy, Dev Patel, Celia Imrie, Penelope Wilton, Ronald Pickup. British retirees travel to India to take up residence in what they believe is a newly restored hotel. Less luxurious than its advertisements, the Marigold Hotel nevertheless slowly begins to charm in unexpected ways. Top-notch cast adds great dignity to the story and they are helped by a witty script, which manages to navigate the more predictable and familiar elements. Based on the novel “These Foolish Things” by Deborah Moggach. 
Vicky Cristina Barcelona (2008; Spain/USA; DeLuxe; 96m) ∗∗∗ d. Woody Allen; w. Woody Allen; ph. Javier Aguirresarobe; ed. Alisa Lepselter. Cast: Javier Bardem, Rebecca Hall, Scarlett Johansson, Penelope Cruz, Patricia Clarkson, Christopher Evan Welch, Chris Messina, Kevin Dunn, Julio Perillan, Zak Orth, Pablo Schreiber, Josep Maria Domenech, Abel Folk, Carrie Preston, Manel Barcelo. Two girlfriends on a summer holiday in Spain become enamored with the same painter, unaware that his ex-wife, with whom he has a tempestuous relationship, is about to re-enter the picture. Allen explores various themes around infidelity in this well-acted, but somehow unfulfilling story. Cruz is a knockout in an Oscar winning performance as Bardem’s temperamental ex-wife. 
Oblivion (2013; USA; Colour; 124m) ∗∗∗ d. Joseph Kosinski; w. Karl Gajdusek, Michael DeBruyn; ph. Claudio Miranda; m. Anthony Gonzalez, M.8.3, Joseph Trapanese; ed. Richard Francis-Bruce. Cast: Tom Cruise, Morgan Freeman, Olga Kurylenko, Andrea Riseborough, Nikolaj Coster-Waldau Zoe Bell, Melissa Leo, Lindsay Clift, Jaylen Moore, Julie Hardin, Paul Gunawan, Jay Oliver, Jason Stanly. A veteran assigned to extract Earth’s remaining resources begins to question what he knows about his mission and himself. Engaging sci-fi which is visually impressive. Initially intriguing it settles into more traditional fare, but solid performances help to overcome some of the conventions in the script. Originated as an 8-page treatment written by Kosinski which was pitched as a graphic novel. 
Plunderers, The (1960; USA; B&W; 94m) ∗∗∗ d. Joseph Pevney; w. Bob Barbash; ph. Gene Polito; m. Leonard Rosenman; ed. Tom McAdoo. Cast: Jeff Chandler, John Saxon, Dolores Hart, Marsha Hunt, Jay C. Flippen, Ray Stricklyn, James Westerfield, Dee Pollock, Roger Torrey, Vaughn Taylor, Harvey Stephens. When four rowdy cowhands ride into a small town and make trouble, no one seems willing or able to take them on, not even the toughest man in town. But then there is a murder. Interesting psychological Western is well-directed and acted raising it above the routine. Chandler’s final Western. [PG]
FADING GIGOLO (2013, Antidote Films, 90 mins, Colour, 1.85:1, DTS/Dolby Digital, Cert: 15, Comedy Drama) ∗∗∗∗∗
Starring: John Turturro (Fioravante), Woody Allen (Murray), Vanessa Paradis (Avigal), Liev Schreiber (Dovi), Sharon Stone (Dr. Parker), Sofía Vergara (Selima), Tonya Pinkins (Othella), Aubrey Joseph (Cefus), Dante Hoagland (Coco), Isaiah Clifton (Cyrus), Michael Badalucco (Burly Driver), Aida Turturro (Driver’s Wife), Allen Lewis Rickman (Hasidic Driver).
Producer: Bill Block, Paul Hanson, Jeffrey Kusama-Hinte; Director: John Turturro; Writer: Abraham Laboriel, Bill Maxwell; Director of Photography: Marco Pontecorvo (Color Lab); Music: Ken Thorne; Film Editor: Simona Paggi; Production Designer: Lester Cohen, Art Director: Sarah Frank; Set Decorator: Sheila Bock; Costume Designer: Donna Zakowska.
Turturro wrote and directed this slight comedy drama in which he plays Fioravante, a cash-strapped florist who decides to become a professional gigolo as a way of making money to help his equally cash-strapped friend, Murray (Allen). With Murray acting as his manager, prompted by his dermatologist (Stone) requesting he find her someone willing to participate in a menage-a-trois, Tuturro quickly becomes a word-of-mouth hit. But when he is asked to help Avigal (Paradis) overcome the loneliness she still feels seven years after the death of her husband, he begins to question his choices.
What starts out as a comedy, much akin to some of Allen’s own later efforts, turns into something of a parable in its second half with the tenderness Turturro’s character feels toward Paradis. Allen adopts the shyster screen persona he plays so well, notably in BROADWAY DANNY ROSE. Much of the film’s humour is derived from his enthusiastically entrepreneurial approach to his new role.
But as the focus moves away from Stone’s spoilt loneliness to Paradis’ sad loneliness, the mood of the film turns more toward gentle drama. The shift in tone is undoubtedly deliberate, but betrays a movie that falls between two stools and fails to satisfy either camp completely. Turturro himself downplays his role too much thereby removing all emotion from the character, despite his obvious tender feelings for Paradis.
It is therefore left to Allen to give the movie its life and its most pleasurable moments and whilst FADING GIGOLO will only find a limited audience there is still enough there to make it enjoyable, as well as demonstrate it could have been better.