Film Review – BLOOD WORK (2002)

Image result for BLOOD WORK 2002BLOOD WORK (USA, 2002) ***
      Distributor: Warner Bros. Pictures; Production Company: Malpaso Productions / Warner Bros. Pictures; Release Date: 6 August 2002 (USA), 27 December 2002 (UK); Filming Dates: Began 19 February 2002 – March 2002; Running Time: 110m; Colour: Technicolor; Sound Mix: DTS | Dolby Digital | SDDS; Film Format: 35mm (Fuji); Film Process: Panavision (anamorphic); Aspect Ratio: 2.39:1; BBFC Cert: 15.
      Director: Clint Eastwood; Writer: Brian Helgeland (based on the novel by Michael Connelly); Executive Producer: Robert Lorenz; Producer: Clint Eastwood; Director of Photography: Tom Stern; Music Composer: Lennie Niehaus; Film Editor: Joel Cox; Casting Director: Phyllis Huffman; Production Designer: Henry Bumstead; Art Director: Jack G. Taylor Jr.; Set Decorator: Richard C. Goddard; Costumes: Deborah Hopper; Make-up: Tania McComas, Francisco X. Pérez; Sound: Alan Robert Murray, Bub Asman; Special Effects: Steve Riley; Visual Effects: Michael Owens.
      Cast: Clint Eastwood (Terry McCaleb), Jeff Daniels (Jasper ‘Buddy’ Noone), Anjelica Huston (Dr. Bonnie Fox), Wanda De Jesus (Graciella Rivers), Tina Lifford (Detective Jaye Winston), Paul Rodriguez (Detective Ronaldo Arrango), Dylan Walsh (Detective John Waller), Mason Lucero (Raymond Torres), Gerry Becker (Mr. Toliver), Rick Hoffman (James Lockridge), Alix Koromzay (Mrs. Cordell), Igor Jijikine (Mikhail Bolotov), Dina Eastwood (Reporter #1), Beverly Leech (Reporter #2), June Kyoto Lu (Mrs. Kang), Chao Li Chi (Mr. Kang), Glenn Morshower (Captain), Robert Harvey (Restaurant Manager), Matt Huffman (Young Detective), Mark Thomason (James Cordell), Maria Quiban (Gloria Torres), Brent Hinkley (Cab Driver), Natalia Ongaro (Receptionist), Amanda Carlin (Office Manager), Ted Rooney (Forensics #1), P.J. Byrne (Forensics #2), Sam Jaeger (Deputy), Derric Nugent (L.A.P.D. Officer).
       Synopsis: Still recovering from a heart transplant, a retired FBI profiler returns to service when his own blood analysis offers clues to the identity of a serial killer.
      Comment: Interesting premise is occasionally undone by lapses in logic and implausibilities. The production also feels a little too routine. Eastwood is as charismatic as ever in the lead role, but as director, he fails to inject sufficient suspense, even in its finale. The strongest moments are the character conflicts that arise during the story – notably Eastwood and his doctor Huston as well as with the two cops (Rodriguez and Walsh). It remains an entertaining enough and serviceable mystery despite its flaws.