TV Review – SHERWOOD (2022)

SHERWOOD (2022, UK, 6 x 60m, 15) ****
Crime, Mystery
dist. British Broadcasting Corporation (BBC) (UK); pr co. House Productions; d. Lewis Arnold, Ben A. Williams w. James Graham; exec pr. Lewis Arnold, James Graham, Juliette Howell, Ben Irving, Tessa Ross, Harriet Spencer; pr. Rebecca Hodgson; ph. Sam Care, Simon Archer (Colour | 2.00:1); m sup. Catherine Grieves; ed. Sacha Szwarc, Sam White; ad. Stephanie Nicolle.
cast: David Morrissey (DCS Ian St Clair), Lesley Manville (Julie Jackson), Robert Glenister (DI Kevin Salisbury), Kevin Doyle (Fred Rowley), Claire Rushbrook (Cathy Rowley), Lorraine Ashbourne (Daphne Sparrow), Terence Maynard (DS Cleaver), Perry Fitzpatrick (Rory Sparrow), Andrea Lowe (DI Taylor), Philip Jackson (Mickey Sparrow), Clare Holman (Helen St Clair), Adam Hugill (Scott Rowley), Adeel Akhtar (Andy Fisher), Bally Gill (Neel Fisher), Nadine Marshall (Jenny Harris), Bill Jones (Ronan Sparrow), Harpal Hayer (PC Arjun Patel), Chloe Harris (PC Kirsty Dove), Safia Oakley-Green (Cinderella Jackson), Don Gilet (Jacob Harris), Mark Addy (Ron St Clair), Alun Armstrong (Gary Jackson), Stephen Tompkinson (Warnock), Lindsay Duncan (Jennifer Hale).
In this moody crime drama, seemingly patterned after the highly popular BROADCHURCH, two shocking murders shatter an already fractured community, leading to one of the largest manhunts in British history while threatening to inflame historic divisions sparked during the Miners’ Strike three decades before. Intercutting the two time periods enables writer Graham to set the character background and the story involves a large cast of highly accomplished actors. The performances of the ensemble cast are uniformly excellent The result is a largely absorbing drama that only wanders through its later episodes as establishing backstory for many of the characters takes precedence. The mystery element switches between the search for the murderer of Armstrong’s former NUM member to that of a police spy who has, unknown to the rest of the community, remained there. There are also personal dramas for most of the lead characters to deal with – notably the antagonism between detectives Morrissey and Glenister. The portrayal of a community divided by ongoing grudges carried over from the miner’s strike of 1984 is painstakingly detailed, but the finale which gathers all those characters together to have their say feels a little staged and manufactured but serves to hammer home the points.

Film Review – THE LIKELY LADS (1976)

The Likely Lads writers on lost episodes rediscovered, and why the ...THE LIKELY LADS (1976, UK) ***
dist. Anglo-EMI Film Distributors; pr co. Anglo-EMI Productions; d. Michael Tuchner; w. Dick Clement, Ian La Frenais; exec pr. Nat Cohen, Philip Collins; pr. Aida Young; ph. Tony Imi (Technicolor. 35mm. Spherical. 1.66:1); m. Mike Hugg; ed. Ralph Sheldon; ad. Robert Jones; cos. Emma Porteous; m/up. Neville Smallwood, Jan Dorman; sd. Kevin Sutton (Mono); rel. 2 April 1976 (UK); cert: PG; r/t. 90m.

cast: Rodney Bewes (Bob Ferris), James Bolam (Terry Collier), Brigit Forsyth (Thelma Ferris), Mary Tamm (Christina), Sheila Fearn (Audrey Collier), Zena Walker (Laura Windsor), Anulka Dziubinska (Dawn Windsor), Alun Armstrong (Tommy – Milkman), Judy Buxton (Iris), Vicki Michelle (Glenys), Penny Irving (Sandy), Michelle Newell (Alice), Susan Tracy (Edith Collier), Gordon Griffin (Cyril Collier), Edward Wilson (Les Ferris), Roger Avon (Joe the Landlord), Ronald Lacey (Ernie), Elizabeth Lax (Wendy – Bob’s Secretary), Linda Robson (Marsha), Ian McDiarmid (Vicar).

This spin-off from the successful TV series sees childhood pals Bewes and Bolam (as Bob and Terry) at their bickering best as Bewes attempts to come to terms with some form of mid-life crisis. Forsyth is also excellent as Bewes’ manipulative wife, Thelma, striving to find a long-term partner for Bolam. The film is episodic and allows room for the lead characters’ witty philosophical reflections on life. However, it gets caught between two stools by trying to capture the intimacy of its TV roots whilst expanding the setting with a mid-story disastrous caravan holiday. That said there is always a laugh around the corner. Attempts at broader bedroom farce are beneath the rest of the material and seem merely included to appeal to fans of many of the British sex comedies of the day. The film is at its best in its moments of nostalgia. Patchy but entertaining.

Film Review – GET CARTER (1971)

Image result for get carter 1971 blu-rayGet Carter (1971; UK; Metrocolor; 112m) ***** d. Mike Hodges; w. Mike Hodges; ph. Wolfgang Suschitzky; m. Roy Budd.  Cast: Michael Caine, Ian Hendry, Britt Ekland, John Osborne, Tony Beckley, George Sewell, Geraldine Moffat, Dorothy White, Rosemarie Dunham, Alun Armstrong, Petra Markham, Bryan Mosley, Terence Rigby, Glynn Edwards, Bernard Hepton. When his brother dies under mysterious circumstances in a car accident, a London gangster travels to Newcastle to investigate. Quintessential British gangster movie with Caine’s iconic performance setting the bar for others to follow. Hodges directs with flair and Suschitzky’s photography evocatively captures the bleakness of the North-East landscape. Budd’s minimalist score adds to the menace. A genre classic. Based on the novel “Jack’s Return Home” by Ted Lewis. Remade as HIT MAN in 1972 and again in 2000. [18]