ALIAS SMITH & JONES: THE MCCREEDY BUST: GOING, GOING, GONE (1972, USA) ****
net. American Broadcasting Company (ABC); pr co. Roy Huggins-Public Arts Productions / Universal Studios; d. Alexander Singer; w. Nicholas E. Baehr (based on a story by Roy Huggins (as John Thomas James)); exec pr. Roy Huggins; pr. Glen A. Larson; ass pr. Nicholas E. Baehr, Jo Swerling Jr.; ph. William Cronjager (Technicolor. 35mm. Spherical. 1.33:1); m. John Andrew Tartaglia; th. Billy Goldenberg; ed. Richard Bracken; ad. Phillip Bennett; set d. Bert Allen; sd. Earl Crain Jr. (Mono); tr. 14 February 1972; r/t. 50m.
cast: Pete Duel (Hannibal Heyes (alias Joshua Smith)), Ben Murphy (Jed ‘Kid’ Curry (alias Thaddeus Jones)), Lee Majors (Joe Briggs), Burl Ives (Big Mac McCreedy), Bradford Dillman (Spencer), Cesar Romero (Armendariz), Ted Gehring (Seth Griffin), Bing Russell (Sheriff), Paul Micale (Little Man), Robert P. Lieb (Auctioneer), Jimmie Booth (Stage Driver (uncredited)), Nick Borgani (Townsman (uncredited)), Roger Davis (Narrator (uncredited)), Rudy Doucette (Barfly (uncredited)), Harold ‘Hal’ Frizzell (Bartender (uncredited)), Jerry Harper (Poker Player #1 (uncredited)), Lars Hensen (Barfly (uncredited)), Primo López (Auction Guest (uncredited)), Daniel Francis Martin (Dealer (uncredited)), Clyde McLeod (Auction Guest (uncredited)), Hal Needham (Duke (uncredited)), John Rayner (Man (uncredited)), Edwin Rochelle (Auction Clerk (uncredited)), John Zimeas (Barfly (uncredited)).
(s. 2 ep. 16) Big Mac’ McCreedy (Ives) hires Smith and Jones (Duel and Murphy) to steal it (again ) – the Cesar’s bust from Armendariz (Romero) but Heyes refuses (but agrees to teach one of McCreedy’s men how to do it instead.) Heyes and Curry agree to escort the bust from a pre-arranged going spite too San Fransisco, where is to be auctioned. Whilst Heyes and Curry wait at the town near three deep-spot, they meet the town bully (Majors). Though they keep backing down, the bully keeps pushing, and Curry starts losing his temper. This sequel to the previous season’s The McCreedy Bust is a superb example of the easy-going nature of the series, but also with some dramatic tension and philosophical messaging. Duel and Murphy are on top of their game here, bickering as they try to avoid hired gunman Majors whilst seeing through their job for Ives. Dillman offers a sensitive portrayal of a clergyman turning to alcohol through his lack of faith. His interplay with Murphy, notably in the finale is memorable. Majors is all arrogance as the heavy. The final twist leaves the story open.