Edge: The Loner (TV) (2015; USA; Colour; 62m) ∗½ d. Shane Black; w. Shane Black, Fred Dekker; ph. Dante Spinotti; m. Brian Tyler. Cast: Max Martini, Ryan Kwanten, Yvonne Strahovski, Alicja Bachleda, William Sadler, Beau Knapp, Robert Bailey Jr., Noah Segan. A Union officer turned cowboy roams the Old West in the post-Civil War era on a quest for revenge in this series based on the best-selling books of the same name. Martini gives a one-note performance in this familiar tale further marred by over-the-top violence, misfiring black humour and one-dimensional characters. Pilot for Amazon TV series is based on the books by George C. Gilman (Terry Harknett). 
THE GIRL WHO DIED / THE WOMAN WHO LIVED
2 episodes / 92m / 17 & 24 October 2015
Writer: (1) Jamie Mathieson, Steven Moffat & (2) Catherine Tregenna
Director: Ed Bazalgette
Cast: (1 & 2) Peter Capaldi (The Doctor), Jenna Coleman (Clara), Maisie Williams (Ashildr/The Knightmare). (1) David Schofield (Odin), Simon Lipkin (Nollarr), Ian Conningham (Chuckles), Tom Stourton (Lofty), Alastair Parker (Limpy), Murray McArthur (Hasten), Barnaby Kay (Heidi). (2) Rufus Hound (Sam Swift), Gareth Berliner (Coachman), Elisabeth Hopper (Lucie Fanshawe), John Voce (Mr Fanshawe), Struan Rodger (Clayton), Gruffudd Glyn (Pikeman Lloyd Llewelyn), Reuben Johnson (Pikeman William Stout), Ariyon Bakare (Leandro), Ariyon Bakare (Leandro), Daniel Fearn (Crowd 1), Karen Seacombe (Crowd 2), John Hales (Hangman).
Plot: (1) Captured by Vikings, the Doctor and Clara must help protect their village from space warriors from the future, the Mire. Outnumbered and outgunned, their fate seems inevitable. So why is the Doctor preoccupied with a single Viking girl? (2) England, 1651. Deadly highwayman ‘the Knightmare’ and his sidekick stalk the dark streets of London. But when they find loot that is not of this world, they come face to face with the Doctor. Who is theKnightmare in league with? And can the Doctor avoid the hangman’s noose and protect the Earth from a devilish betrayal?
Comment: A two-parter with each episode having distinct plots but an overarching theme concerning Williams’ Ashildr and how the Doctor impacts her life. Both stories are historical based with fantasy/alien elements incorporated and both are entertaining if slight. The Viking story is the more enjoyable of the two with a simpler plot, but occasionally it descends into childish humour. The highway bandit story is a more serious affair dealing with the aftermath of the Doctor’s decision from the first story. Clara is absent for most of the episode leaving the story to delve deeper into the cause and effect of the Doctor’s decision – notably its impact on Williams’ character. The resolution is a little disappointing for a series steeped in plot twists and unexpected turns, but may potentially be evidence that Moffat has scaled back on the big concept shock tactics and opted for more concise character-based stories – not necessarily a bad thing.
JUSTIFIED (2010-2015, USA, 1 x 52m and 77 x 38-45m, Colour, 1.78:1, Dolby Digital, Cert: 15, Crime/Drama/Thriller) ∗∗∗∗ / ∗∗∗∗∗
Starring: Timothy Olyphant (Deputy U.S. Marshal Raylan Givens); Nick Searcy (Chief Deputy U.S. Marshal Art Mullen); Joelle Carter (Ava Crowder); Jacob Pitts (Deputy U.S. Marshal Tim Gutterson); Erica Tazel (Deputy U.S. Marshal Rachel Brooks); Natalie Zea (Winona Hawkins); Walton Goggins (Boyd Crowder); Jere Burns (Wynn Duffy).
Developed by Graham Yost, based on the short story “Fire in the Hole” by Elmore Leonard; Executive Producers: Elmore Leonard, Graham Yost, Fred Golan, Michael Dinner, Sarah Timberman, Carl Beverly, Dave Andron, Don Kurt, Timothy Olyphant, Taylor Elmore, Benjamin Cavell, Chris Provenzano; Theme Music: Steve Porcaro
DVD Blurb: For six electrifying seasons, no crime series proved more combustible than the Peabody Award-winning Justified. At the explosive centre of the action, Western-style, gun-slinging U.S. Marshal Raylan Givens (Timothy Olyphant) confronts murder, drugs, bank heists, mobsters, crime families, corrupt politicians and even his own tumultuous past – and never backs down. His ultimate adversary is the cunning, complex outlaw Boyd Crowder (Walton Goggins), but the real wild card is Ava Crowder (Joelle Carter), the mysterious woman torn between the two men and both sides of the law. From creator Graham Yost and based on legendary author Elmore Leonard’s crime novella “Fire in the Hole,” it all leads to a perfectly unexpected final showdown.
Season One (2010) ∗∗∗∗
The story arc of season one concentrates on the crimes of the Crowder family. Raylan seeks to protect Ava Crowder (Joelle Carter) from the rest of the Crowder clan after she shoots her husband, Bowman Crowder, dead in retaliation for years of abuse. Mix of standalone episodes and story arc make for a slightly disjointed season offset by the strength of characters and a witty scripts. Olyphant displays a wry charm and toughness, whilst Goggins creates a character of real depth as the bigoted criminal who got religion, Boyd Crowder.
Season Two (2011) ∗∗∗∗∗
Season 2 deals primarily with the criminal dealings of the Bennett clan. Family matriarch Mags Bennett (Margo Martindale) and her three sons Dickie (Jeremy Davies), Coover (Brad William Henke), and Corbin County Police Chief Doyle (Joseph Lyle Taylor) plan to expand their marijuana business into Crowder territory following Bo’s death, as Boyd has proven somewhat reluctant to follow in his father’s footsteps. The best series of Justified is helped by a superb support cast who give great depth to their characters, engaging plot and top-notch performances all round – notably Martindale as the matriarch Mags.
Season Three (2012) ∗∗∗∗
Season 3 introduces a new main villain, Robert Quarles (Neal McDonough) of Detroit. The criminal organization connected to the Frankfort, Kentucky, mob has exiled Quarles to Kentucky. Quarles allies himself with local enforcer Wynn Duffy (Jere Burns) and supplants the local criminals when Raylan begins investigating. Quarles is an initially interesting character but McDonough’s performance quickly descends into psychotic overkill. This season sees sadistic overtones playing an increasing part in the series.
Season Four (2013) ∗∗∗∗
Season 4 is about a mystery which was left unsolved for 30 years. On January 21, 1983, a man wearing a defective parachute plummets onto a residential street in Corbin, Kentucky, dying instantly. His body is surrounded by bags full of cocaine and an ID tag for a “Waldo Truth”. Interesting change of pace for the series that hinges on the mystery element. Once the mystery is solved it then becomes a tense tug-of-war between organized crime and the US Marshal Service.
Season Five (2014) ∗∗∗∗
Season 5 features the alligator-farming Crowe crime family, led by Darryl Crowe, Jr. (played by Michael Rappaport). The Crowes try to muscle in on the drug scene in Harlan county. Lots of incompetency amongst the criminals in their quest to climb the totem pole. This is interspersed with the series’ sometimes laugh-out-loud and dark wry humour and increasingly bloody violence. This is the series we get to see the most of Damon Herriman’s likeable rogue Dewey Crowe and he is excellent playing off Olyphant and Goggins.
Season Six (2015) ∗∗∗∗∗
Season 6 revolves around the culmination of Raylan and Boyd’s rivalry, complicated by Ava’s betrayal, the machinations of Avery Markham (Sam Elliott), and a plot to rob him by Boyd, Wynn Duffy and Markham’s secret adversary. Boyd succeeds in robbing Markham, but Raylan’s plan to entrap him with Ava’s help has tragic consequences. Triumphant final season rivals season 2 in quality and depth of character, displaying all the series’ strengths in its writing and performances with humour, shock twists and a satisfying conclusion to the Raylan/Ava/Boyd triangle. This has always been an excellent series for females and Carter gives her best performance of the series as the resourceful Ava, whilst Mary Steenbergen is also very good as the seductive and cruel Katherine Hale.
UNDER THE LAKE / BEFORE THE FLOOD
2 episodes / 86m / 3 & 10 October 2015
Writer: Toby Whithouse
Director: Daniel O’Hara
Cast: Peter Capaldi (The Doctor), Jenna Coleman (Clara), Colin McFarlane (Moran), Sophie Stone (Cass), Zaqi Ismail (Lunn), Morven Christie (O’Donnell), Arsher Ali (Bennett), Steven Robertson (Pritchard), Paul Kaye (Prentis), Peter Serafinowicz (Voice of Fisher King), Corey Taylor (Voice of Fisher King).
Plot: Under a lake, in the dripping gloom of an underwater base, stands a gleaming black space ship, recovered from the lake bed. Nothing is inside – but when the base crew start dying, they make a terrible discovery: ghosts are real! And their friends are refusing to stay dead! The Doctor and Clara arrive to find a base under siege from beyond the grave. But how can the dead be walking? What has brought them back? When the Doctor discovers the truth, it is more terrifying than any simple ghost story.Comment: A traditional Who story in many ways as it features many elements that have worked well throughout the show’s history – the isolated base under siege, the use of different time zones for the Doctor to influence events, etc. The first episode is set entirely in the underwater base and leaves the Doctor, Clara and the crew to untangle the mystery of the messages left in an abandoned spacecraft and the seeming ghosts that are beginning to kill them off one by one. The second episode sees the Doctor and two members of the crew travel back to 1980 and before the valley was flooded, where he ultimately finds the source of the message. The Fisher King is an imposing monster and the story neatly wraps up the mystery. Along the way there are some creepy and atmospheric scenes, even if there is a little bit too much chasing through corridors (another Who staple). Capaldi and Coleman are in top form, but the guest cast is a mixed bag with only Sophie Stone’s deaf/mute Cass and Paul Kaye’s alien undertaker standing out. The two-part format again works well allowing the plot room to develop and this is a good solid story – the type of which the series continues to do well. Not sure about the specs as a replacement for the sonic screwdriver though.
THE MAGICIAN’S APPRENTICE / THE WITCH’S FAMILIAR
2 episodes / 95m / 19 & 26 September 2015
Writer: Steven Moffat
Director: Hettie MacDonald
Cast: Peter Capaldi (The Doctor), Jenna Coleman (Clara Oswald), Michelle Gomez (Missy), Julian Bleach (Davros), Jemma Redgrave (Kate Stewart), Jaye Griffiths (Jac), Harki Bhambra (Mike), Daniel Hoffmann-Gill (Bors), Joey Price (Young Davros),
Benjamin Cawley (Kanzo), Aaron Neil (Mr Dunlop), Clare Higgins (Ohila), Nicholas Briggs (Voice of the Daleks), Kelly Hunter (Shadow Architect), India Ria Amarteifio (Alison), Dasharn Anderson (Ryan), Stefan Adegbola, Shin-Fei Chen, Lucy Newman- Williams (Newreaders), Barnaby Edwards, Nicholas Pegg (Daleks), Jonathon Ojinnaka (Soldier).
Plot: Capaldi returns as the Doctor for another series of time-travelling exploits. However, as this first adventure begins, it seems the Time Lord has gone missing – which is bad news for Earth, as a mysterious alien force has frozen the skies. Clara needs to find her friend – but where is he and what is he hiding from? Things soon become clear with the appearance of a familiar old enemy with a black hat and Scottish accent.
Comment: Confident two-part series opener. The plot takes the concept from the powerful scene from 1975’s GENESIS OF THE DALEKS – in which Tom Baker’s Doctor and Michael Wisher’s Davros debated genocidal ethics – and stretches it over a full story. Capaldi’s scenes with Bleach are enthralling and their interplay is the highlight of what is a stylish production. The story also pairs off Gomez’s Missy and Coleman’s Clara and their exchanges are lively and witty. It is also great to see the Daleks in most of their various liveries from over the years. Great ideas abound – including Hand Mines reaching out from the mud and a sewerage system on Skaro that is literally alive with waste. In recent series Moffat has taken an increasingly scattergun approach to his writing, cramming so many ideas that the stories can sometimes lose focus for the sake of a witty or wacky scene, but here he stretches them over two-episodes allowing the story room to breathe. The result is a visual treat combined with an emotive plot, creating a very satisfying whole.
Trials of Jimmy Rose, The (TV) (2015, UK, Colour, 135m) ∗∗ d. Adrian Shergold; w. Alan Whiting; ph. Tony Slater-Ling; m. Ben Bartlett; ed. Tania Reddin. Cast: Ray Winstone, Amanda Redman, John Lynch, Mel Raido, Paul Jesson, Tom Cullen, Leticia Dolera, Marion Bailey, Akin Gazi, Charlotte Randle, Leticia Dolera, Jack Colgrave Hirst, Pippa Bennett-Warner, Daisy Cooper-Kelly, Montanna Thompson. Winstone stars as a former armed robber released from prison after a lengthy sentence. He returns home to try and get his life back in order and reconnect with his wife and children – but he finds the world and his family have changed in his absence, and faces a struggle to avoid being drawn back into a life of crime. Predictable crime drama with over-wrought script and one-dimensional performance from Winstone. Tone is heavily downbeat and noir-ish, without the saving grace of rhythm and wit. Redman tries her best to overcome the clichés within the script, but ultimately this is standard fare with nothing new to offer. Shown in 3 episodes. DVD 
THE UNQUIET DEAD
1 episode / 45m / 9 April 2005
Writer: Mark Gatiss
Director: Euros Lyn
Cast: Christopher Eccleston (The Doctor), Billie Piper (Rose Tyler), Alan David (Gabriel Sneed), Huw Rhys (Redpath), Jennifer Hill (Mrs Peace), Eve Myles (Gwyneth), Simon Callow (Charles Dickens), Wayne Cater (Stage Manager), Meic Povey (Driver), Zoe Thorne (The Gelth).
Plot: The Doctor takes Rose back through time to 1869. But in Victorian Cardiff, the dead are walking, and creatures made of gas are on the loose. The time-travellers team up with Charles Dickens to investigate Mr Sneed, the local Undertaker. Can they halt the plans of the ethereal Gelth?
Comment: The series kicks into gear with this episode, which delves into history and literature. The atmosphere is perfectly pitched by director Lyn with strong turns from his cast. Callow, a Dickens fan himself, is excellent as the renowned author as are David as the grim welsh undertaker and Myles as his housemaid, who has second sight. Eccleston and Piper have already built a strong rapport and there is plenty of opportunity for Eccleston’s Doctor to be commanding. The scene where the Doctor realises he has been tricked by the Gelth, who have used Myles as their passageway is wonderfully played by both actors. The only downside is some of the comedy early in the episode is again a little forced, but that doesn’t prevent this from being the best episode of the series to date by far.
2015 is the 10th anniversary of the return of one of British TV’s most historic shows – Doctor Who. Having also recently celebrated 50 years since its inception in 1963, the show continues to delight fans both old and new. To celebrate I have decided to revisit each episode from the re-launch masterminded by Russell T Davies, so here goes…
1 episode / 45m / 26 March 2005
Writer: Russell T Davies
Director: Keith Boak
Cast: Christopher Eccleston (Doctor Who), Billie Piper (Rose Tyler), Camille Coduri (Jackie Tyler), Noel Clarke (Mickey Smith), Mark Benton (Clive), Elli Garnett (Caroline), Adam McCoy (Clive’s Son), Alan Ruscoe, Paul Casey, David Sant, Elizabeth Fost, Helen Otway (Autons), Nicholas Briggs (Nestene Voice).
Plot: Rose Tyler is just an ordinary shop worker living an ordinary life in 21st century Britain. But that life is turned upside down when a strange man calling himself The Doctor drags her into an alien invasion attempt!
Comment: Introductory stories are always difficult to pull off due to the elements they are required to juggle – not least of which are the introduction of the main characters to the audience and the tone they set for the series. The stories are therefore often of secondary importance as a result and this is no exception with a lot to cram into its 45-minute running time. On the whole the episode works well in its purpose, although some of the comedy is played too broadly – notably Clarke’s Mickey and the CGI burping dustbin. The climax is well staged however as the Auton dummies spring to life in a busy shopping centre and wreak havoc as the Doctor tries to negotiate with the Nestene Consiousness. Eccleston is an atypical Doctor, simply costumed in a battered leather jacket, and merely hints here at the range he would display as the series progressed. Reference is made to his northern accent. Tyler is excellent as Rose as is Coduri as her mother, the flirty Jackie.
DOCTOR WHO: SERIES 8 (2014, BBC, UK, 1 x 77 mins, 1 x 60 mins and 10 x 45 mins, Colour, 1.78:1, Dolby Digital, Cert: PG, Sci-Fi/Adventure) ∗∗∗∗∗
Starring: Peter Capaldi (The Doctor), Jenna Coleman (Clara Oswald).
Executive Producer: Steven Moffat, Brian Minchin; Producer: Nikki Wilson, Peter Bennett; Music: Murray Gold.
Peter Capaldi is the most alien Doctor since the series returned to our screens in 2005. He produces a well-judged performance keeping the balance between eccentric humour and gravitas, something that could not be said of many of Matt Smith’s later stories where the humour began to take over. Capaldi’s age also helps give the Doctor a more authoritative presence.
Jenna Coleman embraces the new dynamic and rises to the occasion to produce her best performances of her tenure. The addition of Samuel Anderson as her love interest, teacher and former soldier Danny Pink, ensures she remains a central focus throughout the series.
The plot umbrella involving the mysterious Missy (played with almost pantomime like relish by Michelle Gomez) led to a two-part finale that attempted to cram in too many emotional thumps. In general, however, the stories are of the most consistently high quality since Matt Smith’s debut season with the most successful of them going back to the basics of what makes this show the most enjoyable thing on television.
1 DEEP BREATH (77m) ∗∗∗∗∗
Starring: Peter Capaldi (The Doctor), Jenna Coleman (Clara), Neve McIntosh (Madame Vastra), Dan Starkey (Strax), Catrin Stewart (Jenny Flint), Peter Ferdinando (Half-Face Man), Paul Hickey (Inspector Gregson), Tony Way (Alf), Maggie Service (Elsie), Mark Kempner (Cabbie), Brian Miller (Barney), Graham Duff (Waiter), Ellis George (Courtney Woods), Peter Hannah (Policeman), Paul Kasey (Footman), Michelle Gomez (Missy [The Gatekeeper of the Nethersphere]), Matt Smith (The Eleventh Doctor).
Director: Ben Wheatley; Writer: Steven Moffat.
When the Doctor arrives in Victorian London, he finds a dinosaur rampant in the Thames and a spate of deadly spontaneous combustions. Who is the new Doctor and will Clara’s friendship survive as they embark on a terrifying mission into the heart of an alien conspiracy? The Doctor has changed. It’s time you knew him. A lively, if familiar, adventure with large doses of Moffat’s trademark humorous dialogue and manic energy interspersed with occasional moments of atmosphere and tension.
2 INTO THE DALEK (45m) ∗∗∗∗∗
Starring: Peter Capaldi (The Doctor), Jenna Coleman (Clara), Zawe Ashton (Journey Blue), Michael Smiley (Colonel Morgan Blue), Samuel Anderson (Danny Pink), Laura Dos Santos (Gretchen Allison Carlysle), Ben Crompton (Ross), Bradley Ford (Fleming), Michelle Morris (School Secretary), Nigel Betts (Mr Armitage), Ellis George (Courtney Woods), Barnaby Edwards (Dalek [Rusty]), Nicholas Briggs (Voice of Battered Dalek), Michelle Gomez (Missy [The Gatekeeper of the Nethersphere]).
Director: Ben Wheatley; Writer: Phil Ford & Steven Moffat.
A Dalek fleet surrounds a lone rebel ship, and only the Doctor can help them now… with the Doctor facing his greatest enemy, he needs Clara by his side. Confronted with a decision that could change the Daleks forever he is forced to examine his conscience. Will he find the answer to the question, am I a good man? An interesting mix of elements from the 1966 movie Fantastic Voyage and Series 1’s Dalek episode. This gives Capaldi more room to establish himself as possibly the best Doctor of the new run and certainly the most alien.
3 ROBOT OF SHERWOOD (47m) ∗∗∗∗∗
Starring: Peter Capaldi (The Doctor), Jenna Coleman (Clara), Tom Riley (Robin Hood [Robert, Earl of Loxley]), Roger Ashton-Griffiths (Quayle), Sabrina Bartlett (Quayle’s Ward [Marian]), Ben Miller (The Sheriff of Nottingham), Ian Hallard (Alan-a-Dale), Trevor Cooper (Friar Tuck), Rusty Goffe (Little John), Joseph Kennedy (Will Scarlett), Adam Jones (Walter), David Benson (Herald), David Langham (Guard), Tim Baggaley (Knight), Richard Elfyn (Voice of the Knights).
Director: Paul Murphy; Writer: Mark Gatiss.
In a sun-dappled Sherwood Forest, the Doctor discovers an evil plan from beyond the stars and strikes up an unlikely alliance with Robin Hood. With all of Nottingham at stake, the Doctor must decide who is real and who is fake. Can impossible heroes really exist? One of two lighter episodes (The Caretaker being the other) that harks back to the Matt Smith era. Capaldi handles the comedy well, but the whole thing feels a little too lightweight.
4 LISTEN (48m) ∗∗∗∗∗
Starring: Peter Capaldi (The Doctor), Jenna Coleman (Clara), Samuel Anderson (Danny Pink / Orson Pink), Remi Gooding (Rupert Pink), Robert Goodman (Reg), Kiran Shah (Figure), John Hurt (The War Doctor).
Director: Douglas Mackinnon; Writer: Steven Moffat.
When ghosts of past and future crowd into their lives, the Doctor and Clara are thrown into an adventure that takes them to the very end of the universe. What happens when the Doctor is alone? And what scares the grand old man of Time and Space? Listen! The first classic of the Capaldi era is a chilling evocation of bedtime nightmares and proves Moffat still has it in him to produce the scares in a lower budget episode, even if he is once again mining the child psyche to produce them.
5 TIME HEIST (46m) ∗∗∗∗∗
Starring: Peter Capaldi (The Doctor), Jenna Coleman (Clara), Keeley Hawes (Ms Delphox), Jonathan Bailey (Psi), Pippa Bennett-Warner (Saibra), Mark Ebulue (Guard), Trevor Sellers (Mr Porrima), Junior Laniyan (Suited Customer), Ross Mullan (The Teller).
Director: Douglas Mackinnon; Writer: Steve Thompson & Steven Moffat.
The Doctor turns bank robber when he is given a task he cannot refuse – to steal from the most dangerous bank in the cosmos. With the help of a beautiful shape-shifter and cyber-augmented gamer, the Doctor and Clara must fight their way past deadly security and come face to face with the fearsome Teller: a creature of terrifying power that can detect guilt. Who’s version for a heist movie is well-played by a game cast, with The Teller a memorable monster creation. Whilst the story doesn’t really go anywhere it has its share of entertaining moments.
6 THE CARETAKER (46m) ∗∗∗∗∗
Starring: Peter Capaldi (The Doctor), Jenna Coleman (Clara), Samuel Anderson (Danny), Ellis George (Courtney Woods), Edward Harrison (Adrian), Nigel Betts (Mr Armitage), Andy Gillies (CSO Matthew), Nanya Campbell (Noah), Joshua Warner-Campbell (Yashe), Oliver Barry-Brook(Kelvin), Ramone Morgan(Tobias), Winston Ellis (Mr Woods), Gracy Goldman (Mrs Woods), Diana Katis (Mrs Christopholou), Jimmy Vee (Skovox Blitzer), Chris Addison (Seb), Michelle Gomez (Missy [The Gatekeeper of the Nethersphere]).
Director: Paul Murphy; Writer: Gareth Roberts.
The terrifying Skovox Blitzer is ready to destroy all humanity – but worse, and any second now, Danny Pink and the Doctor are going to meet. When terrifying events threaten Coal Hill School, the Doctor decides to go undercover. The better of the two comedic stories in the series. Capaldi really enjoys his undercover role and there is much fun to be had with Vee’s monster.
7 KILL THE MOON (47m) ∗∗∗∗∗
Starring: Peter Capaldi (The Doctor), Jenna Coleman (Clara), Samuel Anderson (Danny), Ellis George (Courtney), Hermione Norris (Lundvik), Tony Osoba (Duke), Phil Nice (Henry), Christopher Dane (McKean).
Director: Paul Wilmhurst; Writer: Peter Harness.
In the near future, the Doctor and Clara find themselves on a space shuttle making a suicide mission to the Moon. Crash-landing on the lunar surface, they find a mining base full of corpses, vicious spider-like creatures poised to attack, and a terrible dilemma. When Clara turns to the Doctor for help, she gets the shock of her life. Beautifully filmed episode that wracks up the tension through its claustrophobic setting. The spider creatures are truly terrifying, but the pay-off solution stretches credulity. However the coda between Capaldi and Coleman packs an emotional wallop.
8 MUMMY ON THE ORIENT EXPRESS (47m) ∗∗∗∗∗
Starring: Peter Capaldi (The Doctor), Jenna Coleman (Clara), Samuel Anderson (Danny Pink), Frank Skinner (Perkins), David Bamber (Captain Quell), John Sessions (Gus), Daisy Beaumont (Maisie Pitt), Janet Henfrey (Mrs Pitt), Christopher Villiers (Professor Emil Moorhouse), Foxes (Singer), Jamie Hill (Foretold).
Director: Paul Wilmhurst; Writer: Jamie Mathieson.
The Doctor and Clara are on the most beautiful train in history, speeding among the stars of the future – but they are unaware that a deadly creature is stalking the passengers. Once you see the horrifying Mummy you only have 66 seconds to live. No exceptions, no reprieve. As the Doctor races against the clock Clara sees him at his deadliest and most ruthless. Will he work out how to defeat the Mummy? Start the clock! Another race against the clock scenario (previously done in 42) but made with such style, grace and wit you can forgive its contrivances. The mummy creature is a brilliantly realised effect.
9 FLATLINE (44m) ∗∗∗∗∗
Starring: Peter Capaldi (The Doctor), Jenna Coleman (Clara), Samuel Anderson (Danny), John Cummins (Roscoe), Jessica Hayles (PC Forrest), Joivan Wade (Rigsy), Christopher Fairbank (Fenton), Matt Bardock (Al), Raj Bajaj (George), James Quinn (Bill), Michelle Gomez (Missy).
Director: Douglas Mackinnon; Writer: Jamie Mathieson.
Separated from the Doctor, Clara discovers a new menace from another dimension. But how do you hide when even the walls are no protection? With people to save and the Doctor trapped, Clara comes up against an enemy that exists beyond human perception. Brilliantly conceived and executed with some chilling moments and some fun with the Doctor trapped in a shrunken TARDIS. Again an example of the series working best when the budgets are limited.
10 IN THE FOREST OF THE NIGHT (46m) ∗∗∗∗∗
Starring: Peter Capaldi (The Doctor), Jenna Coleman (Clara), Samuel Anderson (Danny), Abigail Eames (Maebh), Jaydon Harris-Wallace (Samson Jaydon Harris-Wallace), Ashley Foster (Bradley), Harley Bird (Ruby), Michelle Gomez (Missy), Siwan Morris (Maebh’s Mum), Harry Dickman (George), James Weber Brown (Minister), Michelle Asante (Neighbour), Curtis Flowers (Emergency Service Officer), Jenny Hill (Herself), Kate Tydman (Paris Reporter), Nana Amoo-Gottfried (Accra Reporter), William Wright-Neblett (Little Boy), Eloise Barnes (Annabel).
Director: Sheree Folkson; Writer: Frank Cottrell Boyce.
One morning, in every city and town in the world, the human race wakes up to face the most surprising invasion yet. Everywhere, in every land, a forest has grown overnight and taken back the Earth. It doesn’t take the Doctor long to discover that the final days of humanity have arrived. A story where its ambitions outweigh its resources. There are some good moments here too, despite the over-reaching concept and Capaldi has settled nicely into his stride.
11/12 DARK WATER / DEATH IN HEAVEN (104m) ∗∗∗∗∗
Starring: Peter Capaldi (The Doctor), Jenna Coleman (Clara), Samuel Anderson (Danny), Michelle Gomez (Missy), Ingrid Oliver (Osgood), Jemma Redgrave (Kate Lethbridge-Stewart), Sanjeev Bhaskar (Colonel Ahmed), Chris Addison (Seb), Andrew Leung (Doctor Chang), Bradley Ford (Fleming), Antonio Bourouphael (Boy), Joan Blackham (Woman), Sheila Reid (Gran), Jeremiah Krage (Cyberman), Nicholas Briggs (Voice of the Cybermen), Nigel Betts (Mr Armitage), Shane Keogh-Grenade (Teenage Boy), Katie Bignell (Teenage Girl), James Pearse (Graham), Nick Frost (Santa Claus).
Director: Rachel Talalay; Writer: Steven Moffat.
In the mysterious world of the Nethersphere, plans have been drawn up. Missy is about to come face to face with the Doctor, and an impossible choice is looming. “Death is not an end” promises the sinister organisation known only as 3W – but, as the Doctor and Clara discover, you might wish it was. The set up in Dark Water is intriguing and echoes Revelation of the Daleks’ black humour. The cliffhanger reveal is not a surprise, however, and the final episode is overblown, contrived and confusing. There are too many convenient plot resolutions for comfort here, but the final scene between Capaldi and Coleman is perfectly judged.
DOCTOR WHO: DEEP BREATH (2014, BBC, UK, 76 mins, Colour, 1.78:1, Dolby Digital, Cert: PG, Sci-Fi/Adventure) ∗∗∗∗∗
Starring: Peter Capaldi (The Doctor), Jenna Coleman (Clara Oswald), Neve McIntosh (Madame Vastra), Catrin Stewart (Jenny Flint), Dan Starkey (Strax), Peter Ferdinando (Half-Face Man), Paul Hickey (Inspector Gregson), Tony Way (Alf), Maggie Service (Elsie), Brian Miller (Barney), Ellis George (Courtney).
Executive Producer: Steven Moffat, Brian Minchin; Producer: Nikki Wilson; Director: Ben Wheatley; Writer: Steven Moffat; Script Editor: Derek Ritchie; Director of Photography: Magni Agustsson; Music: Murray Gold; Film Editor: William Oswald; Production Designer: Michael Pickwoad; Costume Designer: Howard Burden; Special Effects: MILK, BBC Wales Visual Effects, Real SFX, Millennium FX.
Peter Capaldi’s debut as the ever-popular Time Lord has been hotly anticipated since it was announced he would be taking over the role a year ago. Casting an older actor (Capaldi is 56) after the extremely popular Matt Smith, who was half Capaldi’s age was a bold move by Moffat, who has signalled a desire to introduce more gravity into the part and into the plots.
Deep Breath only hints at these changes, being a lively adventure with large doses of Moffat’s trademark humorous dialogue and manic energy interspersed with occasional moments of atmosphere and tension. There are nods to the classic series in a dinosaur roaming London (Invasion of the Dinosaurs) and residents of Victorian London being exploited for their flesh (The Talons of Weng-Chiang). Moffat also looks to his own earlier work – the clockwork men are taken from The Girl in the Fireplace and the Doctor’s instruction “don’t breathe” top avoid detection by the clockwork men is reminiscent of “don’t blink” from Blink.
The Vastra-Jenny-Strax trio is starting to wear a bit thin, however, recycling much of the banter from earlier appearances. It may have been felt that there was a need to surround the new Doctor with familiar elements in order to gain acceptance. This is nothing new – even Tom Baker had to go through a debut story obviously styled around his predecessor before very quickly finding his own feet one story later. It is to be hoped Moffat has remained true to his word in creating a more challenging and thoughtful Doctor. There is certainly a hint here that once Capaldi settles into the role we will have a strong Doctor and a more serious tone. The series needs to restore a sense of tension and jeopardy, so it was refreshing to see the seemingly infinitely adaptable sonic screwdriver used less frequently.
A good, but not great, start to a new era. Next week it’s Into the Dalek.