Doctor Who: (1) Extremis/(2) The Pyramid at the End of the World/(3) The Lie of the Land (TV) (2017; UK; Colour; 140m) ∗∗∗½ pr. Peter Bennett (1 & 2), Nikki Wilson (3); d. Daniel Nettheim (1 & 2), Wayne Che Yip (3); w. Steven Moffat (1 & 2), Peter Harness (2), Toby Whithouse (3); ph. Ashley Rowe; m. Murray Gold. Cast: Peter Capaldi, Pearl Mackie, Matt Lucas , Michelle Gomez, Jennifer Hennessy, Corrado Invernizzi, Joseph Long, Jamie Hill, Togo Igawa, Nigel Hastings, Eben Young, Rachel Denning, Tony Gardner, Andrew Byron, Daphne Cheung, Rosie Jane. (1) In the Haereticum – the Vatican’s secret library of blasphemy – there is an ancient book known only as The Veritas. Throughout history, anyone who has ever read it has immediately taken their own life. Now a new translation is online, and the danger is spreading. The Vatican appeals to the Doctor. Will he read The Veritas? But can even the Doctor survive the ultimate truth? (2) A 5,000 year-old Pyramid stands at the centre of a war zone, where the Chinese, Russian and American armies are about to clash. There are many problems with that, but the one that intrigues the Doctor is this: there wasn’t a pyramid there yesterday. The Doctor, Bill and Nardole face an alien invasion unlike any other, and before conquest can begin, these aliens need the consent of the human race… (3) The world is gripped by a mass delusion and only Bill Potts can see the truth. When even the Doctor is fighting on the wrong side, it’s up to Bill to convince the Time Lord that humanity is in deadly danger. And if she can’t do that, she may just have to kill her best friend. Frustratingly close to being a superb example of the series at its best, but let down by a weak resolution. The second segment is the strongest with the tension building to a superb cliffhanger only to be undone by a confused and rushed finale. 
Taking of Pelham 123, The (2009; USA/UK; DeLuxe; 106m) ∗∗½ d. Tony Scott; w. Brian Helgeland; ph. Tobias A. Schliessler; m. Harry Gregson-Williams. Cast: Denzel Washington, John Travolta, Luis Guzman, John Turturro, Michael Rispoli, James Gandolfini, Victor Gojcaj, Ramon Rodriguez, Saidah Arrika Ekulona, John Benjamin Hickey, Alex Kaluzhsky, Gary Basaraba, Katherine Sigismund, Gbenga Akinnagbe, Jake Richard Siciliano. Armed men hijack a New York City subway train, holding the passengers hostage in return for a ransom, and turning an ordinary day’s work for dispatcher Walter Garber into a face-off with the mastermind behind the crime. Scott’s dizzying visuals and frantic editing sucks the tension from this inferior remake that lacks the sardonic wit of the original. Washington, as usual, adds class, whilst Travolta over reaches as the chief villain. Based on the novel by John Godey. Previously filmed in 1974 and 1998 (for TV). 
Unstoppable (2010; USA; DeLuxe; 98m) ∗∗∗∗ d. Tony Scott; w. Mark Bomback; ph. Ben Seresin; m. Harry Gregson-Williams. Cast: Denzel Washington, Chris Pine, Rosario Dawson, Ethan Suples, Kevin Dunn, Kevin Corrigan, Lew Temple, T.J. Miller, Kevin Chapman, Jessy Schram, David Warshofskyt, Andy Umberger, Elizabeth Mathis, Meagan Tandy, Dylan Bruce. With an unmanned, half-mile-long freight train barrelling toward a city, a veteran engineer and a young conductor race against the clock to prevent a catastrophe. Fast-paced, crowd-pleasing thrill ride. Washington and Pine make for a great combination as unlikely heroes. Superbly directed and edited it makes the most of its popcorn script. The film was loosely based on the real-life CSX 8888 incident in the U.S. state of Ohio in 2001. Unfortunately, the film was Scott’s final one before his death in 2012.